Anthropology is a kind of debate between human possibilities—a dialectical movement between the anthropologist as a modern man and the primitive peoples he studies. In Search of the Primitive is a tough-minded book containing chapters ranging from encounters in the field to essays on the nature of law, schizophrenia and civilization, and the evolution of the work of Claude Lévi-Strauss. Above all it is reflective and self-critical, critical of the discipline of anthropology and of the civilization that produced that discipline. Diamond views the anthropologist who refuses to become a searching critic of his own civilizations as not merely irresponsible, but a tool of Western civilization. He rejects the associations which have been made in the ideology of our civilization, consciously or unconsciously, between Western dominance and progress, imperialism and evolution, evolution and progress.

Anthropology is a kind of debate between human possibilities—a dialectical movement between the anthropologist as a modern man and the primitive peoples he studies. In Search of the Primitive is a tough-minded book containing chapters ranging from encounters in the field to essays on the nature of law, schizophrenia and civilization, and the evolution of the work of Claude Lévi-Strauss. Above all it is reflective and self-critical, critical of the discipline of anthropology and of the civilization that produced that discipline. Diamond views the anthropologist who refuses to become a searching critic of his own civilizations as not merely irresponsible, but a tool of Western civilization. He rejects the associations which have been made in the ideology of our civilization, consciously or unconsciously, between Western dominance and progress, imperialism and evolution, evolution and progress.

Adam Kuper’s iconoclastic intellectual history argues that the idea of “primitive society” is a western myth. The “primitive” is imagined as the opposite of the “civilised”. But this is a protean myth. As ideas about civilisation change, so the image of primitive society must be adjusted. By way of fascinating account of classic texts in anthropology, ancient history and law, Kuper reveals how this myth underpinned academic research and inspired political programmes. Its ancestry is traced back to classical western beliefs about barbarians and savages, and Kuper also tackles the latest version of the myth, the idea of a global identity of “indigenous peoples”. The Reinvention of Primitive Society is a key text in the history of anthropology, and will interest anyone who has puzzled about the very idea of “primitive society” – and so, by implication, about “civilisation”.

Minimalism, savagery, the raw and the cooked, the primal and the pre-verbal, Elvis’s hips, The Rite of Spring . . . Earth Dances is an original investigation of how music and primitivism intersect – a dazzling journey through music and culture. With alternating chapters of criticism and interviews, including with Liza Lim and Brian Eno, composer and broadcaster Andrew Ford explores the relationship between primal forms of music and the most refined examples of the art – between passion and control. He looks at the voice, the drum, the drone and the dance, at ‘music that is in touch with something fundamental in our existence, music that seeks and rediscovers the earthy side of our nature, the primitive, the “simple, rude or rough”, and in doing so restores and resets our humanity’. ‘The perfect, knowledgeable, enthusiastic friend . . . I couldn’t put it down!’ —David Robertson ‘Much has been made of the search for the lost chord. But chords are sophisticated structures. Earth Dances documents Andrew Ford’s intrepid quest for the lost thud, and the lost scream . . . Music can’t survive without primitivism. It is the bushfire clearing overgrown and cluttered musical landscapes, paring them to essentials. This results in fresh structures, materials and practices that lead us to the place we belong.’ —Brian Ritchie, Violent Femmes, MONA FOMA ‘Earth Dances is a vivid and rarely less than astute history of the debt modern music simultaneously owes to the inheritances of tradition, and the texture of dissonance.’ —Kill Your Darlings ‘Filled with insightful musical analysis made accessible for a general audience.’ —Sydney Morning Herald

Anthropology is a kind of debate between human possi- bilities--a dialectical movement between the anthropologist as a modern man and the primitive peoples he studies. This brilliant, tough-minded book contains chapters ranging from encounters in the field to essays on the nature of law, schizophrenia and civilization, and the evolution of the work of Claude Lvi-Strauss. Diamond views the anthropologist who refuses to become a searching critic of his own civilization as not merely irresponsible, but a tool of Western civilization.

Professor Gombrich's last book and first narrative work in over 20 years.

AcknowledgmentsIntroduction1. The Mystique of Connoisseurship2. The Universality Principle3. The Night Side of Man4. Anonymity and Timelessness5. Power Plays6. Objets d'Art and Ethnographic Artifacts7. From Signature to Pedigree8. A Case in PointAfterwordNotesReferences CitedIllustration Credits Copyright © Libri GmbH. All rights reserved.

'This is an extraordinary and exciting book, the work of a truly original and creative psychoanalytic theoretician and most astute clinician. Ogden continues to expand and to deepen his reformulations of the British object-relations theorists, M. Klein, W. R. Bion, D. W. Winnicott, W. R. D. Fairbairn, H. Guntrip, to illuminate further the world of internalized object relations. His concepts are evolutionary and at times revolutionary. Exploring the area of human experience that lies beyond the psychological territories addressed by the previous theorists, he introduces the concept of an autistic-contiguous mode as a way of conceiving of the most primitive psychological organization through which the sensory 'floor' of the experience of self is generated. He conceives of this mode as a sensory-dominated, presymbolic area of experience in which the most primitive form of meaning is generated on the basis of organization of sensory impressions, particularly at the skin surface. A major tenet in the book is a conceptualization of human experience throughout life as the product of a dialectical interplay among three modes of generating experience: the depressive, the paranoid-schizoid, and the autistic-contiguous. Each mode creates, preserves, and negates the other. No single mode of generating experience exists independently of the others. Psychopathology is conceptualized as a 'collapse' of the dialectic in the direction of one or another mode of generating experience. The outcome of such collapse may be entrapment in rigid, asymbolic patterns of sensation (collapse in the direction of the autistic-contiguous mode), or imprisonment in a world of omnipotent internal objects where thoughts and feelings are experienced as things and forces which occupy or bombard the self (collapse in the direction of paranoid-schizoid mode) or isolation of the self from lived experience and aliveness of bodily, sensations (collapse in the direction of the depressive mode). Ogden presents his unique development of the autistic-contiguous mode as the synthesis, interpretation, and extension of the works of D. Meltzer, E. Bick, and F. Tustin. He is careful to state that this psychological organization is a developing and ongoing) mode of generating experience and not a limited phase of development; an elaboration of this primitive organization is an integral part of normal development. All three modes are considered not 'positions' to be passed through, outgrown, or overcome, and relegated to the past, but as integral dimensions of present adult ego functioning. Sensory experience in an autistic-contiguous mode has rhythmicity that is becoming the continuity of being; it has boundedness that is the beginning of experience of the place where one feels things and lives; it has features such as shape, hardness, cold, warmth and texture, beginnings of the qualities of who one is. As his generous case examples aptly demonstrate, Ogden's theories are solidly grounded in his discerning work with a broad variety of patients. His brilliant pathfinding will enlighten and enrich the reader with invaluable insights. He will listen with new ears and with a fresh conceptual framework with which to comprehend the most primitive elements of human development and the complex interplay among the different modes of experience. This is a bold, important, instructive, and stimulating book of equally great clinical and theoretical applicability.' —The Journal of the American Psychoanalytic Association A Jason Aronson Book