Celebrated as a “literary gateway drug” to Proust’s masterpiece (NPR), the New York Times–best-selling graphic adaptation continues with this highly anticipated new volume. In what renowned translator Arthur Goldhammer called “a piano reduction of an orchestral score,” the first volume of Stéphane Heuet’s adaptation of In Search of Lost Time electrified the graphic community like no other—re-presenting the novel for anyone who has always dreamed of reading Proust but was put off by the sheer magnitude of the undertaking. Whereas the first volume described the narrator’s childhood in the pastoral town of Combray, the second volume portrays the narrator’s foray into adolescence, set in the opulent seaside resort of Balbec. Preserving Proust’s original dissection of the spontaneity of youth, translator Laura Marris captures the narrator’s infatuation with his playmates—his memories of their intoxicating afternoons together unfolding as if in a dream. Featuring some of Proust’s most memorable characters—from mysterious Charlus to beguiling young Albertine—this second volume becomes a necessary companion piece for any lover of modern literature.

Step into the Enigmatic World of Marcel Proust's "In the Shadow of Young Girls in Flower" Prepare to embark on a mesmerizing literary journey with "In the Shadow of Young Girls in Flower," the second volume of Marcel Proust's timeless masterpiece, "In Search of Lost Time." Join the illustrious author Marcel Proust, along with the insightful translators James Grieve and his team, as they guide you through the intricacies of memory, love, and the passage of time. Set against the backdrop of belle époque Paris, "In the Shadow of Young Girls in Flower" delves into the narrator's pursuit of love and artistic expression, weaving together themes of desire, jealousy, and the complexities of human relationships. Proust's exquisite prose draws readers into a world of opulent salons, vibrant gardens, and intimate soirées, where every moment is infused with beauty and meaning. As you delve deeper into the narrative, you'll find yourself captivated by Proust's keen observations of society and his profound insights into the human psyche. From the enigmatic allure of the young girls in flower to the melancholy of lost love, Proust paints a rich tapestry of emotions that resonate with readers long after the final page. But "In the Shadow of Young Girls in Flower" is more than just a novel—it's a profound meditation on the nature of memory and the elusive nature of time. Through Proust's lyrical prose and his meticulous attention to detail, readers are invited to contemplate the fleeting nature of existence and the eternal quest for meaning. Whether you're a seasoned Proust enthusiast or discovering his work for the first time, "In the Shadow of Young Girls in Flower" offers a literary experience like no other. Join Marcel Proust and James Grieve on this unforgettable journey through the labyrinthine corridors of memory and desire. Dive into the mesmerizing world of Marcel Proust's "In the Shadow of Young Girls in Flower" today. Order your copy and lose yourself in the timeless beauty of Proust's prose.

Edited and annotated by leading Proust scholar William Carter, In the Shadow of Young Girls in Flower is the second volume of one of the twentieth century’s great literary triumphs.  It was this volume that won the Prix Goncourt in 1919, affirming Proust as a major literary figure and dramatically increasing his fame. Here the narrator whose childhood was reflected in Swann’s Way moves further through childhood and into adolescence, as the author brilliantly examines themes of love and youth, in settings in Paris and by the sea in Normandy. The reader again encounters Swann, now married to his former mistress and largely fallen from high society, and meets for the first time several of Proust’s most memorable characters: the handsome, dashing Robert de Saint-Loup, who will become the narrator’s best friend; the enigmatic Albertine, leader of the “little band” of adolescent girls; the profoundly artistic Elstir, believed to be Proust’s composite of Whistler, Monet, and other leading painters; and, making his unforgettable entrance near the end of the volume, the intense, indelible Baron de Charlus.  Permeated by the “bloom of youth” and its resonances in memories of love and friendship, In the Shadow of Young Girls in Flower takes readers into the heart of Proust’s comic and poetic genius. As with Swann’s Way, Carter uses C. K. Scott Moncrieff’s beloved translation as the basis for this annotated and fully revised edition. Carter corrects long-standing errors in Scott Moncrieff’s otherwise superlative translation, bringing it closer than ever to the spirit and style of Proust’s original text—and reaching English readers in a way that the Pléiade annotations cannot. Insightful and accessible, Carter’s edition of Marcel Proust’s masterwork will be the go-to text for generations of readers seeking to understand Proust’s remarkable bygone world.

The long-awaited penultimate volume--"the very summit of Proust's art" (Slate)--in the acclaimed Penguin translation of Marcel Proust's greatest work, in time for the 150th anniversary of his birth "The greatest literary work of the twentieth century." --The New York Times A Penguin Classics Deluxe Edition, with flaps and deckle-edged paper Peter Collier's acclaimed translation of The Fugitive introduces a new generation of American readers to the literary riches of Marcel Proust. The sixth and penultimate volume in Penguin Classics' superb new edition of In Search of Lost Time--the first completely new translation of Proust's masterpiece since the 1920s--brings us a more comic and lucid prose than readers of English have previously been able to enjoy. "Miss Albertine has left!" So begins The Fugitive, the second part of what is often referred to as "the Albertine cycle," or books five and six of In Search of Lost Time. As Marcel struggles to endure Albertine's departure and vanquish his loss, he ends up in an anguished search for the essential truth of the enigmatic fugitive, whose love affairs with other women provoke in him jealousy and a new understanding of sexuality. Eventually, he lets go of Albertine and begins to find himself, discovering his own long-lost inner sources of creativity. For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

For René Girard, human life revolves around mimetic desire, which regularly manifests itself in acquisitive rivalry when we find ourselves wanting an object because another wants it also. Noting that mimetic desire is driven by our sense of inadequacy or insufficiency, Girard arrives at a profound insight: our desire is not fundamentally directed toward the other’s object but toward the other’s being. We perceive the other to possess a fullness of being we lack. Mimetic desire devolves into violence when our quest after the being of the other remains unfulfilled. So pervasive is mimetic desire that Girard describes it as an ontological illness. In Intimate Domain, Reineke argues that it is necessary to augment Girard’s mimetic theory if we are to give a full account of the sickness he describes. Attending to familial dynamics Girard has overlooked and reclaiming aspects of his early theorizing on sensory experience, Reineke utilizes psychoanalytic theory to place Girard’s mimetic theory on firmer ground. Drawing on three exemplary narratives—Proust’s In Search of Lost Time, Sophocles’s Antigone, and Julia Kristeva’s The Old Man and the Wolves—the author explores familial relationships. Together, these narratives demonstrate that a corporeal hermeneutics founded in psychoanalytic theory can usefully augment Girard’s insights, thereby ensuring that mimetic theory remains a definitive resource for all who seek to understand humanity’s ontological illness and identify a potential cure.

The Incarnation of Language investigates how the notion of incarnation has been employed in phenomenology and how this has influenced literary criticism. It then examines the interest that Joyce and Proust share in the concept of incarnation. By examining the themes of synthesis and embodiment that incarnation connotes for these writers, it offers a new reading of their work departing from critical readings that have privileged notions of radical alterity and difference.

“Taylor’s endeavor is not to explain the life by the novel or the novel by the life but to show how different events, different emotional upheavals, fired Proust’s imagination and, albeit sometimes completely transformed, appeared in his work. The result is a very subtle, thought-provoking book.”—Anka Muhlstein, author of Balzac’s Omelette and Monsieur Proust’s Library Marcel Proust came into his own as a novelist comparatively late in life, yet only Shakespeare, Balzac, Dickens, Tolstoy, and Dostoyevsky were his equals when it came to creating characters as memorably human. As biographer Benjamin Taylor suggests, Proust was a literary lightweight before writing his multivolume masterwork In Search of Lost Time, but following a series of momentous historical and personal events, he became—against all expectations—one of the greatest writers of his, and indeed any, era. This insightful, beautifully written biography examines Proust’s artistic struggles—the “search” of the subtitle—and stunning metamorphosis in the context of his times. Taylor provides an in-depth study of the author’s life while exploring how Proust’s personal correspondence and published works were greatly informed by his mother’s Judaism, his homosexuality, and such dramatic events as the Dreyfus Affair and, above all, World War I. As Taylor writes in his prologue, “Proust’s Search is the most encyclopedic of novels, encompassing the essentials of human nature. . . . His account, running from the early years of the Third Republic to the aftermath of World War I, becomes the inclusive story of all lives, a colossal mimesis. To read the entire Search is to find oneself transfigured and victorious at journey’s end, at home in time and in eternity too.”

The essays in this volume all ask what it means for human beings to be embodied as desiring creatures—and perhaps still more piercingly, what it means for a philosopher to be embodied. In taking up this challenge via phenomenology, psychoanalysis, hermeneutics, and the philosophy of literature, the volume questions the orthodoxies not only of Western metaphysics but even of the phenomenological tradition itself. We miss much that has philosophical import when we exclude the somatic aspects of human life, and it is therefore the philosopher’s duty now to rediscover the meaning inherent in desire, emotion, and passion—without letting the biases of any tradition determine in advance the meaning that reveals itself in embodied desire. Continental philosophers have already done much to challenge binary oppositions, and this volume sets out a new challenge: we must now also question the dichotomy between being at home and being alienated. Alterity is not simply something out there, separate from myself; rather, it penetrates me through and through, even in my corporeal experience. My body is both my own and other; I am other than myself and therefore other than my body. Additionally, this book is a conversation, not a presentation of a new orthodoxy. Thus, the hope is that these essays will open the way for further dialogue that will continue to radically rethink our understanding of embodied desire. Gathered together here are twelve essays that address these issues from deeply interrelated albeit unique perspectives from within the field.

Connects Merleau-Ponty’s thought to themes and issues central to continental philosophy today.

By reading key Carter texts alongside their Decadent intertexts, Tonkin interrogates the claim that Carter was in thrall to a fetishistic aesthetic antithetical to her feminism. Through historical contextualization of the woman-as-doll, muse and femme fatale, Tonkin tests Carter's own description of her fiction as a form of literary criticism.