This work introduces a revolution in how we look at the history of life, and humanity's place within it. Cladistics overturns the traditional linear theories of evolution and shows the possibility of creatures far wilder than human imagination.

A quest to find something new by excavating the "deep time" of media's development—not by simply looking at new media's historic forerunners, but by connecting models, machines, technologies, and accidents that have until now remained separated. Deep Time of the Media takes us on an archaeological quest into the hidden layers of media development—dynamic moments of intense activity in media design and construction that have been largely ignored in the historical-media archaeological record. Siegfried Zielinski argues that the history of the media does not proceed predictably from primitive tools to complex machinery; in Deep Time of the Media, he illuminates turning points of media history—fractures in the predictable—that help us see the new in the old. Drawing on original source materials, Zielinski explores the technology of devices for hearing and seeing through two thousand years of cultural and technological history. He discovers the contributions of "dreamers and modelers" of media worlds, from the ancient Greek philosopher Empedocles and natural philosophers of the Renaissance and Baroque periods to Russian avant-gardists of the early twentieth century. "Media are spaces of action for constructed attempts to connect what is separated," Zielinski writes. He describes models and machines that make this connection: including a theater of mirrors in sixteenth-century Naples, an automaton for musical composition created by the seventeenth-century Jesuit Athanasius Kircher, and the eighteenth-century electrical tele-writing machine of Joseph Mazzolari, among others. Uncovering these moments in the media-archaeological record, Zielinski says, brings us into a new relationship with present-day moments; these discoveries in the "deep time" media history shed light on today's media landscape and may help us map our expedition to the media future.

A guide to long-term thinking: how to envision the far future of Earth. We live on a planet careening toward environmental collapse that will be largely brought about by our own actions. And yet we struggle to grasp the scale of the crisis, barely able to imagine the effects of climate change just ten years from now, let alone the multi-millennial timescales of Earth's past and future life span. In this book, Vincent Ialenti offers a guide for envisioning the planet's far future—to become, as he terms it, more skilled deep time reckoners. The challenge, he says, is to learn to inhabit a longer now. Ialenti takes on two overlapping crises: the Anthropocene, our current moment of human-caused environmental transformation; and the deflation of expertise—today's popular mockery and institutional erosion of expert authority. The second crisis, he argues, is worsening the effects of the first. Hearing out scientific experts who study a wider time span than a Facebook timeline is key to tackling our planet's emergency. Astrophysicists, geologists, historians, evolutionary biologists, climatologists, archaeologists, and others can teach us the art of long-termism. For a case study in long-term thinking, Ialenti turns to Finland's nuclear waste repository “Safety Case” experts. These scientists forecast far future glaciations, climate changes, earthquakes, and more, over the coming tens of thousands—or even hundreds of thousands or millions—of years. They are not pop culture “futurists” but data-driven, disciplined technical experts, using the power of patterns to construct detailed scenarios and quantitative models of the far future. This is the kind of time literacy we need if we are to survive the Anthropocene.

Cladistics--the science of comparison--is transforming the way paleontologists view evolution. In Search of Deep Time strips away conventional assumptions about the evolution of life to reveal a world that may be far stranger and more humbling than had been previously imagined. The concept of deep time was first used by John McPhee to describe intervals of time incomprehensibly greater than our daily experience. Henry Gee explains the rise of cladistics as the best technique for making sense of the organic changes that unfold within deep time.

How did the earth look in prehistoric times? Scientists and artists collaborated during the half-century prior to the publication of Darwin's Origin of Species to produce the first images of dinosaurs and the world they inhabited. Their interpretations, informed by recent fossil discoveries, were the first efforts to represent the prehistoric world based on sources other than the Bible. Martin J. S. Rudwick presents more than a hundred rare illustrations from the eighteenth and nineteenth centuries to explore the implications of reconstructing a past no one has ever seen.

Combining the logical rigor with the lyrical finesse of a novelist, award-winning author Gregory Benford explores these and other fascinating questions in this provocative analysis of humanity's attempts to make its culture immortal. In "Deep Time" he confronts our growing influence on events hundreds of thousands of years into the future and explores the possible "messeges" we may transmit to our distant descendants in the language of the planet itself, from nuclear waste to global warming to the extinction of species. As we begin our incredible journey down the path of eternity, Gregory Benford masterfully calls forth some of the intriguing, astounding, undreamed-of futures which may await us in deep time.

How the concept of “deep time” began as a metaphor used by philosophers, poets, and naturalists in the eighteenth and nineteenth centuries In this interdisciplinary book, Noah Heringman argues that the concept of “deep time”—most often associated with geological epochs—began as a metaphorical language used by philosophers, poets, and naturalists of the eighteenth and nineteenth centuries to explore the origins of life beyond the written record. Their ideas about “the abyss of time” created a way to think about the prehistoric before it was possible to assign dates to the fossil record. Heringman, examining stories about the deep past by visionary thinkers ranging from William Blake to Charles Darwin, challenges the conventional wisdom that the idea of deep time came forth fully formed from the modern science of geology. Instead, he argues, it has a rich imaginative history. Heringman considers Johann Reinhold Forster and Georg Forster, naturalists on James Cook’s second voyage around the world, who, inspired by encounters with Pacific islanders, connected the scale of geological time to human origins and cultural evolution; Georges-Louis Leclerc, Comte de Buffon, who drew on travel narrative, antiquarian works, and his own fieldwork to lay out the first modern geological timescale; Blake and Johann Gottfried Herder, who used the language of fossils and artifacts to promote ancient ballads and “prehistoric song”; and Darwin’s exploration of the reciprocal effects of geological and human time. Deep time, Heringman shows, has figural and imaginative dimensions beyond its geological meaning.

The new geological epoch we call the Anthropocene is not just a scientific classification. It marks a radical transformation in the background conditions of life on Earth, one taken for granted by much of who we are and what we hope for. Never before has a species possessed both a geological-scale grasp of the history of the Earth and a sober understanding of its own likely fate. Our situation forces us to confront questions both philosophical and of real practical urgency. We need to rethink who “we” are, what agency means today, how to deal with the passions stirred by our circumstances, whether our manner of dwelling on Earth is open to change, and, ultimately, “What is to be done?” Our future, that of our species, and of all the fellow travelers on the planet depend on it. The real-world consequences of climate change bring new significance to some very traditional philosophical questions about reason, agency, responsibility, community, and man’s place in nature. The focus is shifting from imagining and promoting the “good life” to the survival of the species. Deep Time, Dark Times challenges us to reimagine ourselves as a species, taking on a geological consciousness. Drawing promiscuously on the work of Nietzsche, Heidegger, Foucault, Derrida, Deleuze, and other contemporary French thinkers, as well as the science of climate change, David Wood reflects on the historical series of displacements and de-centerings of both the privilege of the Earth, and of the human, from Copernicus through Darwin and Freud to the declaration of the age of the Anthropocene. He argues for the need to develop a new temporal phronesis and to radically rethink who “we” are in respect to solidarity with other humans, and responsibility for the nonhuman stakeholders with which we share the planet. In these brief, lively chapters, Wood poses a range of questions centered on our individual and collective political agency. Might not human exceptionalism be reborn as a sort of hyperbolic responsibility rather than privilege?

The deep-time account of all existenceearths skin, which is vibrantly alive in the whispered heartbeats of outcrops, glaciers, and mountainsis stored quietly in the DNA structure of Homo sapiens. My essays emphasize these deep push-and-pull memories that have vanished from our present-day mind-set. My hope is that this book will embolden some readers to resurrect the glow of earths deep time.

“Deep time” is a term which attempts to capture temporal scales far beyond human comprehension. These are stretches of time epitomised by geological and cosmic scale processes, vast enough to make the entirety of human existence appear as little more than a footnote. The past few years have seen a boom in texts dedicated to the study of deep time, extending across a broad range of disciplines which fall markedly outside of its geological roots. These studies are unified by two ideas in particular: that deep time thinking and ecocriticism should be considered in conjunction, and that literature and the arts play a vital role in fostering a deep time awareness. Digressions in Deep Time is the first collection of essays which considers the multifarious representations of deep time across literature and the arts, assembling the work of a wide range of prominent scholars whose research frequently engages with temporality and ecocriticism. Featured contributions include work by the Pulitzer-prize winning author John McPhee, who popularised the term deep time in the late seventies, as well as chapters by Richard Irvine (author of An Anthropology of Deep Time), Benjamin Morgan (author of The Outward Mind) and Andrew Tate (author of Apocalyptic Fiction).