Africa is rich in (neo) traditional dances; yet, not much exists in the form of written literature on the subject. Even worse, existing documents date back to the colonial period and are often disparaging. Dance to Africans is what martial arts are to Asians. Embedded in them are some of the solutions to many of the problems wracking the African diaspora: gang violence, drug addiction, and high school dropout rates, etc. When Guinea's Ballets Africains first bursts on the international scene in the late fifties and sixties, the black revolution in the US was in full swing. The troupe's emancipatory message enkindled in African Americans a new sense of cultural pride and a return to their African roots. For once, dance became something else other than the ballet. With that burst of enthusiasm came the need to introduce African dances in the academia. Most of the research, however, focused mainly on dances which use drums (djembe). Departing from that tradition, in this detailed and richly choreographed ethnography on the Buum Oku Dance Yaounde, Thomas Jing's investigation into a xylophone-based dance opens up new research avenues and exposes the challenges involved. An Afrocentric theoretical framework to the research counters imperialist notions of African dances, thus setting them up as a tool for emancipation.

The popularity and profile of African dance have exploded across the African diaspora in the last fifty years. Hot Feet and Social Change presents traditionalists, neo-traditionalists, and contemporary artists, teachers, and scholars telling some of the thousands of stories lived and learned by people in the field. Concentrating on eight major cities in the United States, the essays challenges myths about African dance while demonstrating its power to awaken identity, self-worth, and community respect. These voices of experience share personal accounts of living African traditions, their first encounters with and ultimate embrace of dance, and what teaching African-based dance has meant to them and their communities. Throughout, the editors alert readers to established and ongoing research, and provide links to critical contributions by African and Caribbean dance experts. Contributors: Ausettua Amor Amenkum, Abby Carlozzo, Steven Cornelius, Yvonne Daniel, Charles “Chuck” Davis, Esailama G. A. Diouf, Indira Etwaroo, Habib Iddrisu, Julie B. Johnson, C. Kemal Nance, Halifu Osumare, Amaniyea Payne, William Serrano-Franklin, and Kariamu Welsh

In Pursuit for Freedom speaks for itself. Being born in rural Zimbabwe and going to school there has given me enough stamina to write a book about my life. I have always wanted to be myself. It was when I was growing up that I realized that one can expand his area of influence. Joining Christian ministry and then faced with stationing in remote Zimbabwe was challenging. This was the beginning of long journey, which ended in United Kingdom. The liberation that came as a result of being exposed helped me love my country. Coming back home to a situation where there was oppression, even under black rule, was very suffocating. I then pursued a life that was looking at the suffering masses of Zimbabwe. Being a Methodist, one is liberated to develop yourself. In spite of the powerful regime that intimidated me, I resolved to speak on behalf of the people.

The Kete dance form, once exclusive to royal courts, carries intricate movements, symbolic gestures, and rhythms that mirror Ghanaian history and values. It embodies storytelling, often depicting tales of bravery, unity, or significant historical events. These dances were traditionally reserved for specific occasions within the royal setting, symbolizing prestige, honor, and tradition. With the passage of time, the transmission of Kete royal dance has transcended its original palace context, finding its way into academic domains. Universities and cultural institutions now extend the legacies of this dance form and even act as custodians of this art form, where scholars, dancers, and enthusiasts collaborate to study, preserve, and teach Kete dance. Through meticulous documentation, research, and practice, the academy endeavors to honor the Kete dance while making it accessible to a broader audience. This transmission from palace to academy serves as a testament to the resilience and adaptability of cultural traditions. It ensures the continuity of Ghanaian heritage and allows future generations, both within and beyond Ghana, to appreciate and learn from this profound dance form from an Afrocentric perspective.

Globalization has taken the world by storm and has facilitated the unprecedented migrations of the peoples of this world. Whether we like it or not, we will meet foreigners in our communities, schools, universities, buses, and other public places. But, when people migrate they take their religions with them. If people of different religious traditions are to live side by side amicably, interfaith dialogue becomes imperative. But, for people to be able to speak about their own religions with enlightenment and listen to other people's religious beliefs with respect, they must have some basic knowledge of how faiths and believers operate because for some people, religion is inseparably intertwined with their economics, politics, and everyday lives. This book clearly and concisely introduces religious studies to the reader. It makes a strong case for the quest and study of world religions and explores the challenges, controversies, and methodological issues in the study of religions. It also explores other pertinent religious issues such as beliefs, rituals, myths, sacredness, morality, the problem of evil, and interreligious dialogue. Although written from a classroom perspective, this book can be useful to any reader who would like to acquire knowledge of religious issues.

Evaluating Indigenous African Tradition for Cultural Reconstruction and Mind Decolonization is edited by Oluwole O Durodolu, and is an insightful book that challenges the derogatory portrayal of African Traditional Religion (ATR) and highlights the need for cultural reconstruction and mind decolonization. The book explores the derogatory descriptions that have been used to describe ATR and argues that subjecting religion to logical inquiry diminishes the essence of worship and promotes disbelief. The book examines the relevance of indigenous African tradition to cultural reconstruction and evaluates the place of African culture in the global context. The author argues that upholding the general principle of African Traditional belief, which upholds communalism and morality, can address problems such as corruption, poverty, and unemployment in the African continent. This book is an essential resource for academics, students, researchers, and anyone interested in understanding the relevance of African Traditional Religion in contemporary times and the need for cultural reconstruction and mind decolonization for the betterment of the African continent and the world at large.

The ancient tradition of African dance has influenced dance styles all over the world. It is used to commemorate many annual ceremonies and activities, such as rites of passage and the harvest, and it is also an important form of recreation, religious expression, and storytelling. In African Dance, Second Edition, the varied cultures of Africa and their respective dances are explored, along with the effects that colonialism had on the art form.

Based on extensive ethnographic fieldwork in Brisbane, Australia, Belonging and Becoming in a Multicultural World provides a critical analysis of the shortcomings and underpinning contradictions of modern multicultural inclusion. It demonstrates how creating a sense of identity among young Sudanese and Karen refugees is a continual process shaped by powerful social forces.

Indigenous People - Traditional Practices and Modern Development provides a comprehensive overview of indigenous people, their traditional knowledge, and contemporary advancement in a variety of areas. It also discusses the need to preserve indigenous peoples' traditional knowledge in the present context and how to document and restore it. Additionally, it offers baseline data for developing plans for sustainable development and good governance. This book is a useful resource for academics, researchers, students, government agencies, non-governmental groups, and policymakers.components of the Earth. Only indigenous and native pillars can save us globally. Therefore, at any cost, the world must start a new era with indigenous people and their traditional knowledge. This book is a microscopic aspect of an anthropological study of the evolution, culture, rituals, traditional practices, and modern development of indigenous populations, globally speaking. It also enlightens the readers about the varied means of their livelihood and their social organization, religion, art, and music through three broad sections. The book will be quite useful for students, researchers, intellectuals, and general readers throughout the world. I wish for a grand success that will be a source of inspiration in many ways and a life-changing fount in the contemporary world.

Written with passion, the stories told in this book are those of the search, loss and recreation of identities. From the Fiji-born women living in Canada looking for themselves to the Japanese of Korean origin having lost touch with their original culture, from the Catalonian demand for recognition to the quest for a common European heritage, we can read of the endless need of peoples to find their rightful place in our multicultural societies.