Mystery author and sometimes amateur sleuth Christopher Holmes is now happily (all things being relative) engaged to be married and toying with starting a new career as a true-crime writer when he learns a body has been discovered in the backyard of his former home. Then, to complicate matters, Christopher’s ex turns up out of the blue, suggesting the body may belong to Christopher’s former personal assistant. It’s life as usual at Chez Holmes. In other words… Murder.

**A Guardian 'Best Thriller of the Year!'** The New York Times bestselling author of Magpie Murders and Moriarty brilliantly reinvents the classic crime novel once again with this clever and inventive mystery starring a fictional version of the author himself as the Watson to a modern-day Holmes, investigating a case involving buried secrets, murder, and a trail of bloody clues. A woman crosses a London street. It is just after 11am on a bright spring morning, and she is going into a funeral parlor to plan her own service. Six hours later the woman is dead, strangled with a crimson curtain cord in her own home. Enter disgraced police detective Daniel Hawthorne, a brilliant, eccentric man as quick with an insult as he is to crack a case. And Hawthorne has a partner, the celebrated novelist Anthony Horowitz, curious about the case and looking for new material. As brusque, impatient, and annoying as Hawthorne can be, Horowitz—a seasoned hand when it comes to crime stories—suspects the detective may be on to something, and is irresistibly drawn into the mystery. But as the case unfolds, Horowitz realizes he’s at the center of a story he can’t control . . . and that his brilliant partner may be hiding dark and mysterious secrets of his own. A masterful and tricky mystery which plays games at many levels, The Word Is Murder is Anthony Horowitz at his very best.

An isolated writer’s conference. A brutal real-life murder. Way too many cocktails. Can a mystery author and an ex-cop combine their powers of deduction to find the killer? Turning forty has left much to be desired for mystery writer Christopher Holmes. After both his boyfriend and long-time publisher dump him, he worries his life is officially at the start of a steep decline. Stranded at a writing conference for the weekend, he never expected to bump into an old flame… or stumble across a dead body in the woods. Ex-cop JX Moriarity is soaking up all the newfound fame from his successful crime fiction. When the only bridge into the conference venue washes away to reveal a dead body, Moriarity falls back on old skills to secure and investigate the crime scene. But even his years of experience couldn't prepare him for the discovery of a second body: his irascible, but awfully cute ex-boyfriend Christopher. WAIT. ER, no, the corpse of Christopher's obnoxious editor. With all fingers pointing to Holmes, Moriarity has no choice but to clear the name of the man who broke his heart. Can the ex-lovers solve the murders and rekindle their passion, or will a killer attendee write them out of their Happy Ever After for good? Somebody Killed His Editor is the first book in the madcap Holmes & Moriarity romantic gay mystery series. If you like tongue-in-cheek humor, crazy twists and turns, and sizzling chemistry, then you'll love Josh Lanyon's kooky, quirky novel. Buy Somebody Killed His Editor to storm into a classic murder mystery today!

For the first time in its one-hundred-and-twenty-five-year history, the Arthur Conan Doyle Estate has authorized a new Sherlock Holmes novel. Once again, The Game's Afoot... London, 1890. 221B Baker St. A fine art dealer named Edmund Carstairs visits Sherlock Holmes and Dr John Watson to beg for their help. He is being menaced by a strange man in a flat cap - a wanted criminal who seems to have followed him all the way from America. In the days that follow, his home is robbed, his family is threatened. And then the first murder takes place. Almost unwillingly, Holmes and Watson find themselves being drawn ever deeper into an international conspiracy connected to the teeming criminal underworld of Boston, the gaslit streets of London, opium dens and much, much more. And as they dig, they begin to hear the whispered phrase-the House of Silk-a mysterious entity that connects the highest levels of government to the deepest depths of criminality. Holmes begins to fear that he has uncovered a conspiracy that threatens to tear apart the very fabric of society. The Arthur Conan Doyle Estate chose the celebrated, #1 New York Times bestselling author Anthony Horowitz to write The House of Silk because of his proven ability to tell a transfixing story and for his passion for all things Holmes. Destined to become an instant classic, The House of Silk brings Sherlock Holmes back with all the nuance, pacing, and almost superhuman powers of analysis and deduction that made him the world's greatest detective, in a case depicting events too shocking, too monstrous to ever appear in print...until now.

Murdering Animals confronts the speciesism underlying the disparate social censures of homicide and “theriocide” (the killing of animals by humans), and as such, is a plea to take animal rights seriously. Its substantive topics include the criminal prosecution and execution of justiciable animals in early modern Europe; images of hunters put on trial by their prey in the upside-down world of the Dutch Golden Age; the artist William Hogarth’s patriotic depictions of animals in 18th Century London; and the playwright J.M. Synge’s representation of parricide in fin de siècle Ireland. Combining insights from intellectual history, the history of the fine and performing arts, and what is known about today’s invisibilised sites of animal killing, Murdering Animals inevitably asks: should theriocide be considered murder? With its strong multi- and interdisciplinary approach, this work of collaboration will appeal to scholars of social and species justice in animal studies, criminology, sociology and law.

New York Times bestseller and Newbery Honor Book! A gorgeously written, hopeful middle grade novel in verse about a young girl who must leave Syria to move to the United States, perfect for fans of Jason Reynolds and Aisha Saeed. Jude never thought she’d be leaving her beloved older brother and father behind, all the way across the ocean in Syria. But when things in her hometown start becoming volatile, Jude and her mother are sent to live in Cincinnati with relatives. At first, everything in America seems too fast and too loud. The American movies that Jude has always loved haven’t quite prepared her for starting school in the US—and her new label of “Middle Eastern,” an identity she’s never known before. But this life also brings unexpected surprises—there are new friends, a whole new family, and a school musical that Jude might just try out for. Maybe America, too, is a place where Jude can be seen as she really is. This lyrical, life-affirming story is about losing and finding home and, most importantly, finding yourself.

"The first book to examine murder through written words. A criminologist and an anthropologist explore the motives for murder by analyzing the writings of convicted killers as well as depictions of murder in literature and the media"--

Who is killing the crime writers of London? Find out in this “consistently entertaining . . . crime debut from sci-fi veteran Brown” (Kirkus Reviews). London, 1955. When crime writer Donald Langham’s literary agent asks for his help in sorting out “a delicate matter,” little does Langham realize what he’s getting himself into. For a nasty case of blackmail leads inexorably to murder as London’s literary establishment is rocked by a series of increasingly bizarre deaths. With three members of the London Crime Writers’ Association coming to sudden and violent ends, what at first appeared to be a series of suicides looks suspiciously like murder—and there seems to be something horribly familiar about the various methods of dispatch. With the help of his literary agent’s assistant, the delectable Maria Dupré, Langham finds himself drawing on the skills of his fictional detective hero as he hunts a ruthless and fiendishly clever killer—a killer with old scores to settle. “[A] well-paced first mystery. . . . Readers will hope a sequel is in the works.” —Publishers Weekly