The English speaking Caribbean's most unique recent political experiment, as chronicled in the pages of the Free West Indian, and other organs of the revolution.

Why did the world's strongest power intervene militarily in the tiny Commonwealth Caribbean island of Grenada in October 1983? This book focuses on United States-Grenada relations between 1979 and 1983 set against the wider historical context of US-Caribbean Basin relations. It presents an in-depth study of US policy during the Carter and Reagan presidencies and the deterioration of relations with the Marxist-Leninist People's Revolution Government (PRG) of Grenada. It considers in detail the murderous internal power struggle that destroyed the PRG and the decisionmaking process that resulted in a joint US-Caribbean military intervention.

From “master of language” (The New York Times) John Edgar Wideman, a reissue of the revered trilogy that launched his career—two novels and story collection all set in Wideman’s own hometown. Damballah, Hiding Place, and Sent for You Yesterday provide a stunning introduction to the uncompromising work of John Edgar Wideman, whose literary achievements have inspired The New York Times to name him “one of America’s premier writers of fiction.” Damballah’s narratives examine the vexed history of Homewood, a Pittsburgh, Pennsylvania neighborhood whose origins are rooted in a time when slavery was still legal in the United States of America. The novels Hiding Place and Sent for You Yesterday personalize and interrogate that history’s presence in the contemporary lives of Homewood people and all Americans. Deeply concerned that designations such as “economically oppressed” or “Black” continue to dismiss and marginalize rather than embrace communities like the one in which he was raised, John Edgar Wideman—employing words on the page as his weapon—has dedicated himself to recording the weight, beauty, complexity, and justice that he believes Homewood’s voices, stories, and lives have earned and deserve. In 1983, The Homewood Trilogy signaled the arrival of a major voice in American literature. Forty years later, this edition of the Trilogy celebrates Wideman’s ongoing contribution by offering these masterworks to a new generation of readers.

In a little yellow house on Maple Street, Mr. Nobody continues to amuse us with his shenanigans. These five short stories will teach you how to keep safe, use your imagination, respect other people’s items, and meet a new friend!

This groundbreaking collection explores the intersection of phenomenology with environmental philosophy. It examines the relevance of Husserl, Heidegger, Merleau-Ponty, and Levinas for thinking through the philosophical dilemmas raised by environmental issues, and then proposes new phenomenological approaches to the natural world. The contributors demonstrate phenomenology's need to engage in an ecological self-evaluation and to root out anthropomorphic assumptions embedded in its own methodology. Calling for a reexamination of beliefs central to the Western philosophical tradition, this book shifts previously marginalized environmental concerns to the forefront and blazes a trail for a new collaboration between phenomenologists and ecologically-minded theorists.

Caribbean Women Writers and Globalization offers a fresh reading of contemporary literature by Caribbean women in the context of global and local economic forces, providing a valuable corrective to much Caribbean feminist literary criticism. Departing from the trend towards thematic diasporic studies, Helen Scott considers each text in light of its national historical and cultural origins while also acknowledging regional and international patterns. Though the work of Caribbean women writers is apparently less political than the male-dominated literature of national liberation, Scott argues that these women nonetheless express the sociopolitical realities of the postindependent Caribbean, providing insight into the dynamics of imperialism that survive the demise of formal colonialism. In addition, she identifies the specific aesthetic qualities that reach beyond the confines of geography and history in the work of such writers as Oonya Kempadoo, Jamaica Kincaid, Edwidge Danticat, Pauline Melville, and Janice Shinebourne. Throughout, Scott's persuasive and accessible study sustains the dialectical principle that art is inseparable from social forces and yet always strains against the limits they impose. Her book will be an indispensable resource for literature and women's studies scholars, as well as for those interested in postcolonial, cultural, and globalization studies.