Rather than simply demonizing or directing outrage at Patriot and militia organizations, as some recent high-visibility publications have done, David Neiwert takes the approach of allowing Patriot extremists to speak for themselves and largely on their own terms. His critical journalistic dialogue allows us to better understand the social, economic, philosophical, and religious complexities of how and why these people have come to think the way they do. There is no question that strains of racism, paranoia, ill-will, and even evilness can characterize many of these people, but it is equally true that they--often minimally educated, and economically and socially challenged by the changing times--are desperately responding to feelings of having been marginalized, and even disenfranchised, from the American dream. Neiwert’s comprehensive manuscript presents an overview of the multitude of Patriot organizations and beliefs found in the Northwest today. Neiwert feels it is essential to maintain some kind of dialogue with Patriots because, after all, these people are our neighbors and relatives, and they are here to stay.

An anthology of color photographs of Western South Dakota by a native South Dakotan father and son.

Details the adventures in the old West of Marder, a coward and racist, and of Bubba, a Black tracker, as they try to find Marder's kidnapped wife

Granta Best Young British Novelist and Sunday Times Young Writer of the Year, Shortlisted for NINE literary awards 'Ross Raisin's story of how a disturbed but basically well-intentioned rural youngster turns into a malevolent sociopath is both chilling in its effect and convincing in its execution' J. M. Coetzee 'Utterly frightening and electrifying' Joshua Ferris 'Astonishing, funny, unsettling ... An unforgettable creation [whose] literary forebears include Huckleberry Finn, Holden Caulfield and Alex from A Clockwork Orange' The Times 'Remarkable, compelling, very funny and very disturbing . . . like no other character in contemporary fiction' Sunday Times In God's Own Country, one of the most celebrated debut novels of recent years, Ross Raisin tells the story of solitary young farmer, Sam Marsdyke, and his extraordinary battle with the world. Expelled from school and cut off from the town, mistrusted by his parents and avoided by city incomers, Marsdyke is a loner until he meets rebellious new neighbour Josephine. But what begins as a friendship and leads to thoughts of escape across the moors turns to something much, much darker with every step. 'Powerful, engrossing, extraordinary, sinister, comic. A masterful debut' Observer

The United States is Israel's closest ally in the world. The fact is undeniable, and undeniably controversial, not least because it so often inspires conspiracy theorizing among those who refuse to believe that the special relationship serves America's strategic interests or places the United States on the right side of Israel's enduring conflict with the Palestinians. Some point to the nefarious influence of a powerful "Israel lobby" within the halls of Congress. Others detect the hand of evangelical Protestants who fervently support Israel for their own theological reasons. The underlying assumption of all such accounts is that America's support for Israel must flow from a mixture of collusion, manipulation, and ideologically driven foolishness. Samuel Goldman proposes another explanation. The political culture of the United States, he argues, has been marked from the very beginning by a Christian theology that views the American nation as deeply implicated in the historical fate of biblical Israel. God's Country is the first book to tell the complete story of Christian Zionism in American political and religious thought from the Puritans to 9/11. It identifies three sources of American Christian support for a Jewish state: covenant, or the idea of an ongoing relationship between God and the Jewish people; prophecy, or biblical predictions of return to The Promised Land; and cultural affinity, based on shared values and similar institutions. Combining original research with insights from the work of historians of American religion, Goldman crafts a provocative narrative that chronicles Americans' attachment to the State of Israel.

This exciting, highly theatrical docu-drama is about the growing white supremacist movement in America, those dedicated to violent revolution and the expulsion from "God's Country" of non Aryans. The play covers all of the right wing lunatic fringe while focusing on three narrative spines: the trial in Seattle of a paramilitary group which calls itself The Order; the career and death of Denver's Allan Berg, the outspoken, controversial, Jewish talk radio personality "assassinated" by The Order; and, finally, the hate filled career and death of The Order's founder, Robert Matthews. These narratives are skillfully interwoven, sometimes non chronologically, with statistics and facts into a kaleidoscopic and highly theatrical vision.

Though much has been written about the political implications of the religious revival which has engulfed America in recent years, a question remains unanswered: what pushes its people into 'declaring for Jesus'? Douglas Kennedy spent a long hot summer cruising through that expanse of the American South known as 'The Bible Belt' exploring that question. In a remarkable journey into one of the strangest corners of the United States, Kennedy finds himself spending time in Miami with a one-time member of the Mafia turned charismatic preacher, discovering Christian heavy metal music in Nashville, and visiting Death Row in South Carolina with an evangelist who ministers to the condemned. Repeatedly discovering the extraordinary within the ordinary, IN GOD'S COUNTRY is a profound, yet brilliantly entertaining exploration of life in late twentieth century America.

George Theriault has been flying in northern Canada since the summer of 1934. When he established his own air service in in 1954, his skills as a bush pilot and sportsman made him one of the most popular outfitters in northern Ontario. This series of stories chronicles his many adventures from Alaska to Labrador, including seal and whale hunting with native people. .

During the nineteenth century, white Americans sought the cultural transformation and physical displacement of Native people. Though this process was certainly a clash of rival economic systems and racial ideologies, it was also a profound spiritual struggle. The fight over Indian Country sparked religious crises among both Natives and Americans. In The Gods of Indian Country, Jennifer Graber tells the story of the Kiowa Indians during Anglo-Americans' hundred-year effort to seize their homeland. Like Native people across the American West, Kiowas had known struggle and dislocation before. But the forces bearing down on them-soldiers, missionaries, and government officials-were unrelenting. With pressure mounting, Kiowas adapted their ritual practices in the hope that they could use sacred power to save their lands and community. Against the Kiowas stood Protestant and Catholic leaders, missionaries, and reformers who hoped to remake Indian Country. These activists saw themselves as the Indians' friends, teachers, and protectors. They also asserted the primacy of white Christian civilization and the need to transform the spiritual and material lives of Native people. When Kiowas and other Native people resisted their designs, these Christians supported policies that broke treaties and appropriated Indian lands. They argued that the gifts bestowed by Christianity and civilization outweighed the pains that accompanied the denial of freedoms, the destruction of communities, and the theft of resources. In order to secure Indian Country and control indigenous populations, Christian activists sanctified the economic and racial hierarchies of their day. The Gods of Indian Country tells a complex, fascinating-and ultimately heartbreaking-tale of the struggle for the American West.