An Instant New York Times Bestseller! Winner of the Coretta Scott King - John Steptoe for New Talent Author Award Filled with mystery and an intriguingly rich magic system, Tracy Deonn’s YA contemporary fantasy reinvents the King Arthur legend and “braids together Southern folk traditions and Black Girl Magic into a searing modern tale of grief, power, and self-discovery” (Dhonielle Clayton, New York Times bestselling author of The Belles). After her mother dies in an accident, sixteen-year-old Bree Matthews wants nothing to do with her family memories or childhood home. A residential program for bright high schoolers at UNC–Chapel Hill seems like the perfect escape—until Bree witnesses a magical attack her very first night on campus. A flying demon feeding on human energies. A secret society of so called “Legendborn” students that hunt the creatures down. And a mysterious teenage mage who calls himself a “Merlin” and who attempts—and fails—to wipe Bree’s memory of everything she saw. The mage’s failure unlocks Bree’s own unique magic and a buried memory with a hidden connection: the night her mother died, another Merlin was at the hospital. Now that Bree knows there’s more to her mother’s death than what’s on the police report, she’ll do whatever it takes to find out the truth, even if that means infiltrating the Legendborn as one of their initiates. She recruits Nick, a self-exiled Legendborn with his own grudge against the group, and their reluctant partnership pulls them deeper into the society’s secrets—and closer to each other. But when the Legendborn reveal themselves as the descendants of King Arthur’s knights and explain that a magical war is coming, Bree has to decide how far she’ll go for the truth and whether she should use her magic to take the society down—or join the fight.

King Arthur has fascinated the Western world for over a thousand years and yet we still know nothing more about him now than we did then. Layer upon layer of heroics and exploits has been piled upon him to the point where history, legend and myth have become hopelessly entangled. In recent years, there has been a sort of scholarly consensus that 'the once and future king' was clearly some sort of Romano-British warlord, heroically stemming the tide of wave after wave of Saxon invaders after the end of Roman rule. But surprisingly, and no matter how much we enjoy this narrative, there is actually next-to-nothing solid to support this theory except the wishful thinking of understandably bitter contemporaries. The sources and scholarship used to support the 'real Arthur' are as much tentative guesswork and pushing 'evidence' to the extreme to fit in with this version as anything involving magic swords, wizards and dragons. Even Archaeology refuses to speak out. Arthur is, and always has been, the square peg that refuses to fit neatly into the historians round hole. Arthur: Shadow of a God gives a fascinating overview of Britain's lost hero and casts a light over an often-overlooked and somewhat inconvenient truth; Arthur was almost certainly not a man at all, but a god. He is linked inextricably to the world of Celtic folklore and Druidic traditions. Whereas tyrants like Nero and Caligula were men who fancied themselves gods; is it not possible that Arthur was a god we have turned into a man? Perhaps then there is a truth here. Arthur, 'The King under the Mountain'; sleeping until his return will never return, after all, because he doesn't need to. Arthur the god never left in the first place and remains as popular today as he ever was. His legend echoes in stories, films and games that are every bit as imaginative and fanciful as that which the minds of talented bards such as Taliesin and Aneirin came up with when the mists of the 'dark ages' still swirled over Britain – and perhaps that is a good thing after all, most at home in the imaginations of children and adults alike – being the Arthur his believers want him to be.

Dubbed the Ice Queen, Monica Lakefield hides the hurt of her broken heart beneath a cool, corporate facade. Until she arrives at an exclusive Aspen resort--and discovers hunky Alexander Bennett in her room. Original.

Within Obsession and Lies is the sexy, action-packed first book in A Court of Gilt and Shadow Series by bestselling authors Stacy Jones and Harper Wylde. Power. Obsession. Lies. Other people dream of being special. They wouldn't, if they knew what a nightmare it is. Arawyn would give anything to be ordinary and rid herself of the power that lives inside her. Dangerous and alluring, it's caused nothing but pain and horror, making her the dark obsession of anyone who gets too close. After years of barely containing it, Arawyn thought she had control... until the night it bursts free and pulses like a beacon. As threats emerge from the shadows, each one more fixated on her than the last, she finds her life infiltrated by three mysterious men. A mafia boss, a psychopath, and a killer. Rathe, Viper, and Fear are much more than they seem. They taste of power and feel impossibly familiar. They call to her soul in a way she's never experienced and might have answers to questions she's been asking her entire life. But darkness and secrets surround them, ones covered in blood and mire. When the monsters stalking her endanger not only her power but her life, she'll have to make a decision: take a risk and let these dangerous men in, or do what she's always done-walk away and try to survive on her own. Trusting them would be a mistake. Yet, she may not have a choice. The monsters hunting her aren't human and they're out for blood. Rathe, Viper, and Fear might be her only chance of making it through this alive. There's only one problem. They aren't human either... From bestselling authors, Stacy Jones and Harper Wylde, comes a darkly seductive new series that blends romance, danger, and the supernatural into an unforgettable read.

Arthur Jones created and ran the Nautilus exercise equipment company. This is a biography of when Arthur owned Nautilus, as written and told by me, William Edgar Jones; the youngest son of Arthur Jones. Read about the beginning of the company, and learn some of the inside information that the public never knew. This book covers the early years of Nautilus, until Arthur sold it to Travis Ward.As an inventor there were few people that ever eclipsed Arthur. As a business man, there were many that did. For years Nautilus ran on its own, unmanaged and uncontrolled, while Arthur pursued his hobbies and other fields of interest.Arthur spent money faster than a raging river; and the company somehow survived one disaster after another. Meanwhile I kept quietly in the background, trying to keep track of the ever increasing expenditures and trying everything I could to keep us afloat; while never knowing in advance just what Arthur was planning to do next.Younger women, Faster airplanes and Bigger crocodiles; Arthur had all three, and kept pushing the boundaries to see just how many of each he could have.An exercise empire, almost run by a Caligula, with a little Nero thrown in for fun. Rome burned, but fortunately Nautilus somehow escaped a similar fate.Join me for the roller coaster ride of a lifetime.

He's one of the most powerfully sexy men she has ever met. He's a jaguar out to claim and protect his mate. Washington D.C. police officer Kalina Harper still dreams about that night, two years ago, when a huge jaguar saved her from a crazed attacker. Although she kept the truth to herself, Kalina can never forget the ferocious strength of the beast's fangs and claws--or the raw animal hunger in its eyes. Until she meets Roman Reynolds... Muscular, magnetic, and all man, Roman is a high-powered attorney with a predatory smile and seductive charm. He is also a criminal suspect with suspicious connections to the Amazon jungle. But when Kalina discovers that Roman is linked to a secret race of shapeshifting jaguars--who hunt down maneaters--she is forced to put her trust in a man who unleashes her wildest fantasies and fears. A fierce creature of the night whose nature is to protect his female at any cost...

Brilliantly imagined and irresistibly readable, Arthur & George is a major new novel from Julian Barnes, a wonderful combination of playfulness, pathos and wisdom. Searching for clues, no one would ever guess that the lives of Arthur and George might intersect. Growing up in shabby-genteel nineteenth-century Edinburgh, Arthur is saddled with a dad who is a disgrace and a mum he wishes to protect, and is propelled into a life of action. To his astonishment, his career as a self-made man of letters brings him riches and fame and, in the world at large, he becomes the perfect picture of the honourable English gentlemen. George is irredeemably an outsider, and has no hope of becoming such a picture. Though he’s dogged and logical, a vicar’s son from rural Staffordshire, he is set apart, and he and his family are targeted in his boyhood by a poison-pen campaign. George finds safe harbour in the reliability of rules, and grows up to become a solicitor, putting his faith in the insulating value of British justice. Then crisis upsets the uneasy equilibrium of both men’s lives. Arthur is knocked for a loop by guilt and other dishonourable emotions. George is put to the sorest test, accused of a horrible crime. And from that point on their lives weave together in the most profound and surprising way, as each man becomes the other’s salvation. Arthur & George is a masterful novel about low crime and high spirituality, guilt and innocence, identity, nationality and race. Most of all, it’s a profound and witty meditation on the fateful differences between what we believe, what we know and what we can prove. George and his father pray together, kneeling side by side on the scrubbed boards. Then George climbs into bed while his father locks the door and turns out the light. As he falls asleep, George sometimes thinks of the floor, and how his soul must be scrubbed just as the boards are scrubbed. Father is not an easy sleeper, and has a tendency to groan and wheeze. Sometimes, in the early morning, when dawn is beginning to show at the edges of the curtains, Father will catechize him. "George, where do you live?" "The Vicarage, Great Wyrley." "And where is that?" "Staffordshire, Father." "And where is that?" "The centre of England." "And what is England, George?" "England is the beating heart of the Empire, Father." "Good. And what is the blood that flows through the arteries and veins of the Empire to reach even its farthest shore?" "The Church of England." "Good, George." And after a while Father will begin to groan and wheeze again. George watches the outline of the curtain harden. He lies there thinking of arteries and veins making red lines on the map of the world, linking Britain to all the places coloured pink: Australia and India and Canada and islands dotted everywhere. He thinks of blood bubbling though these tubes and emerging in Sydney, Bombay, the St. Lawrence Waterway. Bloodlines, that is a word he has heard somewhere. With the pulse of blood in his ears, he begins to fall asleep again. —excerpt from Arthur & George

When Max Sumner and three friends play a magical card game called Round Table, they realize that it is up to them to prevent the wicked creatures of the cards from destroying their town, indeed, their world.