(Fretted). Written for the violinist who longs to leave the confines of the written page, Improvising Violin is a comprehensive guide to the art and science of successful string improvisation. With clear, step-by-step explanations and instructions, acclaimed teacher and performer Lieberman breaks down all of the components necessary to master improvisation in jazz, blues, swing, folk, rock and new age styles, offering dozens of helpful tips on theory and technique along the way. Preface by Darol Anger.

"Volinworks, in two volumes, is a comprehensive method for the adult beginner, taking students carefully from the very first steps to around Grade 3 standard. The approach suits self-taught beginners as well as those who have teachers, and emphasizes the importance of good habits from day one, of using your ear, and of always aiming for the best sound. Each volume contains a wide selection of repertoire, plus detailed descriptions and photos to demonstrate correct playing positions. The accompanying CD includes play-along tracks for all pieces, with piano, string quartet, or band backings, plus aural exercises and downloadable PDFs of piano accompaniments. There are supporting video clips and additional resources on a dedicated website, making Violinworks a complete resource for all new learners."--Publisher's description.

A new approach to studying the violin in order to become a well-rounded and creative musician Written for violin and viola students-and their teachers-this book is a hands-on, write-all-over-it, spill-coffee-on-it workbook for integrating musicianship and technique through improvisation. It will benefit beginners through advanced players, even professionals. The creative approach to musical elements and technique in this book can help improve facility and expression for written music; empower participation with musicians playing in improvisation-based approaches such as blues, country, or rock; and even provide a springboard to dive into the deep waters of jazz.

Teach yourself authentic bluegrass fiddle with this book. The book contains clear instructions on the basics: bowing and left-hand techniques, solos, backup, personal advice on performance, and much more, as well as a complete selection of the best bluegrass songs to learn from. Written by Matt Glaser, chairman of the String Department at the Berklee College of Music in Boston since 1980.

This book is written to accomplish three purposes: (1) to teach music theory and scales as applied to fiddle tunes in the American and Celtic traditions; (2) to teach fiddle improvisation; and (3) to present additional material to help the fiddler who wants to play in other popular styles. Addresses major, minor and blues scales, diminished chords and more. Useful to any instrumentalist, this is not just another collection of licks, nor is it a book of transcriptions. This book teaches the theoretical framework of fiddle tunes and of fiddle soloing; the scales and arpeggios that fiddlers actually use, whether they know it or not. If you improvise or play variations on tunes now, this book will help you understand what works and why.

(Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.

(Schott). Here is a practical, in-depth instruction book covering all aspects of pop, folk and rock violin technique. Over 150 different rock violinists are referred to in detail covering a range of styles including blues, folk rock, country rock, progressive rock, jazz rock and heavy metal. This book explores a wide variety of technical aspects including chords, scales, soloing and effects, and is accompanied by a CD containing demonstrations, play-along tracks and exercises performed by Chris Haigh on violin with a live backing band. Ideal for the budding rock star, or classical player looking for something a little different!

The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds. the non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in many musical styles, including;BluesCountryAmerican folkLatin-AmericanWorld music including South American, Eastern European and AsianOdd meters (playing in a variety of time signatures)New AgeClassicalFolk-RockIn short, the books are an encyclopedia of virtually every musical style, excluding jazz.

With the help of a practice CD you will be guided through dozens of left and right hand exercises and tunes designed to help you develop the feel of each style and how it can be used for improvisation.

Free Play is about the inner sources of spontaneous creation. It is about why we create and what we learn when we do. It is about the flow of unhindered creative energy: the joy of making art in all its varied forms. An international bestseller and beloved classic, Free Play is an inspiring and provocative book, directed toward people in any field who want to contact, honor, and strengthen their own creative powers. It reveals how inspiration arises within us, how that inspiration may be blocked, derailed or obscured, and how finally it can be liberated—how we can be liberated—to speak or sing, write or paint, dance or play, with our own authentic voice. Stephen Nachmanovitch, a pioneer in free improvisation, integrates material from a wide variety of sources among the arts, sciences, and spiritual traditions of humanity, drawing on unusual quotes, amusing and illuminating anecdotes, and original metaphors. The whole enterprise of improvisation in life and art, of recovering free play and awakening creativity, is about being true to ourselves and our visions. Free Play brings us into direct, active contact with boundless creative energies that we may not even know we had.