The Hermitage Amsterdam presents 'Impressionism: Sensation & Inspiration': the world-famous Impressionist paintings from the vast collection of the State Hermitage Museum in St. Petersburg, in their artistic context. Masterpieces by pioneers like Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, and Camille Pissarro will be accompanied by the work of other influential French painters from the second half of the nineteenth century, such as Eugène Delacroix and Jean-Léon Gérôme. The exhibition will focus on contrasts between artistic movements. For instance, visitors will see and experience the sensational quality of Impressionism, the movement that heralded a new age. All the paintings, drawings, and sculptures will come from the collection of the St. Petersburg Hermitage. Seldom has such a rich survey of this period been on display in the Netherlands.

The Hermitage Amsterdam presents 'Impressionism: Sensation & Inspiration': the world-famous Impressionist paintings from the vast collection of the State Hermitage Museum in St. Petersburg, in their artistic context. Masterpieces by pioneers like Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, and Camille Pissarro will be accompanied by the work of other influential French painters from the second half of the nineteenth century, such as Eugène Delacroix and Jean-Léon Gérôme. The exhibition will focus on contrasts between artistic movements. For instance, visitors will see and experience the sensational quality of Impressionism, the movement that heralded a new age. All the paintings, drawings, and sculptures will come from the collection of the St. Petersburg Hermitage. Seldom has such a rich survey of this period been on display in the Netherlands.

Experience the contemporary impressionist landscape paintings of modern artist Erin Hanson.

This study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. The proliferation of vibrant new colors in France during this time challenged popular understandings of realism, abstraction, and fantasy in the realms of fine art and popular culture. More than simply adding a touch of spectacle to everyday life, Kalba shows, these bright, varied colors came to define the development of a consumer culture increasingly based on the sensual appeal of color. Impressionism—emerging at a time when inexpensively produced color functioned as one of the principal means by and through which people understood modes of visual perception and signification—mirrored and mediated this change, shaping the ways in which people made sense of both modern life and modern art. Demonstrating the central importance of color history and technologies to the study of visuality, Color in the Age of Impressionism adds a dynamic new layer to our understanding of visual and material culture.

Innovative and yet traditional, Laura Coombs Hills (1859-1952) was renowned for both her miniatures on ivory and, later, her pastels of flowers. “Queen of Miniature Painters”, “...a veritable John Singer Sargent of miniature painting” and “Dean of Flower Pastels” were merely some of the many accolades ascribed to this New England artist. However, Hills’ accomplishments and contributions to America’s art historical culture entailed so much more. Sense, Sensibility and Sensation: The Marvelous Miniatures and Perfect Pastels of Laura Coombs Hills, America’s Lyrical Impressionist was conceived and written as an atypical art history book to better explore Hills’ many contributions to American culture, with a view toward a broader understanding of Hill’s ethos. Beyond the presentation of her unique, biographical history as an independent, woman-entrepreneur, this book explores Hill’s role in perpetuating a sense of individualism associated more closely with the concepts of home, hearth, and honor of the nineteenth century than the psychological anomie associated with the Modernism of the twentieth, - her own time. In addition, on the pages of this book will be found relevant discussions regarding Hills’ ties to Sense, Sensibility and Sensation, that is, to the idea of individualism associated with nineteenth century miniatures and Walt Whitman’s celebration of America; the notion of beauty associated with Contemplative Romanticism espoused by Edmund Burke; the sentiments of the “Romance poets” (Lord Byron and Percy B. Shelley); as well as the nineteenth century color theories of Michel Chevreul favored by the Impressionists. Moreover, notions of “democratic empiricism”, “aesthetic lyricism”, and Hills’ passion for “symphonic colors” – are all contributory factors which help to identity Laura Coombs Hills as what I have termed “America’s Lyrical Impressionist”.

A Companion to Impressionism Presenting an expansive view of the study of Impressionism, this pioneering volume breaks new thematic ground while also reconsidering questions concerning the defini­tion, chronology, and membership of the impressionist movement. In 34 original essays from established and emerging scholars, this collection offers a diverse range of developing topics and new critical approaches to the interpretation of impressionist art. Focusing on the 1860s to 1890s, A Companion to Impressionism explores artists who are well-represented in impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism’s global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, as well as the movement’s exhibition and reception history. This innovative volume also includes new discussions of modern identity in Impressionism in the contexts of race, nationality, gender, and sexuality and through its explorations of the international reach and influence of Impressionism. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important addition to scholarship in this field stands as the 21st century’s first major and large-scale academic reassessment of Impressionism. Featuring essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina, this is an invaluable text for students and scholars studying Impressionism and late 19th-century European art, Post-Impressionism, modern art, and modern French cultural history.

"First published in Great Britain in 2018 by Wayland"--Verso.

"Inspiring Impressionism" explores links between Impressionists and the major European art-historical movements that came before them, demonstrating how often beneath the Impressionists' commitment to capturing contemporary life there lay a deep exploration of the art of the past. Presents Impressionist works by artists including Manet, Monet, Degas, Bazille, Cassatt, and Cezanne alongside those of Raphael, El Greco, Rubens, Velazquez, and others.

Examines the use of cafes, opera houses, dance halls, theaters, racetracks, and the seaside in impressionist French paintings

Presents an introduction to Impressionism, describing the art movement's basic tenets, how and when it started, and its most significant artists.