In a series of inter-related stories, husbands, wives and lovers attempt to come to grips with their 'impossible' situations, while the novel itself attempts to show in its formal inventiveness just how bewildering romantic love can be.

Issues surrounding the status and nature of `nonexistent objects' constitute one of philosophy's oldest and densest thickets. In this book Perszyk takes his readers surefootedly through this thicket, informed both historically and at the level of contemporary discussion of relevant themes. His main aim is to develop a `bundle' or `set of properties' interpretation of Meinong's theory of nonexistent objects (as opposed to a set of properties neo-Meinongian metaphysics), and to defend this nonstandard interpretation against competing views in both the philosophical and scholarly literature on Meinong. The Meinong who emerges is neither the hero nor the villain his friends and foes have commonly led us to believe. This clearly written book is a valuable addition both to the literature on Meinong and to contemporary metaphysics of modality. It is written for students and professionals interested in these, and related, areas.

A bunch of scientifically proven ways to blow your mind. A Canadian Toy Testing Council 3-Star Award winner! The world is weirder than you think. Want proof? Look no further than this book - which actually looks back at you. In fact, its eyes follow you across the room. And there's more weirdness inside. The Book of Impossible Objects comes with all the plastic pieces, paper parts, and special pages you need to experience 25 impossible things. Spin the wobblestone and watch it reverse direction all by itself. Wander the paper labyrinth, an ever-changing folded maze. Use the Mirror Monster Maker to give yourself three eyes. Follow a road sign that points in a different direction every time you check it. These objects all work like magic, but there are no tricks here. All this weirdness has a solid scientific basis - from the mathematically amazing Möbius strip (a band of paper with only one side), to cardstock acrobats with astoundingly great balance, to a spinning top that changes colors before your eyes. The why behind each wow is explained with crystal clarity by the award-winning team of Pat Murphy and the scientists of Klutz Labs. Which makes for a book that's not only weird - it's wonderful.

The subject matter of Subjects and Objects is the limits of Abstraction in art. The notion of Abstraction, its development in art history, and the relation of art and philosophy regarding Abstraction are considered in addition to identifying and examining things that are essential to artworks. Any artwork has an identity, and comprehension of that identity depends on a perceptual object. A subject’s apprehension of such an object creates an “artistic complex” of which the object, the subject, and the apprehension are constituents. The essential elements of this kind of complex are the subject of the final part of the work. Its concluding section considers these elements as ‘material’ to be used to determine the limits of Abstraction.

Think about some commercially successful film masterpieces--The Manchurian Candidate. Seven Days in May. Seconds. Then consider some lesser known, yet equally compelling cinematic achievements--The Fixer. The Gypsy Moths. Path to War. These triumphs are the work of the best known and most highly regarded Hollywood director to emerge from live TV drama in the 1950s--five-time Emmy-award-winner John Frankenheimer. Although Frankenheimer was a pioneer in the genre of political thrillers who embraced the antimodernist critique of contemporary society, some of his later films did not receive the attention they deserved. Many claimed that at a midpoint in his career he had lost his touch. World-renowned film scholars put this myth to rest in A Little Solitaire, which offers the only multidisciplinary critical account of Frankenheimer's oeuvre. Especially emphasized is his deep and passionate engagement with national politics and the irrepressible need of human beings to assert their rights and individuality in the face of organizations that would reduce them to silence and anonymity.

This volume is number five in the 11-volume Handbook of the History of Logic. It covers the first 50 years of the development of mathematical logic in the 20th century, and concentrates on the achievements of the great names of the period--Russell, Post, Gödel, Tarski, Church, and the like. This was the period in which mathematical logic gave mature expression to its four main parts: set theory, model theory, proof theory and recursion theory. Collectively, this work ranks as one of the greatest achievements of our intellectual history. Written by leading researchers in the field, both this volume and the Handbook as a whole are definitive reference tools for senior undergraduates, graduate students and researchers in the history of logic, the history of philosophy, and any discipline, such as mathematics, computer science, and artificial intelligence, for whom the historical background of his or her work is a salient consideration.• The entire range of modal logic is covered• Serves as a singular contribution to the intellectual history of the 20th century• Contains the latest scholarly discoveries and interpretative insights