He drank a bottle of wine in his room in a daze and ate it for the first time. However, after he finished eating and wiped her clean, he actually didn't let go and only shamelessly asked her to drink again and again.

Uncle Gu was a diamond king, but he had a crush on a woman for fifteen years. And then suddenly, one day — Uncle Gu wanted to be engaged to her? She let her own sister marry her! Uncle Gu still wanted to have children with her? She carried the pill with her every day! Uncle Gu even wanted to pamper her into the heavens? She was using this to play with her life! What! Uncle Gu is here to catch the enemy? It was better for him to quickly flee ...

The wrong person was thrown into the snake den miserably, almost to the point of not leaving behind a corpse. He wanted to see how she would turn her hand into the clouds, turn her hand into rain, return those who laughed at him, humiliate him, bully him, beat him, and slaughter him back! Everyone knew that he was a king that looked down upon the heavens. His killing skills were decisive and ruthless, yet he was like a ladle of weak water to her. Only she knew that this scheming prince was a big tail wolf who only knew how to crawl out of bed every day! Can you keep your distance? " A certain girl slammed the table and jumped up, gritting her teeth. When a certain prince heard this, he raised his eyebrows and forcefully approached, overturning his usual aloof and sexy voice: "I can't do it from a distance. How about, you try getting close with your husband?"

Depicting with shocking openness the sexual and political violence of its central characters’ fates, Edward the Second broke new dramatic ground in English theatre. The play charts the tragic rise and fall of the medieval English monarch Edward the Second, his favourite Piers Gaveston, and their ambitious opponents Queen Isabella and Mortimer Jr., and is an important cultural, as well as dramatic, document of the early modern period. This modernized and fully annotated Broadview Edition is prefaced by a critical but student-oriented introduction and followed by ample appendix material, including extended selections from Marlowe’s historical sources, texts bearing on the play’s complex sexual and political dynamics, and excerpts from contemporary poet Michael Drayton’s epic rendition of Edward the Second’s reign.

Includes music.