This volume investigates what role colonial communities and diaspora have had in shaping the Portuguese empire and its heritage, exploring topics such as Portuguese migration to Africa, the Ismaili and the Swiss presence in Mozambique, the Goanese in East Africa, the Chinese in Brazil, and the history of the African presence in Portugal.

Race and Migration in Imperial Japanexamines the relevance of racial discourse in the foundation of the Japanese identity over the course of the last century. The treatment of Japan's minority populations--of which Koreans are the largest group--remains circumscribed by racial assumptions first formulated during the Tokugawa period and reinforced by the later construction of a Japanese national identity. Michael Weiner examines the complex interplay of ideologies concerning race, empire and nation which determined the nature of colonial rule in Korea and the treatment of labor drawn from the colonial periphery. The book deconstructs the myth of Japanese cultural and racial homogeneity and the idea of a "Japanese race." Weiner also examines the causes and consequences of colonial migration. Rather than identifying the "push factors" which caused immigrants to move, he focuses on the more dynamic "pull factors" which determined immigrant destinations. He also analyzes the structural need for low cost temporary labor which Korean immigrants filled.

The essays in this volume have been written by leading experts in their respective fields and bring together established scholars with a new generation of migration and transnational historians. Their work weaves together the ‘new’ imperial and the ‘new’ migration histories, and is essential reading for scholars and students interested in the interplay of migration within and between the local, regional, imperial, and transnational arenas. Furthermore, these essays set an important analytical benchmark for more integrated and comparative analyses of the range of migratory processes – free and coerced – which together impacted on the dynamics of power, forms of cultural circulation and making of ethnicities across a British imperial world.

A high degree of cultural and racial homogeneity has long been associated with Japan, with its political discourse and with the lexicon of post-war Japanese scholarship. This book examines underlying assumptions. The author provides an analysis of racial discourse in Japan, its articulation and re-articulation over the past century, against the background of labour migration from the colonial periphery. He deconstructs the myth of a `Japanese race'. Michael Weiner pursues a second major theme of colonial migration; its causes and consequences. Rather than merely identifying the `push factors', the analysis focuses on the more dynamic `pull factors' that determined immigrant destinations. Similarly, rather than focusing upon the immigrant, the author examines the structural need for low-cost temporary labour that was filled by Korean immigrants.

Since the arrival of the Spanish conquerors at the beginning of the colonial period, Cuba has been hugely influenced by international migration. Between 1791 and 1810, for instance, many French people migrated to Cuba in the wake of the purchase of Louisiana by the United States and turmoil in Saint-Domingue. Between 1847 and 1874, Cuba was the main recipient of Chinese indentured laborers in Latin America. During the nineteenth century as a whole, more Spanish people migrated to Cuba than anywhere else in the Americas, and hundreds of thousands of slaves were taken to the island. The first decades of the twentieth century saw large numbers of immigrants and temporary workers from various societies arrive in Cuba. And since the revolution of 1959, a continuous outflow of Cubans toward many countries has taken place—with lasting consequences. In this book, the most comprehensive study of international migration in Cuba ever undertaken, Margarita Cervantes-Rodríguez aims to elucidate the forces that have shaped international migration and the involvement of the migrants in transnational social fields since the beginning of the colonial period. Drawing on Fernand Braudel’s concept of longue durée, transnational studies, perspectives on power, and other theoretical frameworks, the author places her analysis in a much wider historical and theoretical perspective than has previously been applied to the study of international migration in Cuba, making this a work of substantial interest to social scientists as well as historians.

This book appraises the critical contribution of the Studies in Imperialism series to the writing of imperial histories as the series passes its 100th publication. The volume brings together some of the most distinguished scholars writing today to explore the major intellectual trends in Imperial history, with a particular focus on the cultural readings of empire that have flourished over the last generation. When the Studies in Imperialism series was founded, the discipline of Imperial history was at what was probably its lowest ebb. A quarter of a century on, there has been a tremendous broadening of the scope of what the study of empire encompasses. Essays in the volume consider ways in which the series and the wider historiography have sought to reconnect British and imperial histories; to lay bare the cultural expressions and registers of colonial power; and to explore the variety of experiences the home population derived from the empire.

How did states come to monopolize control over migration? What do the processes that produced this monopoly tell us about the modern state? In Indian Migration and Empire Radhika Mongia provocatively argues that the formation of colonial migration regulations was dependent upon, accompanied by, and generative of profound changes in normative conceptions of the modern state. Focused on state regulation of colonial Indian migration between 1834 and 1917, Mongia illuminates the genesis of central techniques of migration control. She shows how important elements of current migration regimes, including the notion of state sovereignty as embodying the authority to control migration, the distinction between free and forced migration, the emergence of passports, the formation of migration bureaucracies, and the incorporation of kinship relations into migration logics, are the product of complex debates that attended colonial migrations. By charting how state control of migration was critical to the transformation of a world dominated by empire-states into a world dominated by nation-states, Mongia challenges positions that posit a stark distinction between the colonial state and the modern state to trace aspects of their entanglements.

Through archival work and storytelling, Musical Migration and Imperial New York revises many inherited narratives about experimental music and art in postwar New York. From the urban street level of music clubs and arts institutions to the world-making routes of global migration and exchange, this book redraws the map of experimental art to reveal the imperial dynamics and citizenship struggles that continue to shape music in the United States. Beginning with the material conditions of power that structured the cityscape of New York in the early Cold War years, Brigid Cohen looks at a wide range of artistic practices (concert music, electronic music, jazz, performance art) and actors (Edgard Varèse, Charles Mingus, Yoko Ono, and Fluxus founder George Maciunas) as they experimented with new modes of creativity. Cohen links them with other migrant creators vital to the city’s postwar culture boom, creators whose stories have seldom been told (Halim El-Dabh, Michiko Toyama, Vladimir Ussachevsky). She also gives sustained and serious treatment to the work of Yoko Ono, something long overdue in music scholarship. Musical Migration and Imperial New York is indispensable reading, offering a new understanding of global avant-gardes and American experimental music as well as the contrasting feelings of belonging and exclusion on which they were built.

La presente colección reúne una serie de títulos publicados bajo los auspicios del Departamento de Filología Latina de esta Universidad, y con los cuales se desea aportar instrumentos para el mejor conocimiento de la cultura clásica en nuestro país.