Lucinda Cole’s Imperfect Creatures offers the first full-length study of the shifting, unstable, but foundational status of “vermin” as creatures and category in the early modern literary, scientific, and political imagination. In the space between theology and an emergent empiricism, Cole’s argument engages a wide historical swath of canonical early modern literary texts—William Shakespeare’s Macbeth, Christopher Marlowe’s The Jew of Malta, Abraham Cowley’s The Plagues of Egypt, Thomas Shadwell’s The Virtuoso, the Earl of Rochester’s “A Ramble in St. James’s Park,” and Daniel Defoe’s Robinson Crusoe and Journal of the Plague Year—alongside other nonliterary primary sources and under-examined archival materials from the period, including treatises on animal trials, grain shortages, rabies, and comparative neuroanatomy. As Cole illustrates, human health and demographic problems—notably those of feeding populations periodically stricken by hunger, disease, and famine—were tied to larger questions about food supplies, property laws, national identity, and the theological imperatives that underwrote humankind’s claim to dominion over the animal kingdom. In this context, Cole’s study indicates, so-called “vermin” occupied liminal spaces between subject and object, nature and animal, animal and the devil, the devil and disease—even reason and madness. This verminous discourse formed a foundational category used to carve out humankind’s relationship to an unpredictable, irrational natural world, but it evolved into a form for thinking about not merely animals but anything that threatened the health of the body politic—humans, animals, and even thoughts.

Lucinda Cole’s Imperfect Creatures offers the first full-length study of the shifting, unstable, but foundational status of “vermin” as creatures and category in the early modern literary, scientific, and political imagination. In the space between theology and an emergent empiricism, Cole’s argument engages a wide historical swath of canonical early modern literary texts—William Shakespeare’s Macbeth, Christopher Marlowe’s The Jew of Malta, Abraham Cowley’s The Plagues of Egypt, Thomas Shadwell’s The Virtuoso, the Earl of Rochester’s “A Ramble in St. James’s Park,” and Daniel Defoe’s Robinson Crusoe and Journal of the Plague Year—alongside other nonliterary primary sources and under-examined archival materials from the period, including treatises on animal trials, grain shortages, rabies, and comparative neuroanatomy. As Cole illustrates, human health and demographic problems—notably those of feeding populations periodically stricken by hunger, disease, and famine—were tied to larger questions about food supplies, property laws, national identity, and the theological imperatives that underwrote humankind’s claim to dominion over the animal kingdom. In this context, Cole’s study indicates, so-called “vermin” occupied liminal spaces between subject and object, nature and animal, animal and the devil, the devil and disease—even reason and madness. This verminous discourse formed a foundational category used to carve out humankind’s relationship to an unpredictable, irrational natural world, but it evolved into a form for thinking about not merely animals but anything that threatened the health of the body politic—humans, animals, and even thoughts.

A history and analysis of the theory of spontaneous generation and how scientific thought progresses. We accept that, at some point in the history of our universe, living creatures emerged from nonliving matter. Yet from the time of Aristotle until the late nineteenth century, many people believed in spontaneous generation, that living creatures sprang into existence from rotting material. As Daryn Lehoux explains in this fascinating book, spontaneous generation was perhaps the last stand of the ancient scientific worldview. In Creatures Born of Mud and Slime, Lehoux shows that—far from being a superstitious, gullible, or simplistic belief—spontaneous generation was a sophisticated and painstakingly grounded fact that stood up to the best scientific testing. Starting with the ancient Greeks’ careful and detailed investigations into how animals are generated straight through to the early modern period, Lehoux brings to life the intellectual contexts, rivalries, observational evidence, and complex and fascinating theories that were used to understand and explain the phenomena. The book highlights both the weirdness and the wonder that lie at the heart of investigations into nature. Lehoux concludes with a new look at a set of conflicting experiments that demonstrate that even the best scientific evidence can end up muddying what we take to be the truth about the world. Creatures Born of Mud and Slime is a compelling look at how we understand conceptions of scientific change, truth, and progress. “A very well-written and well-researched book that grapples with the foundational questions of the history of Western philosophy.” —Justin E. H. Smith, author of The Philosopher: A History in Six Types “A historical tour de force . . . the author’s brilliant prose [makes] the reader appreciate at one time the strangeness and the persuasive power of outmoded scientific explanations.” —Paolo Savoia, Nuncius 34 “Concise and accessible, Lehoux’s clarity and graceful prose make this book . . . a pleasure to delve into.” —James Strick, HOPOS 8

Anselm has an amazing thought pattern that captures attention, though very complex, yet one cannot resist his arguments to the next page, which is a joy to read. Michael Ivan, PhD Anselm writes with grace and wit about one of the fundamental issues of our time, drawn from the most ancient to recent research and arguments. He makes the science of old-aged issues on human freedom accessible and insightful to contemporary readers. Iwueke Charles, B Phil Could it be that God views our freedom as a threat to his own powers? God and Human freedom