Iris Miller is a human girl who doesn't believe in mate magic that starts school at the prestigious Immortals University. There she meets arrogant future alpha Malaki Crescent who just might change that. Immortals University is created by Cambria Covell, an eGlobal Creative Publishing Signed Author.

The Immortals is set in an infamous neighborhood of Port-au-Prince, on Grand-Rue, where many women, young and old, trade in flesh, sex, and desire. We learn, in glimpses and fragments, about the lives of women who fall in love with the moving images of television, the romance of a novel, and the dreams of escape. This moving novel asks, What becomes of these women, their lives, their stories, their desires, and their whims when a violent earthquake brings the capital city and its brothels to their knees? To preserve the memory of women she lived and worked with, the anonymous narrator makes a deal with her client once she discovers that he is a writer: sex in exchange for recording the stories of the friends who were buried beneath the rubble. She tells the stories of women who were friends, lovers, daughters, and mothers—all while their profession sought to hide any trace of intimacy or interiority through pseudonyms and artifice. Ultimately the book reveals how a group of women sought to make a name for themselves in life, demanding that they not be forgotten in death. Winner of France's 2012 Prix Thyde Monnier de la Société des Gens de Lettres, The Immortals is the first work of fiction by the celebrated Haitian writer Makenzy Orcel. Mingling poetry and prose, Orcel centers stories that too often go untold, while reflecting on the power and limits of storytelling in the face of catastrophe.

Combining entertainment and education, India's most beloved comic book series, Amar Chitra Katha, or "Immortal Picture Stories," is also an important cultural institution that has helped define, for several generations of readers, what it means to be Hindu and Indian. Karline McLain worked in the ACK production offices and had many conversations with Anant Pai, founder and publisher, and with artists, writers, and readers about why the comics are so popular and what messages they convey. In this intriguing study, she explores the making of the comic books and the kinds of editorial and ideological choices that go into their production.

This book argues that Aristotle used "the most traditional Greek ideas about the gods" to develop and defend his physical, metaphysical, and ethical teachings. This revolutionary thesis stands in stark contrast to studies of Aristotle's texts that normally portray him as a "natural theologian" using rational tools to elaborate his own conception of God or the gods. Bodeus argues that Aristotle is more closely aligned with popular Greek religion than is usually thought, and attention to the ethical and political writings reveals more about Aristotle's resources for conceiving the gods than study of his theoretical works.

Jean-Pierre Vernant has profoundly transformed our perceptions of ancient Greece. Published in 1991, this collection of nineteen essays probes deeply into themes of enduring interest--death, the body, the soul, the individual, and relations between mortals and immortals; the mask, the mirror, the image, and the imagination; the self and the other, and, more broadly, the concept of otherness itself, or "alterity."

A sweeping history of Ireland's native gods, from Iron Age cult and medieval saga to the Celtic Revival and contemporary fiction Ireland’s Immortals tells the story of one of the world’s great mythologies. The first account of the gods of Irish myth to take in the whole sweep of Irish literature in both the nation’s languages, the book describes how Ireland’s pagan divinities were transformed into literary characters in the medieval Christian era—and how they were recast again during the Celtic Revival of the late nineteenth and early twentieth centuries. A lively narrative of supernatural beings and their fascinating and sometimes bizarre stories, Mark Williams’s comprehensive history traces how these gods—known as the Túatha Dé Danann—have shifted shape across the centuries. We meet the Morrígan, crow goddess of battle; the fire goddess Brigit, who moonlights as a Christian saint; the fairies who inspired J.R.R. Tolkien’s elves; and many others. Ireland’s Immortals illuminates why these mythical beings have loomed so large in the world’s imagination for so long.

James Gunn’s masterpiece about a human fountain of youth collects the author’s classic short stories that ran in elite science-fiction magazines throughout the 1950s. New material accompanies this updated edition, including an introduction from renowned science-fiction writer Greg Bear, a preface from Gunn himself, and “Elixer,” Gunn’s short story that introduced Dr. Pearce to another Immortal. What is the price for immortality? For nomad Marshall Cartwright, the price is knowing that he will never grow old. That he will never contract a disease, an infection, or even a cold. That because he will never die, he must surrender the right to live. For Dr. Russell Pearce, the price is eternal suspicion. He appreciates what synthesizing the elixir vitae from the Immortal’s genetic makeup could mean for humankind. He also fears what will happen should Cartwright’s miraculous blood fall into the wrong hands. For the wealthy and powerful, no price is too great. Immortality is now a fact rather than a dream. But the only way to achieve it is to own it exclusively. And that means hunting down and caging the elusive Cartwright, or one of his offspring.

In 1952 a twenty-six-year-old man living in a village in Central Burma was possessed by weikza—humans with extraordinary powers, including immortality. Key figures in Burmese Buddhism, weikza do not die but live on in an invisible realm. From there they re-enter the world through possession to care for people's temporal and spiritual needs while protecting and propagating Buddhism. A cult quickly formed around the young peasant, the chosen medium for four weikza ranging in age from 150 to 1000 years. In addition, these weikza appeared regularly in the flesh. The Immortals plunges us into the midst of this cult, which continues to attract followers from all over the country who seek to pay homage to the weikza, receive their teaching, and benefit from their power. The cult of the four weikza raises a number of classic anthropological issues, particularly for the anthropology of religion: the nature of the supernatural and of belief; the relations among religion, magic, and science; the experience of possession. It also provides a window on contemporary Burmese society. To contemplate both, the author adopts an unconventional approach, which itself reflects representation in anthropology, or, more precisely, how anthropology uses description and the interpretations description occasions to make sense of what it studies. The writing makes clear both the indigenous take on reality and the work of anthropological understanding as it is being elaborated, along with the ties that connect the latter to the former. Mixing narration of the incredible with reflection on the forms religious experience takes, The Immortals offers us a way to accompany the author into the field and to grasp—to take up and make our own—the anthropologist's interpretations and the realities to which they pertain.

A body of Bedouin oral poetry which was collected in the second or third Islamic century, the pre-Islamic qasidah, or ode, stands with the Qur'an as a twin foundation of Arabo-Islamic literary culture. Throughout the rich fifteen-hundred-year history of classical Arabic literature, the qasidah served as profane anti-text to the sacred text of the Qur'an. While recognizing the esteem in which Arabs have traditionally held this poetry of the pagan past, modern critics in both East and West have yet to formulate a poetics that would provide the means to analyze and evaluate the qasidah. Suzanne Pinckney Stetkevych here offers the first aesthetics appropriate for this orally composed Arabic verse, an aesthetics that is built on—and tested on—close readings of a number of the poems. Drawing on the insights of contemporary literary theory, anthropology, and the history of religions, Stetkevych maintains that the poetry of the qasidah is ritualized in both form and function. She brings to bear an extensive body of lore, legend, and myth as she interprets individual themes and images with references to rites of passage and rituals of sacrifice. Her English translations of the poems under discussion convey the power and beauty of the originals, as well as a sense of their complex intertextuality and distinctive lexicon. The Mute Immortals Speak will be important for students and scholars in the fields of Middle Eastern literatures, Islamic studies, folklore, oral literature, and literary theory, and by anthropologists, comparatists, historians of religion, and medievalists.

“An absolute gem of a history” for the Confederacy’s Branch-Lane North Carolina Brigade: “His clear and engaging narrative keeps the reader entranced” (Thomas G. Clemens, editor of The Maryland Campaign of 1862). This storied brigade was first led by Lawrence Branch, and then by James Henry Lane, and served with Lee’s Army of Northern Virginia for its entire existence. These Tar Heels fought in nearly every major battle in the Eastern Theater, including the Seven Days’ Battles, Second Manassas, Sharpsburg (where Branch was killed), Fredericksburg, Chancellorsville (where its members mistakenly shot Stonewall Jackson), Gettysburg (including Pickett’s Charge), the Wilderness, Spotsylvania, North Anna, Cold Harbor, the Petersburg Campaign, and the final retreat to Appomattox. Originally part of A. P. Hill’s famous “Light Division,” the brigade earned high plaudits for its disciplined defensive efforts, hard-hitting attacks, and incredible marching abilities. Its heavy combat exposure, however, resulted in devastating losses. By war’s end, its roll call of casualties far exceeded its number of survivors. Michael Hardy’s General Lee’s Immortals is based upon years of study and grounded on an impressive foundation of sources, which allows the men to speak for themselves as they describe their time in camp, endless hardships, long marches, bloody battles, increasing hunger, and much more. In addition to a dozen original maps, General Lee’s Immortals also includes scores of rare photos—many of which were previously unpublished—all of which enhance this well-written and engrossing account. “Combining rigorous research and an innovative organization, General Lee’s Immortals demonstrates what an exceptional unit history can teach us about the Civil War.” —The Civil War Monitor