Lauren and her friend Kayla, with whom she's secretly in love, land after-school jobs at a vintage clothing boutique, but when Lauren begins learning mysterious things about the shop's owner, she fears that both her and Kayla's lives are in danger.

The author of The Hunger delivers a “daring, soaring, and ultimately gut-wrenching” (The New York Times) conclusion to her critically acclaimed Taker Trilogy, bringing Lanore McIlvrae to a final encounter with Adair, her powerful nemesis. Dismayed by Adair’s otherworldly powers and afraid of his passionate temper, Lanore has run from him across time, even imprisoning him behind a wall for two centuries to save Jonathan, her eternal love. But instead of punishing her for her betrayal, Adair declared his love for Lanore once more and set her free. Now, Lanore has tracked Adair to his mystical island home to ask for one last favor. The Queen of the Underworld is keeping Jonathan as her consort, and Lanore wants Adair to send her to the hereafter so that she may beg for his release. Will she honor her promise to return to Adair? Or is her true intention to be reunited with Jonathan at any cost?

The thoroughly expanded and updated New Companion to the Gothic, provides a series of stimulating insights into Gothic writing, its history and genealogy. The addition of 12 new essays and a section on ‘Global Gothic’ reflects the direction Gothic criticism has taken over the last decade. Many of the original essays have been revised to reflect current debates Offers comprehensive coverage of criticism of the Gothic and of the various theoretical approaches it has inspired and spawned Features important and original essays by leading scholars in the field The editor is widely recognized as the founder of modern criticism of the Gothic

With tightened library budgets the norm, librarians run the risk of cutting back so much that they isolate themselves from their patrons and their communities. This doesn't have to happen. The outreach methods detailed in this book range from simple actions to detailed processes. Each of the 26 chapters provides helpful information for both those new to library outreach and those with years of experience.

Love saved her life...but the past will condemn her soul. With Dr. Luke Findley by her side, Lanore McIlvrae has embarked on her new life; now all of London is clamoring to see the Victoria and Albert Museum's "mystery" exhibit--Lanore's collections of rare nineteenth-century treasures, including the last gift given to her by her lost love, Jonathan. But Adair, the Taker, emerges from the shadows of her past to hunt down Lanore and exact revenge for betraying him over one hundred years ago.

This “vigorous, witty look at the undead as cultural icons in 19th- and 20th-century England and America” examines the many meanings of the vampire myth (Kirkus Reviews). From Byron’s Lord Ruthven to Anne Rice’s Lestat to the black bisexual heroine of Jewelle Gomez’s The Gilda Stories, vampires have taken many forms, capturing and recapturing our imaginations for centuries. In Our Vampires, Ourselves, Nina Auerbach explores the rich history of this literary and cultural phenomenon to illuminate how every age embraces the vampire it needs—and gets the vampire it deserves. Working with a wide range of texts, as well as movies and television, Auerbach follows the evolution of the vampire from 19th century England to 20th century America. Using the mercurial figure as a lens for viewing the last two hundred years of Anglo-American cultural history, “this seductive work offers profound insights into many of the urgent concerns of our time” (Wendy Doniger, The Nation).

New York Times and USA Today best-selling paranormal romance author Felicity Heaton presents: Love Immortal (A Vampire Romance Novel) Rescued from werewolves by the most breathtaking man she's ever seen, Lauren is dragged into the fight of her life and a dark world she never knew existed. There, she discovers that she's the latest reincarnation of a goddess and must drink the blood of her immortal protector, Julian, in order to reawaken and continue her three thousand year old mission to defeat Lycaon, the original werewolf. With the help of Julian and an organisation of people with supernatural abilities, Lauren fights for her life, their future and the fate of mankind against Lycaon and his deadly army, but can she succeed when Lycaon has killed all of her predecessors? Can she crack the armour around Julian's heart and seize her happily forever after with him? And can Julian bring himself to trust Lauren with the fragments of his heart after everything he's been through? Other stand alone paranormal romance books by Felicity Heaton Forbidden Blood Ascension Blood and Snow Vampire for Christmas

This book explores the narratives of girlhood in contemporary YA vampire fiction, bringing into the spotlight the genre’s radical, ambivalent, and contradictory visions of young femininity. Agnieszka Stasiewicz-Bieńkowska considers less-explored popular vampire series for girls, particularly those by P.C. and Kristin Cast and Richelle Mead, tracing the ways in which they engage in larger cultural conversations on girlhood in the Western world. Mapping the interactions between girl and vampire corporealities, delving into the unconventional tales of vampire romance and girl sexual expressions, examining the narratives of women and violence, and venturing into the uncanny vampire classroom to unmask its critique of present-day schooling, the volume offers a new perspective on the vampire genre and an engaging insight into the complexities of growing up a girl.

The Daughter's Return offers a close analysis of an emerging genre in African-American and Caribbean fiction produced by women writers who make imaginative returns to their ancestral pasts. Considering some of the defining texts of contemporary fiction--Toni Morrison's Beloved, Jean Rhys's Wide Sargasso Sea, and Michelle Cliff's No Telephone to Heaven--Rody discusses their common inclusion of a daughter who returns to the site of her people's founding trauma of slavery through memory or magic. Rody treats these texts as allegorical expressions of the desire of writers newly emerging into cultural authority to reclaim their difficult inheritance, and finds a counter plot of heroines' encounters with women of other racial and ethnic groups running through these works.

Since 2005, the wildly popular Twilight saga has sold more than 42 million copies—20 million in 2008 alone—with translations into 37 different languages around the globe. Millions of teen girls are fanatical about these books. Vampire lit is hot. But why is that? Kimberly Powers knows that at the core of every young woman's heart is a longing to be truly, madly, deeply loved. And that's what's so compelling about the Bella / Edward story—the fantasy of a hero who is eternally attracted, fiercely protective, and passionately committed. Powers taps into this, using the vampire allusion to help girls explore what it is about the story that has captured their hearts. Weaving vampire lore with biblical truths and real-life stories, she helps girls move beyond the fantasy to discovery of the true Lover of their soul.