A reprint of the 1933 classic novel, the basis for two film versions, with a new introduciton.

Douglas Sirk (Claus Detler Sierck) was born in Hamburg, Germany, in 1900. He made nine films before fleeing Nazi Germany, eventually coming to America. His best-known films, made during the 1950s--all of them melodramas--were Magnificent Obsession, All That Heaven Allows, The Tarnished Angels, Written on the Wind, and Imitation of Life (made in 1958, released in 1959). This volume includes the complete continuity script of the film, critical commentary and published reviews, interviews with the director, and a filmography and bibliography. It also includes an excellent introduction by Lucy Fischer.

"The first career survey to explore the full range of the artist's [Cindy Sherman's] photographic series through the critical lens of cinema. Featuring more than 130 illustrations, ... it explores the artist's use of cinematic artifice across almost 40 years of work." --back cover.

Austin’s thriving film culture, renowned for international events such as SXSW and the Austin Film Festival, extends back to the early 1970s when students in the Department of Radio-Television-Film at the University of Texas at Austin ran a film programming unit that screened movies for students and the public. Dubbed CinemaTexas, the program offered viewers a wide variety of films—old and new, mainstream, classic, and cult—at a time when finding and watching films after their first run was very difficult and prohibitively expensive. For each film, RTF graduate students wrote program notes that included production details, a sampling of critical reactions, and an original essay that placed the film and its director within context and explained the movie’s historical significance. Over time, CinemaTexas Program Notes became more ambitious and were distributed around the world, including to luminaries such as film critic Pauline Kael. This anthology gathers a sampling of CinemaTexas Program Notes, organized into four sections: “USA Film History,” “Hollywood Auteurs,” “Cinema-Fist: Renegade Talents,” and “America’s Shadow Cinema.” Many of the note writers have become prominent film studies scholars, as well as leading figures in the film, TV, music, and video game industries. As a collection, CinemaTexas Notes strongly contradicts the notion of an effortlessly formed American film canon, showing instead how local film cultures—whether in Austin, New York, or Europe—have forwarded the development of film studies as a discipline.

In a passionate and witty behind-the-scenes expose, the author of All About "All About Eve" takes on the classic 1959 Douglas Sirk film starring Lana Turner Few films inspire the devotion of Imitation of Life, one of the most popular films of the '50s--a split personality drama that's both an irresistible women's picture and a dark commentary on ambition, motherhood, racial identity, and hope lost and found. Born to be Hurt is the first in-depth account of director Sirk's masterpiece. Lana Turner, on the brink of personal and professional ruin starred as Lora Meredith. African-American actress Juanita Moore played her servant and dearest friend, and Sandra Dee and Susan Kohner their respective daughters, caught up in the heartbreak of the black-passing-for-white daughter in the 1950s. Both Moore and Kohner were Oscar-nominated as Best Supporting Actress. Sam Staggs combines vast research, extensive interviews with surviving cast members, and superb storytelling into a masterpiece of film writing. Entertaining, saucy, and incisive, this is irresistible reading for every film fan.

On melodrama.

Mom and Dad say I'm a blend of dark and light: "We mixed you perfectly, and got you just right." Mike has awesome hair. He has LOTS of energy! His parents love him. And Mike is a PERFECT blend of the two of them. Still, Mike has to answer LOTS of questions about being mixed. And he does, with LOTS of energy and joy in this charming story about a day in the life of a mixed-race child.

The Imitation of Christ is the work of at least three men: Gerard Groote, Florent Radewijns, and Thomas a Kempis. The first two were founders of the Brethren of the Common Life, a lay religious society that flourished in the Netherlands from the fourteenth to the sixteenth century. Working on their manuscripts, first as a compiler and editor and then as a coauthor, was Kempis. So successful were Kempis's efforts that the work became the golden treasury not only of their community but also of the contemporary spirituality movement known as the Modern Devotion. Its prescriptions might very well be known as the Perennial Devotion for its continual appeal through the centuries. In its fifteenth century Latin original the Imitation was not a silken cord of consecutive prose. Rather it was a series of scratchings, the sort that a spiritual director would note down in preparation for sermons and addresses. What wasn't always in the original was exactly how Kempis developed each topic sentence or wisdom quotation as he delivered it. In this new rendition William Griffin recovers the original experience of listening to Kempis as he taught and preached to his spiritual charges. Using a variety of literary and historical means, Griffin enhances the original, making the insights of this seminal exposition of Christian life more accessible.

Readers of The Imitation of Christ have sometimes asked why Thomas à Kempis does not mention the Blessed Virgin in his magnificent work. The present book is an answer to their question, compiled from his many devotional writings about her. In its selections it is unique, preserving the poetic heart of its author better than other edited works.

"Sam Staggs traces the movie's arc from the original story in Fannie Hurst's novel right through the writing and casting to the filming, the promotion, the controversy over its themes, and the reception it received. He's unearthed new details about director Sirk, legendary producer Ross Hunter, and all the stars, and gives Imitation of Life its due as influential to several generations of film fans. In Born to Be Hurt, Staggs combines vast research, extensive interviews with surviving cast members, and superb storytelling to create a rich work about one of the twentieth century's most iconic movies."--BOOK JACKET.