This book offers an integrated interpretative analysis of the major thematic aspects of the English fourteenth-century romance Sir Gawain and the Green Knight. The chief aim of author Piotr Sadowski is to look at the contents of the narrative in their entirety and to take full advantage of the poem's exceptional and widely praised harmony of structure and design. Within that design, Sadowski focuses on the poem's presentation of the main protagonist and his adventures, seen first of all as a generalized metaphor of the human life understood as a spiritual quest, and, in a more historical sense, as an expression and critique of certain ideals, values, and anxieties that characterized the late medieval institutions of the court, chivalry, and the Church. Sadowski built the interpretive framework of Sir Gawain from an eclectic theoretical base that he believes is most valuable and useful in approaching medieval literature. The main focus of the study remains the literary text itself, created by an author who communicates his view of the world through the poem.

Very fine collection of essays a rich feast of scholarship with many discoveries and new interpretations of greatest value for Anglo-Saxon history.' SPECULUM St Cuthbert is known to many as the the saintly bishop of Holy Island inthe 7th century, but he was also a figure of great political and territorial power. The book is divided into four sections, each dealing with different aspects of Cuthbert and his milieu. Among the topics investigated are the early Livesof the Saint, two by Bede himself, and his cult; Lindisfarne, its scriptorium and of course the famous Gospels; the sumptuous treasures gathered round the coffin, such as a portable altar and elaborately-worked silks, many of which are still preserved at Durham; and St Cuthbert's community at Chester-le-Street and Durham. Contributors: J. CAMPBELL, CLARE STANCLIFFE, MICHAEL HERITY, BENEDICTA WARD SLG, MICHAEL LAPIDGE, WALTER BERSCHIN, ALAN THACKER, DEIRDRE O'SULLIVAN, CHRISTOPHER D. VEREY, MICHELLE P. BROWN, JANET BACKHOUSE, R. BRUCE-MITFORD, DIBHI CRINN, NANCY NETZER, ROSEMARY CRAMP, RICHARD N. BAILEY, J.M. CRONYN, C.V. HORIE, R.I. PAGE, JOHN HIGGITT, ELIZABETH COASTWORTH, HERO GRANGER-TAYLOR, CLARE HIGGINS, ANNA MUTHESIUS, ERIC CAMBRIDGE, GERALD BONNER, LUISELLA SIMPSON, DAVID ROLLASON, DAVID HALL, A.J. PIPER, VICTORIA TUDOR

How do we hope in the face of modernity's failure and postmodernity's absence of foundations? How do we hope when the future seems fearful and no clear way forward appears? How do we hope when despair, indifference, and cynicism dominate the psychic landscape of English-speaking North America? In dialogue with theologians of the cross George Grant and Douglas John Hall, this book unmasks the failure of hope in our time and the vacuum of meaning that remains. As an exercise in the theology of the cross, Waiting at the Foot of the Cross explores the North American context as one in which true hope is discovered only when life's negations are engaged from a posture of waiting trust. Such hope is not passive or blind. Rather, it is attentive, active, open, and spiritually grounded in the One who meets us when all hope is spent. The final chapter proposes a way toward hope for today that inspires subversive resilience in the face of the ambiguities and vicissitudes of life. Readers interested in the theology of the cross, in thinking theologically in our time and place, and those interested in the character of Christian hope will find this book compelling.

Artificial intelligence (AI) permeates Google searches, the personal assistants in our smartphones, and is all over our newsfeeds. Watson's machine learning has already started to revolutionize many important industries including oncology, law, finance, and entertainment. The idea that man is about to increase his immediate surroundings with exponential gains in the level of intelligence over the coming generations is based upon a technological revolution and the potential for artificial superintelligence (ASI). It is within this context that there is a prevailing need for a discussion of its ethical implications. As a Christian ethicist, Paul Golata believes that the need for this conversation to be informed by Christian principles is imperative. ASI is a move toward the proper handling of information. However, how a society interprets and applies this information is actually more pertinent than the raw amount of information it possesses. This important ethical conversation is being led by humanistic thinkers who assume that all of reality is just matter in motion and that mind is nothing more than electrochemical activity in the "wetware" of human brains. The Ethics of Superintelligent Design critically examines and challenges some of the most important trajectories of ASI while upholding the authority and inerrancy of the Bible, the supernatural creation account, a realistic view of the state of humanity, and biblical ethics.

Grammatology of Images radically alters how we approach images. Instead of asking for the history, power, or essence of images, Sigrid Weigel addresses imaging as such. The book considers how something a-visible gets transformed into an image. Weigel scrutinizes the moment of mis-en-apparition, of making an appearance, and the process of concealment that accompanies any imaging. Weigel reinterprets Derrida’s and Freud’s concept of the trace as that which must be thought before something exists. In doing so, she illuminates the threshold between traces and iconic images, between something immaterial and its pictorial representation. Chapters alternate between general accounts of the line, the index, the effigy, and the cult-image, and case studies from the history of science, art, politics, and religion, involving faces as indicators of emotion, caricatures as effigies of defamation, and angels as embodiments of transcendental ideas. Weigel’s approach to images illuminates fascinating, unexpected correspondences between premodern and contemporary image-practices, between the history of religion and the modern sciences, and between things that are and are not understood as art.