At the Chautauqua Institution in New York, visitors could walk down Palestine Avenue to "Palestine" and a model of Jerusalem, or along Morris Avenue to a scale model of the "Jewish Tabernacle." At the St. Louis World's Fair of 1904, a replica of Ottoman Jerusalem covered eleven acres, while today, 300 miles to the southeast, a seven-story-high Christ of the Ozarks stands above a modern re-creation of the Holy Land set in the Arkansas hills."--BOOK JACKET.

"Imaging and Imagining Palestine is the first comprehensive study of photography during the British Mandate period (1918-1948). It addresses well-known archives, photos from private collections never available before and archives that have until recently remained closed. This interdisciplinary volume argues that photography is central to a different understanding of the social and political complexities of Palestine in this period. While Biblical and Orientalist images abound, the chapters in this book go further by questioning the impact of photography on the social histories of British Mandate Palestine. This book considers the specific archives, the work of individual photographers, methods for reading historical photography from the present and how we might begin the process of decolonising photography"--

This book illuminates ways in which Jerusalem was represented in Western Europe during the Middle Ages, c. 700-1500. Focusing on maps and plans in manuscripts and early printed books, it also considers views and architectural replicas, and treats depictions of the Temple and the Church of the Holy Sepulchre alongside those of the city as a whole.

The book sets out to explore the history of Palestinian nationalism by asking if there were historical antecedents of this identity prior to the twentieth century, and whether this nationalism existed on every social level. It argues that such identity, or a kind of popular nationalism, did exist, aroused by the memory of the Crusades, the Holy Land, and the term Palestine.

Following 8 years of development, scholarly input the book is now available for distribution. It has been heralded as an artistic masterpiece by top book editors and Christian leaders alike. The book presents the history of Christian pilgrimage to the Holy Land in a journalistic format, reporting the dramatic events of this unique region as they would have appeared on the front page of the New York Times or a special edition of National Geographic. A story spanning over two millennial comes alive in this concise and colorful report, as if you were reading about these events as they would occur today. Along with nearly one thousand stunning maps, illustrations, etchings, lithographs, and photographs, this book becomes a significant spiritual and aesthetic value. The passion and hard work invested in the book project strikes an emotional chord in our growing readership. Just a few seconds of leafing through it is all it takes to grip and rivet readers from all walks of life.

The dream of building Jerusalem in England's green and pleasant land has long been a quintessential part of English identity and culture: but how did this vision shape the Victorian encounter with the actual Jerusalem in the Middle East? The Holy Land in English Culture 1799-1917 offers a new cultural history of the English fascination with Palestine in the long nineteenth century, from Napoleon's failed Mediterranean campaign of 1799, which marked a new era in the British involvement in the land, to Allenby's conquest of Jerusalem in 1917. Bar-Yosef argues that the Protestant tradition of internalizing Biblical vocabulary - 'Promised Land', 'Chosen People', 'Jerusalem' - and applying it to different, often contesting, visions of England and Englishness evoked a unique sense of ambivalence towards the imperial desire to possess the Holy Land. Popular religious culture, in other words, was crucial to the construction of the orientalist discourse: so crucial, in fact, that metaphorical appropriations of the 'Holy Land' played a much more dominant role in the English cultural imagination than the actual Holy Land itself. As it traces the diversity of 'Holy Lands' in the Victorian cultural landscape - literal and metaphorical, secular and sacred, radical and patriotic, visual and textual - this study joins the ongoing debate about the dissemination of imperial ideology. Drawing on a wide array of sources, from Sunday-school textbooks and popular exhibitions to penny magazines and soldiers' diaries, the book demonstrates how the Orientalist discourse functions - or, to be more precise, malfunctions - in those popular cultural spheres that are so markedly absent from Edward Said's work: it is only by exploring sources that go beyond the highbrow, the academic, or the official, that we can begin to grasp the limited currency of the orientalist discourse in the metropolitan centre, and the different meanings it could hold for different social groups. As such, The Holy Land in English Culture 1799-1917 provides a significant contribution to both postcolonial studies and English social history.