Imagining Ireland's Pasts describes how various authors addressed the history of early modern Ireland over four centuries and explains why they could not settle on an agreed narrative. It shows how conflicting interpretations broke frequently along denominational lines, but that authors were also influenced by ethnic, cultural, and political considerations, and by whether they were resident in Ireland or living in exile. Imagining Ireland's Past: Early Modern Ireland through the Centuries details how authors extolled the merits of their progenitors, offered hope and guidance to the particular audience they addressed, and disputed opposing narratives. The author shows how competing scholars, whether contributing to vernacular histories or empirical studies, became transfixed by the traumatic events of the sixteenth and seventeenth centuries as they sought to explain either how stability had finally been achieved, or how the descendants of those who had been wronged might secure redress.

The book describes how various authors addressed the history of early modern Ireland over four centuries, and explains why they could not settle on an agreed narrative.

Imagining Ireland's Pasts describes how various authors addressed the history of early modern Ireland over four centuries and explains why they could not settle on an agreed narrative. It shows how conflicting interpretations broke frequently along denominational lines, but that authors were also influenced by ethnic, cultural, and political considerations, and by whether they were resident in Ireland or living in exile. Imagining Ireland's Past: Early Modern Ireland through the Centuries details how authors extolled the merits of their progenitors, offered hope and guidance to the particular audience they addressed, and disputed opposing narratives. The author shows how competing scholars, whether contributing to vernacular histories or empirical studies, became transfixed by the traumatic events of the sixteenth and seventeenth centuries as they sought to explain either how stability had finally been achieved, or how the descendants of those who had been wronged might secure redress.

Accompanying DVD is a videorecording of the television program produced by Virginia Foundation for the Humanities and Paul Wagner Productions in association with Radio Telefís Éireann, and originally broadcast in 2004.

The key turning point in modern Ireland's history, the Anglo-Irish Treaty of 1921 has shadowed Ireland's political life for decades. In this first book-length assessment of the treaty in over seventy years, Jason Knirck recounts the compelling story of the nationalist politics that produced the Irish Revolution, the tortuous treaty negotiations, and the deep divisions within Sinn Féin that led to the slow unraveling of fragile party cohesion. Focusing on broad ideological and political disputes, as well as on the powerful personalities involved, the author considers the major issues that divided the pro- and anti-treaty forces, why these issues mattered, and the later judgments of historians. He concludes that the treaty debates were in part the result of the immaturity of Irish nationalist politics, as well as the overriding emphasis given to revolutionary unity. A fascinating story in their own right, the treaty debates also open a wider window onto questions of European nationalism, colonialism, state-building, and competing visions of Irish national independence. Treaty Documents

The nineteenth century witnessed the growth of Irish cultural nationalism as a dominant force in the country's political and literary life. Remembrance and Imagination is a major study which charts the development and impact of a national self-image through key texts and key episodes and does so by placing the history of two cultural spheres side by side: literature and historical scholarship. The literary and discursive work of writers like Lady Morgan, Maturin, Thomas Moore, Thomas Davis, Yeats and Synge is placed against the background of contemporary debates concerning the true historical and cultural identity of Ireland, while developments in the historical sciences are traced in their impact on the literary imagination. Special attention is given to the influential scholar George Petrie and to the far-ranging and persistent controversy concerning the round towers. The Irish self-image in the nineteenth century attempted to formulate permanence, tradition, and continuity in the face of historical and political divisions and incoherence. The cultivation of a gloried past and of an idyllic peasantry are central preoccupations in Irish national thought. This book analyzes the discourse, rhetoric, stereotypes, and ingrained attitudes with which those preoccupations were invested, both in literature and historical scholarship. The book closes with a reinterpretation of the position of Synge and Joyce in repudiating the nineteenth-century schemata of representing Ireland.

An essential part of the Irish national imaginary, the poems and plays of W. B. Yeats have helped to create the nation of Ireland, while critiquing the modern state that emerged from the country’s revolutionary period. Yeats’s mastery and extension of the traditional forms of verse, from ballad and sonnet to modernist sequence or constellation, gives aesthetic shape to Irish political and cultural preoccupations. This study offers a lucid and comprehensive account of Yeats’s poetry and drama that makes illuminating connections with contemporary theories of nationalism and modernism.

This book attempts to delve into the connection between imagination and politics, and examines the many expectations and fears engendered by the Irish home rule debate. More specifically, it assesses the ways politicians, artists and writers in Ireland, Britain and its empire imagined how self-government would work in Ireland after the restitution of an Irish parliament. What did home rulers want? What were British supporters of Irish self-government willing to offer? What did home rule mean not only to those who advocated it but also to those who opposed it? Pauline Collombier is Associate Professor at the University of Strasbourg, France.

In 911, the French king ceded land along the river Seine to Rollo the Viking, on condition that he convert to Christianity. This work advances our understanding of early Normandy and the Vikings' transformation from pagan raiders to Christian princes. It also sheds light on the intersection of religious tradition, identity, and power.