In Imagined Cities, Robert Alter traces the arc of literary development triggered by the runaway growth of urban centers from the early nineteenth century through the first two decades of the twentieth. As new technologies and arrangements of public and private space changed the ways people experienced time and space, the urban panorama became less coherent—a metropolis defying traditional representation and definition, a vast jumble of shifting fragments and glimpses—and writers were compelled to create new methods for conveying the experience of the city.In a series of subtle and convincing interpretations of novels by Flaubert, Dickens, Bely, Woolf, Joyce, and Kafka, Alter reveals the ways the city entered the literary imagination. He shows how writers of diverse imaginative temperaments developed innovative techniques to represent shifts in modern consciousness. Writers sought more than a journalistic representation of city living, he argues, and to convey meaningfully the reality of the metropolis, the city had to be re-created or reimagined. His book probes the literary response to changing realities of the period and contributes significantly to our understanding of the history of the Western imagination.

How can we understand the infinite variety of cities? Darran Anderson seems to exhaust all possibilities in this work of creative nonfiction. Drawing inspiration from Marco Polo and Italo Calvino, Anderson shows that we have much to learn about ourselves by looking not only at the cities we have built, but also at the cities we have imagined. Anderson draws on literature (Gustav Meyrink, Franz Kafka, Jaroslav Hasek, and James Joyce), but he also looks at architectural writings and works by the likes of Bruno Taut and Walter Gropius, Medieval travel memoirs from the Middle East, mid-twentieth-century comic books, Star Trek, mythical lands such as Cockaigne, and the works of Claude Debussy. Anderson sees the visionary architecture dreamed up by architects, artists, philosophers, writers, and citizens as wedded to the egalitarian sense that cities are for everyone. He proves that we must not be locked into the structures that exclude ordinary citizens--that cities evolve and that we can have input. As he says: "If a city can be imagined into being, it can be re-imagined as well.”

Italo Calvino's beloved, intricately crafted novel about an Emperor's travels—a brilliant journey across far-off places and distant memory. “Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else.” In a garden sit the aged Kublai Khan and the young Marco Polo—Mongol emperor and Venetian traveler. Kublai Khan has sensed the end of his empire coming soon. Marco Polo diverts his host with stories of the cities he has seen in his travels around the empire: cities and memory, cities and desire, cities and designs, cities and the dead, cities and the sky, trading cities, hidden cities. As Marco Polo unspools his tales, the emperor detects these fantastic places are more than they appear.

Brings together architecture, fiction, film, and visual art to reconnect the imaginary city with the real, proposing a future for humanity that is firmly grounded in the present and the diverse creative practices already at our fingertips. Though reaching ever further toward the skies, today’s cities are overshadowed by multiple threats: climate change, overpopulation, social division, and urban warfare all endanger our metropolitan way of life. The fundamental tool we use to make sense of these uncertain city futures is the imagination. Architects, artists, filmmakers, and fiction writers have long been inspired to imagine cities of the future, but their speculative visions tend to be seen very differently from scientific predictions: flights of fancy on the one hand versus practical reasoning on the other. In a digital age when the real and the fantastic coexist as near equals, it is especially important to know how these two forces are entangled, and how together they may help us best conceive of cities yet to come. Exploring a breathtaking range of imagined cities—submerged, floating, flying, vertical, underground, ruined, and salvaged—Future Cities teases out the links between speculation and reality, arguing that there is no clear separation between the two. In the Netherlands, prototype floating cities are already being built; Dubai’s recent skyscrapers resemble those of science-fiction cities of the past; while makeshift settlements built by the urban poor in the developing world are already like the dystopian cities of cyberpunk.

WINNER, Edward Stanford Travel Writing Awards 2022: Illustrated Travel Book of the Year. HIGHLY COMMENDED, British Cartographic Society Awards 2022. From Stephen King's Salem's Lot to the superhero land of Wakanda, from Lilliput of Gulliver's Travels to Springfield in The Simpsons, this is a wondrous atlas of imagined places around the world. Locations from film, tv, literature, myths, comics and video games are plotted in a series of beautiful vintage-looking maps. The maps feature fictional buildings, towns, cities and countries plus mountains and rivers, oceans and seas. Ever wondered where the Bates Motel was based? Or Bedford Falls in It's a Wonderful Life? The authors have taken years to research the likely geography of thousands of popular culture locations that have become almost real to us. Sometimes these are easy to work out, but other times a bit of detective work is needed and the authors have been those detectives. By looking at the maps, you'll find that the revolution at Animal Farm happened next to Winnie the Pooh's home. Each location has an an extended index entry plus coordinates so you can find it on the maps. Illuminating essays accompanying the maps give a great insight into the stories behind the imaginary places, from Harry Potter's wizardry to Stone Age Bedrock in the Flintstones. A stunning map collection of invented geography and topography drawn from the world's imagination. Fascinating and beautiful, this is an essential book for any popular culture fan and map enthusiast.

From the Ghostbusters HQ in New York to Nemo's fish tank in Sydney, from the Phantom of the Opera's Parisian lair to scenes from Grand Theft Auto in LA, this is an amazing atlas of imaginary locations in real-life cities around the world. Locations from film, TV, books, computer games and comics are ingeniously plotted on a series of beautiful vintage-looking maps. Feauturing 14 of the world's greatest cities, the maps show exactly where your favourite characters lived, loved, worked and played, and where iconic scenes took place. The locations have been painstakingly tracked down, mapped, annotated and wittily divulged by the authors, and an extensive index helps you find them all. Within the pages of this book, you'll discover: • Where in London super-spies James Bond and George Smiley are neighbours. • The route of the exciting San Francisco car chase in Bullitt. • The Tokyo homes of all the magical girls from the classic Sailor Moon anime. And many more fascinating locations drawn from the world's imagination. Accompanying the maps are illuminating essays that explain how the authors came to their decisions, along with explorations of the key locations and fun timelines of imaginary events. Find out how to get to Sesame Street, where to join Starfleet and thousands of other places besides, in this indispensable guidebook to all those places you always wanted to visit – if only they were real.

The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.

What science fiction can teach us about urban planning Carl Abbott, who has taught urban studies and urban planning in five decades, brings together urban studies and literary studies to examine how fictional cities in work by authors as different as E. M. Forster, Isaac Asimov, Kim Stanley Robinson, and China Miéville might help us to envision an urban future that is viable and resilient. Imagining Urban Futures is a remarkable treatise on what is best and strongest in urban theory and practice today, as refracted and intensely imagined in science fiction. As the human population grows, we can envision an increasingly urban society. Shifting weather patterns, rising sea levels, reduced access to resources, and a host of other issues will radically impact urban environments, while technology holds out the dream of cities beyond Earth. Abbott delivers a compelling critical discussion of science fiction cities found in literary works, television programs, and films of many eras from Metropolis to Blade Runner and Soylent Green to The Hunger Games, among many others.

Whose images are being juxtaposed? What information is being conveyed? Which aesthetics are being valued? - Frances Gateward and John Jennings, ""The Blacker the Ink"" ""Afrofuturism is moving [toward] a more applied, theoretical, critical, and transdisciplinary approach"" - Reynaldo Anderson, ""Afrofuturism 2.0"" ""What is dark matter?"" - Sheree R. Thomas, ""Dark Matter"" Cities Imagined symbolizes the dynamic relationship between real and imagined spaces, subjects, and objects across disciplines. Forged from lifetimes of academic work that balanced critical insight with constant creativity, Julian Chambliss and Walter Greason document, analyze, and synthesize multiple traditions of critical analysis and aesthetic performance. In tracing the history of culture, identity, and structures over the twentieth century, Cities Imagined provides a framework to rethink modern history. From the emergence of the Booker T. Washington's ""Tuskegee Universe"" in the late nineteenth century through the trans-dimensional character of the comic book city and transpatial power of the Black Lives Matter moment, Cities Imagined offers a sequence of templates that will guide scholars, activists, architects, and theorists through processes of metropolitan creation in pursuit of equal justice for all people. Chambliss and Greason move their readers from the dreams of Booker T. Washington, Anna Julia Cooper, and Martin Luther King, Jr. through the recognition of Barack Obama, Kamala Harris, and Sonia Sotomayor as shapers of an uncharted future. How do dreams become real? The examination of spatial change though both literature and history provides a furnace and an anvil for the creation of Audre Lorde's new tools. Cities Imagined is the hammer we all need.

Anna Quindlen first visited London from a chair in her suburban Philadelphia home—in one of her beloved childhood mystery novels. She has been back to London countless times since, through the pages of books and in person, and now, in Imagined London, she takes her own readers on a tour of this greatest of literary cities. While New York, Paris, and Dublin are also vividly portrayed in fiction, it is London, Quindlen argues, that has always been the star, both because of the primacy of English literature and the specificity of city descriptions. She bases her view of the city on her own detailed literary map, tracking the footsteps of her favorite characters: the places where Evelyn Waugh's bright young things danced until dawn, or where Lydia Bennett eloped with the dastardly Wickham. In Imagined London, Quindlen walks through the city, moving within blocks from the great books of the 19th century to the detective novels of the 20th to the new modernist tradition of the 21st. With wit and charm, Imagined London gives this splendid city its full due in the landscape of the literary imagination. Praise for Imagined London: "Shows just how much a reading experience can enrich a physical journey." —New York Times Book Review "An elegant new work of nonfiction... People will be inspired by this book." —Ann Curry, Today "An affectionate, richly allusive tribute to the city." —Kirkus Reviews