Current debates over multiculturalism often pit those who believe that every perspective should be represented against those who hold fast to the notion of a universal "common ground." In this timely and original work, David L. Norton persuasively argues for the power of a "transcendental imagination," that is, an imagination that can go beyond itself to gain another's perspective without necessarily assimilating that perspective. Imagination, Understanding, and the Virtue of Liberality will be an important work for all intellectuals and very useful in courses that address multiculturalism.

SCOTT (copy 1): From the John Holmes Library collection.

This book offers a new approach to imagination which brings its emotional, social, cultural, contextual and existential characteristics to the fore. Fantasy and imagination are understood as the human capacity to distance oneself from the here?and?now situation in order to return to it with new possibilities. To do this we use social?cultural means (e.g. language, stories, art, images, etc.) to conceive of imaginary scenarios, some of which may become real. Imagination is involved in every situation of our lives, though to different degrees. Sometimes this process can lead to concrete products (e.g., artistic works) that can be picked up and used by others for the purposes of their imagining. Imagination is not seen here as an isolated cognitive faculty but as the means by which people anticipate and constructively move towards an indeterminate future. It is in this process of living forward with the help of imagination that novelty appears and social change becomes possible. This book offers a conceptual history of imagination, an array of theoretical approaches, imagination’s use in psychologist’s thinking and a number of new research areas. Its aim is to offer a re?enchantment of the concept of imagination and the discipline of psychology more generally.

In a fresh and exciting way, this new book shows how tolerance connects with the practice of philosophy. Andrew Fiala examines the virtue of tolerance as it appears in several historical contexts: Socratic philosophy, Stoic philosophy, Pragmatism, and Existentialism. The lesson derived is that tolerance is a virtue for what Fiala calls 'tragic communities'. Such communities are developed when we come together across our differences, but they lack the robust sense of connection that we often seek with others - the complete sort of happiness that is offered by a more utopian ideal of community. But rather than viewing this conclusion as a failure, Fiala maintains that tragic communities are the best communities possible for human beings who are aware of their own individuality and finitude. Indeed, they are typical of the sorts of communities created by philosophers engaged in dialogue with others. Tolerance and the Ethical Life will strongly appeal to specialists and upper-level students in Ethics and Political Philosophy, both for its unique historical exploration of tolerance and its application of those results to present-day moral theory.

Giambattista Vico (1668–1744) was an Italian philosopher, rhetorician, and historian. As one of the great thinkers of the Enlightenment, he exerted tremendous influence on the social sciences. He was the first to stress cultural and linguistic dimensions in the development of both the human mind and social institutions. Although his ideas on the relationship between mind and culture and his epistemology have inspired the work of many scholars in psychology, his sizeable influence has been scarcely acknowledged. The volume is organized in two sections. The first locates Vico in his historical context and in the landscape of contemporary human and social sciences. The second part presents those of Vico’s concepts that seem promising for the development of a new way of looking at psychological phenomena. In the book’s conclusion, Luca Tateo gathers the ideas of the volume’s contributors to suggest future development of the psychological sciences. This book aims to show how Vico’s insights can inspire future research in the psychological sciences. It collects multidisciplinary contributions of leading international scholars that draw upon the thought of this original thinker. Collectively, the contributors remind us of the legacy and continuing influence of this inspiring historical figure.

Managers are not motivated only by greed, but applying moral principles to decision-making has not been a big success. The author argues that managers and their companies need a moral imagination which lets them be aware of, evaluate, and change the mental models that constrict business behaviour.

Sociocultural psychology is a discipline located at the crossroads between the natural and social sciences and the humanities. This international overview of the field provides an antireductionist and comprehensive account of how experience and behaviour arise from human action with cultural materials in social practices. The outcome is a vision of the dynamics of sociocultural and personal life in which time and developmental constructive transformations are crucial. This second edition provides expanded coverage of how particular cultural artefacts and social practices shape experience and behaviour in the realms of art and aesthetics, economics, history, religion and politics. Special attention is also paid to the development of identity, the self and personhood throughout the lifespan, while retaining the emphasis on experience and development as key features of sociocultural psychology.

In this book, Michael Krausz addresses the concept of interpretation in the visual arts, the emotions, and the self. He examines competing ideals of interpretation, their ontological entanglements, reference frames, and the relation between elucidation and self-transformation. The series Interpretation and Translation explores philosophical issues of interpretation and its cultural objects. It also addresses commensuration and understanding among languages, conceptual schemes, symbol systems, reference frames, and the like. The series publishes theoretical works drawn from philosophy, rhetoric, linguistics, anthropology, religious studies, art history, and musicology.

Literary studies still lack an extensive comparative analysis of different kinds of literature, including ancient and non-Western. How Literary Worlds Are Shaped. A Comparative Poetics of Literary Imagination aims to provide such a study. Literature, it claims, is based on individual and shared human imagination, which creates literary worlds that blend the real and the fantastic, mimesis and genre, often modulated by different kinds of unreliability. The main building blocks of literary worlds are their oral, visual and written modes and three themes: challenge, perception and relation. They are blended and inflected in different ways by combinations of narratives and figures, indirection, thwarted aspirations, meta-usages, hypothetical action as well as hierarchies and blends of genres and text types. Moreover, literary worlds are not only constructed by humans but also shape their lives and reinforce their sense of wonder. Finally, ten reasons are given in order to show how this comparative view can be of use in literary studies. In sum, How Literary Worlds Are Shaped is the first study to present a wide-ranging and detailed comparative account of the makings of literary worlds.

By way of dialogues, Michael Krausz offers philosophical reflections about his life as philosopher, artist, and musician. He also rehearses his views about relativism, interpretation, creativity, and self-realization. Much of Krausz’s work has been inspired by conversations with thinkers such as Karl Popper, Thomas Kuhn, Isaiah Berlin, the Dalai Lama, and musicians such as Josef Gingold, Frederik Prausnitz, and Luis Biava. While the death of his grandparents in Auschwitz continues to disquiet his consciousness, Krausz’s critiques of versions of Advaitic Hinduism and Tibetan Buddhism led him to a distinctive humanism. This thought-provoking book includes personal and professional accounts about particular philosophers, artists, and musicians. It will edify anyone who, like Krausz, has confronted issues of self-identity and human existence.