This charming novel about a Bengali-American matchmaker in San Francisco who creates an imaginary fiancé in order to satisfy her marriage-minded traditional parents offers a fresh variation on the timeless theme of a young woman's quest for true love. It seemed like a good idea at the time. Lina Ray has a knack for pairing up perfect couples as a professional matchmaker in San Francisco, but her well-meaning, highly traditional Indian family wants her to get married. When her Auntie Kiki introduces Lina to the bachelor from hell at her sister's wedding in India, Lina panics and blurts out, "I'm engaged!" Because what's the harm in a little lie? Who's sari now? Lina scrambles to find a real fiancé because Auntie Kiki will be coming to America soon to approve the match. But date after disastrous date gets her no closer to her prince -- until an actual prince arrives on her doorstep. Lina hasn't been able to stop fantasizing about traditional but dashing Raja Prasad since she met him in India. In fact, her imaginary fiancé has begun to resemble him! Now Raja is in San Francisco and wants Lina to find a suitable bride for his brother. Though they live oceans apart, Lina longs to bridge the gap. But when her fantastic fib catches up with her, life is suddenly like a Bollywood flick gone horribly wrong. Lina may have an over-developed fantasy life, but she certainly never imagined things would turn out like this!

From a New York Times bestselling author, a young boy is haunted by a voice in his head in this "epic horror" novel, perfect for fans of Stephen King (Dan Chaon, author of Ill Will). Single mother Kate Reese is on the run. Determined to improve life for her and her seven year-old son, Christopher, she flees an abusive relationship in the middle of the night. At first, the tight-knit community of Mill Grove, Pennsylvania seems like the perfect place to finally settle down. Then Christopher vanishes. Days later, he emerges from the woods at the edge of town, unharmed but not unchanged. He returns with a voice in his head only he can hear, with a mission only he can complete: Build a treehouse in the woods by Christmas, or his mother and everyone in the town will never be the same again. Twenty years ago, Stephen Chbosky's The Perks of Being a Wallflower made readers everywhere feel infinite. Now, Chbosky has returned with an epic work of literary horror, years in the making, whose grand scale and rich emotion redefine the genre. Read it with the lights on. One of The Year's Best Books (People, EW, Lithub, Vox, Washington Post, and more)

The mechanical men in these stories—Industrial Age holdovers, outsiders wanting for relevance and respect, or overwhelmed people who confuse the certainties of one reality with the doubts of another—are cut off in some way from contemporary culture. Sometimes in these stories, which Randy F. Nelson calls "thought experiments about values in conflict," the characters are like the Native American prison guard in "Escape": Rifkin thinks that atonement is possible even for fugitive killers. Others are less sanguine. In "Breakers," a corporate hitman arrives on a forgettable island off the African coast. His mission: to shut down a hellish, polluting, ship-demolition business. His nemesis: a lawyer, now gone Heart-of-Darkness crazy, who preceded him years earlier for the same purpose. The bottom drops out in other stories, rearranging all reference points to good and bad, true and false. In "Abduction," for instance, a distraught young woman summons a tabloid reporter to a grubby hotel room, where the now-lifeless alien who had invaded her body lies wrapped in a sheet. Nelson once explained his motivations by alluding to a line in a Gabriel García Márquez story. A crowd of villagers are gazing upon a man, "but even though they were looking at him, there was no room for him in their imagination." "Stories and characters and situations that ask the imagination to accommodate something bigger, further, deeper—that's what I'm after," said Nelson.

Imaginary Men Love Imaginary Women is the second book of poetry by the artist Karlos Rene Ayala; it is the second book in a three-part bildungsroman through poetry.

IMAGINE one day men stopped clowning about attending a theoretical men’s conference, and actually organised a real one? Most of us ask ourselves this question each year on Valentine’s Day when the imaginary conference tantrums start, but only one man had all the boredom in the world to think it out loud. And now we’re here. HE BANNA: Inside South Africa’s First Imaginary Men’s Conference is a commissioned report filed by Ace Moloi about the conference’s developments, deliberations and resolutions as he imagined they would be. Headlined by mental health, gender-based violence, rape culture, fatherhood and more, this book aspires to be a journalistic offering that gives a blow-by-blow commentary of what transpired at the conference. Here, shebeen arguments are treated with the same literary respect enjoyed by superior logic. Disclaimer: The book itself is imaginary. So, you might have to verify the contents first before you tap to pay.

Moira Gatens investigates the ways in which differently sexed bodies can occupy the same social or political space. Representations of sexual difference have unacknowledged philosophical roots which cannot be dismissed as a superficial bias on the part of the philosopher, nor removed without destroying the coherence of the philosophical system concerned. The deep structural bias against women extends beyond metaphysics and its effects are felt in epistemology, moral, social and political theory. The idea of sexual difference is contextualised in Imaginary Bodies and traced through the history of philosophy. Using her work on Spinoza, Gatens develops alternative conceptions of power, new ways of conceiving women's embodiment and their legal, political and ethical status.

The concept of world and the practice of world creation have been with us since antiquity, but they are now achieving unequalled prominence. In this timely anthology of subcreation studies, an international roster of contributors come together to examine the rise and structure of worlds, the practice of world-building, and the audience's reception of imaginary worlds. Including essays written by world-builders A.K. Dewdney and Alex McDowell and offering critical analyses of popular worlds such as those of Oz, The Lord of the Rings, Star Trek, Star Wars, Battlestar Galactica, and Minecraft, Revisiting Imaginary Worlds provides readers with a broad and interdisciplinary overview of the issues and concepts involved in imaginary worlds across media platforms.