Matt Mikalatos liked Jesus a lot. In fact, he couldn’t believe how much they had in common. They shared the same likes, dislikes, beliefs, and opinions. (Though Jesus did have better hair.) So imagine Matt’s astonishment when he finds out that the guy he knows as Jesus . . . isn’t. He’s an Imaginary Jesus: a comfortable, convenient imitation Matt has created in his own image. The real Jesus is still out there somewhere . . . and Matt is determined to find him. In this hilarious, fast-paced, sort-of-true story hailed as “Monty Python meets C. S. Lewis,” Matt embarks on an incredible chase to find the real Jesus and ask him the one question that his Imaginary Jesus has never been able to answer. It’s a wild spiritual adventure like nothing you’ve ever read before . . . and it might bring you face-to-face with an imposter in your own life. This new edition now contains a discussion guide, an interview with the author, and other bonus features! (Previously published as Imaginary Jesus.)

My Almost Certainly Real Imaginary Jesus shows just how easy it can be for a young homosexual to fall headlong into fundamentalism, venturing into the very heart of enemy territory and the church's false promises of altar calls and sexual cures. Barth particularly addresses the disconnect between the radical and very human Jesus of history and the church's supernatural savior.

Instant New York Times Bestseller One of Fall 2019's Best Books (People, EW, Lithub, Vox, Washington Post, and more) A young boy is haunted by a voice in his head in this acclaimed epic of literary horror from the author of The Perks of Being a Wallflower. Christopher is seven years old.Christopher is the new kid in town.Christopher has an imaginary friend. We can swallow our fear or let our fear swallow us. Single mother Kate Reese is on the run. Determined to improve life for her and her son, Christopher, she flees an abusive relationship in the middle of the night with her child. Together, they find themselves drawn to the tight-knit community of Mill Grove, Pennsylvania. It's as far off the beaten track as they can get. Just one highway in, one highway out. At first, it seems like the perfect place to finally settle down. Then Christopher vanishes. For six long days, no one can find him. Until Christopher emerges from the woods at the edge of town, unharmed but not unchanged. He returns with a voice in his head only he can hear, with a mission only he can complete: Build a treehouse in the woods by Christmas, or his mother and everyone in the town will never be the same again. Twenty years ago, Stephen Chbosky's The Perks of Being a Wallflower made readers everywhere feel infinite. Now, Chbosky has returned with an epic work of literary horror, years in the making, whose grand scale and rich emotion redefine the genre. Read it with the lights on.

A quirky cast of characters are involved in a quest to find the real Jesus, uncovering a multitude of fakes in modern-day America and ancient Judea.

Why has Christianity, a religion premised upon neighborly love, failed in its attempts to heal social divisions? In this ambitious and wide-ranging work, Willie James Jennings delves deep into the late medieval soil in which the modern Christian imagination grew, to reveal how Christianity's highly refined process of socialization has inadvertently created and maintained segregated societies. A probing study of the cultural fragmentation-social, spatial, and racial-that took root in the Western mind, this book shows how Christianity has consistently forged Christian nations rather than encouraging genuine communion between disparate groups and individuals. Weaving together the stories of Zurara, the royal chronicler of Prince Henry, the Jesuit theologian Jose de Acosta, the famed Anglican Bishop John William Colenso, and the former slave writer Olaudah Equiano, Jennings narrates a tale of loss, forgetfulness, and missed opportunities for the transformation of Christian communities. Touching on issues of slavery, geography, Native American history, Jewish-Christian relations, literacy, and translation, he brilliantly exposes how the loss of land and the supersessionist ideas behind the Christian missionary movement are both deeply implicated in the invention of race. Using his bold, creative, and courageous critique to imagine a truly cosmopolitan citizenship that transcends geopolitical, nationalist, ethnic, and racial boundaries, Jennings charts, with great vision, new ways of imagining ourselves, our communities, and the landscapes we inhabit.

What does a transformed life actually look like? In his follow-up to the critically acclaimed Imaginary Jesus, Matt Mikalatos tackles this question in an entertaining and thought-provoking way—with MONSTERS!!! While Christians claim to experience Christ’s resurrection power, we sometimes act like werewolves who can’t control our base desires. Or zombies, experiencing a resurrection that is 90 percent shambling death and 10 percent life. Or vampires, satiating ourselves at the expense of others. But through it all we long to stop being monsters and become truly human—the way Christ intended. We just can’t seem to figure out how. Night of the Living Dead Christian is the story of Luther, a werewolf on the run, whose inner beast has driven him dangerously close to losing everything that matters. Desperate to conquer his dark side, Luther joins forces with Matt to find someone who can help. Yet their time is running out. A powerful and mysterious man is on their trail, determined to kill the wolf at all costs . . . By turns hilarious and heartbreaking, Night of the Living Dead Christian is a spiritual allegory that boldly explores the monstrous underpinnings of our nature and tackles head-on the question of how we can ever hope to become truly transformed.

WHY versus WHY NOT? Why did God place us in a world full of pleasures if we aren’t meant to pursue them all? In an imaginative dialogue, Oscar Wilde asks Jesus Christ to respond to this question about critical lifestyle choices. Their talk vividly illustrates the arguments for both sensual pleasure-seeking and moral moderation. Playwright, dramatist, poet, critic—Wilde openly defied the mores of Victorian society. His literary repartee fueled an “if it feels good, do it” humanistic philosophy that is still prevalent in the world today. SO WHAT does JESUS SAY?

Suppose you could ask God any question and get an answer. What would it be? Young people all over the world have been asking those questions. So Neale Donald Walsch, author of the internationally bestselling Conversations with God series had another conversation. Conversations with God for Teens is a simple, clear, straight-to-the-point dialogue that answers teens questions about God, money, sex, love, and more. Conversations with God for Teens reads like a rap session at a church youth group, where teenagers discuss everything they ever wanted to know about life but were too afraid to ask God. Walsch acts as the verbal conduit, showing teenagers how easy it is to converse with the divine. When Claudia, age 16, from Perth, Australia, asks, "Why can't I just have sex with everybody? What's the big deal?", the answer God offers her is: "Nothing you do will ever be okay with everybody. 'Everybody' is a large word. The real question is can you have sex and have it be okay with you?" There's no doubt that the casual question-and-answer format will help make God feel welcoming and accessible to teens. Conversations with God for Teens is the perfect gift purchase for parents, grandparents, and anyone else who wants to provide accessible spiritual content for the teen(s) in their lives.

Discusses the issue of christological pluralism--the panoply of competing visions of Christ that exist today--and provides criteria for evaluating these.

Many novels revolve round the figure of Jesus. Some of the finest of them are defined by Ziolkowski as fictional transfigurations of Jesus. They share a modern hero patterned on Jesus the culture-hero, whose life consisted of the motifs of the last supper, lonely agony, betrayal, trial, and crucifixion. The aesthetic challenge of adapting this most familiar story for their generation has attracted an unusual number of great writers, among them Papini, Kazantzakis, Hesse, Mann, Greene, Faulkner, and Gore Vidal. The form began with the new image of a humanized Jesus which developed in the 19th century. The interest in religious paranoia and hysteria at the turn of the century instantly expanded its potentialities as novelists began to explore the theme of christomania. This was followed by studies of Jesus as a mythic figure and then Marxist-oriented portraits of Comrade Jesus. Finally the form became inverted into parody in the Fifth Gospels in which not Jesus, but Judas, is the central figure.