This handsomely illustrated book suggests new ways of understanding a cultural institution central to the spiritual and artistic imagination of the Middle Ages. Bringing together fourteen essays by contributors representing a number of disciplines, it illuminates issues including the place of sanctity in society, the role of gender in the representation of sainthood, and the use of hagiographic conventions in other genres.

This handsomely illustrated book suggests new ways of understanding a cultural institution central to the spiritual and artistic imagination of the Middle Ages. Bringing together fourteen essays by contributors representing a number of disciplines, it illuminates such key issues as the place of sanctity in society, the role of gender in the representation of sainthood, and the use of hagiographic conventions in other genres.

This volume's essays together provide a rich investigation of the idea of sanctity and its many medieval manifestations across time (fifth through fifteenth centuries) and in different geographical locations (England, Scotland, France, Italy, the Low Countries) from multiple disciplinary perspectives.

This volume examines gender-specific religious practices and contends that the pursuit of holiness can destabilize binary gender itself. Though saints may be classified as masculine or feminine, holiness may also cut across gender divisions and demand a break from normally gendered behaviour.

In Saints in Medieval Manuscripts, Greg Buzwell documents how saints were represented in the manuscripts of the Middle Ages.

Hagiography, or writing about and illustrating the lives of saints, was one of the most creative areas for artistic inspiration in the literature and arts of the Middle Ages. This book explores the sumptuously illustrated saints' lives that were made in medieval Europe. Cynthia Hahn discusses a broad range of manuscripts and other artifacts, many of which are reproduced here, and provides an analysis of their pictorial and narrative structure. Hahn's book is a virtual compendium of images-many rarely published-as well as a learned study that deepens our understanding of the role of various types of saints, the nature of their audience, and the historical moment when individual works were produced. After two informative introductory chapters setting the historical and narrative context of pictorial hagiography, Hahn considers the Lives of Martyrs and Virgins, Bishops, Monks and Abbots, and Kings and Queens, and concludes with an examination of the extraordinary chronicles and illustrations of the lives of saints by the English monk Matthew Paris. She considers such questions as: Why were illustrated saints' lives produced in such great numbers during this period? Why were they illustrated at all given the trouble and expense of such illustration? And to whom did the saints' lives appeal, and how did their readers use them? As she addresses these and other intriguing questions, Hahn traces changes that occurred over time both in the images and the stories, and shows how their creators, mostly the intellectual elite, were finely attuned to audience reception. This important aspect of hagiographic production has received scant attention in the past, and as she considers this issue in light of contemporary narrative theory, Hahn brings us to a fresh appreciation of these intricately illustrated manuscripts and their multiple audiences.

This is a standard work of reference for the study of the religious history of western Christianity in the later middle ages which, since its original publication in French in 1981, has come to be regarded as one of the great contributions to medieval studies of recent times. Hagiographical texts and reports of the processes of canonisation - a mode of investigation into saints' lives and their miracles implemented by the popes from the end of the twelfth century - are here used for the first time as major source materials. The book illuminates the main features of the medieval religious mind, and highlights the popes' attempts to gain firmer control over the wide variety of expressions of faith towards the saints in order to promote a higher pattern of devotion and moral behaviour among Christians.

Martyrdom, Murder, and Magic: Child Saints and Their Cults in Medieval Europe is a comprehensive history of child saints and their cults from late Antiquity to the end of the fifteenth century. The child martyrs of the persecutions, including the Holy Innocents, were the first child saints recognized by the Church and their cults spread throughout Europe in the early Middle Ages. Alongside these cults, medieval society also venerated child «martyrs», victims of political or domestic violence. The increasing role of the papacy in the canonization process after the tenth century resulted in the veneration of saintly child confessors in the high Middle Ages, but from the end of the twelfth century, most children worshipped as saints were the alleged victims of ritual murder by Jews. This book considers the formation and transformation of child saints and their cults in the context of popular belief and the history of childhood.

An important reappraisal of the image of St Francis as it was recorded in literature, documents, architecture and art. Highly illustrated throughout, including colour and black and white plates, and containing key extracts from the major sources, this book bridges the boundaries of history and the history of art.

Ross provides a broad survey of pictures and texts concerning saints, from the Early Christian through the late Gothic period. Both Western and Byzantine material is included. Beginning with the earliest pictures of and stories about saints, the book traces the evolution of hagiographic imagery primarily in manuscript contexts. Because of its cross-disciplinary nature, it will be of interest to audiences interested in Early Christian, Byzantine, and Western medieval culture: religion, society, politics, and art. No other book to date is organized similarly in providing detailed descriptions for the identification of medieval manuscripts with hagiographic texts and illustrations.