Mothers are there to protect the child, to chase away the monsters from our nightmares, not to be the feared monster. Not all Mother's Day are remembered with a reminiscent smile. The twisting of the soul began so long ago, that eighty years after it seems only yesterday. This book is about life, real life, the one many of us wish not to have been there, but we were, and nobody took the trouble to tell about. Fathers, supposed to protect the child should have been there too. "Bad memories" have a mother, her name? Solitude.

A life travel with 305 poems, from the abused child to the old man waiting for God's final call, with some tears and some laughs, with dreams and nightmares, but not less, with the sincerity of a poet telling you how it was, how he wished it to be and the scars collected in the long journey. (This time, smiles were included)

In 1963, a heart broken Nation cried over her shattered dreams... Camelot was dead and so was the innocence. Forty some years later, the man on the grassy knoll tells why he was there and what he was ordered not to do. This is the Book One of a trilogy.

A tribute to love comparing it to a bowl of porridge, sweet or sour...your choice.A few thoughts to our Native American's Hundred Nations.The Traveler's long journey searching for God.The end of the Colonel's Saga (started on Portrait of a Sad Man, 305 poems)At the end, the book of Andre, the Sheik of Literary Sands.

Karim Chammas returns to Lebanon, his family, and his past after ten years of establishing a new life in France. Back in Beirut, Karim reacquaints himself with his brother Nassim, now married to his former love Hind, and old friends from the leftist political circles within which he once roamed under the nom de guerre Sinalcol. By the end of his six-month stay, he has been reintroduced to the chaos of cultural, religious and political battles that continue to rage in Lebanon. Overwhelmed by the experiences of his return, Karim is forced to contemplate his identity and his place in Lebanon's history. The story of Karim and his family is born of other stories that intertwine to form an imposing fresco of Lebanese society over the past fifty years. Broken Mirrors examines the roots of an endemic civil war and a country's unsettled past.

Ink of Melancholy re-examines and re-evaluates William Faulkner's work from the late 1920s to the early 1940s, one of his most creative periods. Rather than approach Faulkner's fiction through a prefabricated grid, André Bleikasten concentrates on the texts themselves—on the motivations and circumstances of their composition, on the rich array of their themes, structures, textures, points of emphasis and repetition, as well as their rifts and gaps—while drawing on the resources of philosophy, psychoanalysis, anthropology. Brilliant in its thought and argument, Ink of Melancholy is one of the most insightful and stimulating studies of Faulkner's work.