Through examination of Augustine's account of the human relation to God, Matthew Drever finds a crucial resource for a religious reorientation and revaluation of the human person,

Engaging with the Complex Subject of Theological Anthropology. Theological anthropology is a complicated doctrinal subject that needs to be elaborated with careful attention to its relation to other major doctrines. Among other things, it must confess the glory and misery of humanity, from creation in the image of God to the fall into a state of sin. It must reckon with a holism that spans distinctions between body, soul, and spirit, and a unity that encompasses male and female, as well as racial and cultural difference. The Christian Doctrine of Humanity represents the proceedings of the sixth annual Los Angeles Theology Conference, which sought, constructively and comprehensively, to engage the task of theological anthropology. The twelve diverse essays in this collection include discussions on: Human thought and the image of God. The relevance of biblical eschatology for philosophical anthropology. Living and flourishing in the Spirit. Vocation and the "oddness" of human nature. Each of the essays collected in this volume engage with Scripture as well as with others in the field—theologians both past and present, from different confessions—in order to provide constructive resources for contemporary systematic theology and to forge a theology for the future.

In our current pluralist context, there is no clearly designated means of valuing or defining the human person. Matthew Drever shows that in the writings of St. Augustine we find a concept of the human person that is fluid, tenuous, prone to great good and great vice, and influenced deeply by the wider spiritual and material environment. Through an examination of his account of the human relation to God, Drever demonstrates how Augustine can offer a crucial resource for a religious reorientation and revaluation of the human person. Drever focuses particularly on the concepts of the imago dei and creatio ex nihilo, significant for their influence on Augustine's understanding of the human person and for their potential to bridge his and our own world. Though rooted in Augustine's early work, these concepts are developed fully in his later writings: his Genesis commentaries and On the Trinity in particular. Drever examines how in these later writings the origin (creatio ex nihilo) and identity (imago dei) of the human person intersect with Augustine's understanding of creation, Christ, and the Trinity. Image, Identity, and the Forming of the Augustinian Soul constructs an interpretation of Augustine's view of the person that acknowledges its classical context while also addressing contemporary theological and philosophical appropriations of Augustine and the issues that animate them.

Within contemporary orthodoxy, debates over sex and gender have become increasingly polemical over the past generation. Beginning with questions around women’s ordination, arguments have expanded to include feminism, sexual orientation, the sacrament of marriage, definitions of family, adoption of children, and care of transgender individuals. Preliminary responses to each of these topics are shaped by gender essentialism, the idea that male and female are ontologically fixed and incommensurate categories with different sets of characteristics and gifts for each sex. These categories, in turn, delineate gender roles in the family, the church, and society. Gender Essentialism and Orthodoxy offers an immanent critique of gender essentialism in the stream of the contemporary Orthodox Church influenced by the “Paris School” of Russian émigré theologians and their heirs. It uses an interdisciplinary approach to bring into conversation patristic reflections on sex and gender, personalist theological anthropology, insights from gender and queer theory, and modern biological understandings of human sexual differentiation. Though these are seemingly unrelated discourses, Gender Essentialism and Orthodoxy reveals unexpected points of convergence, as each line of thought eschews a strict gender binary in favor of more open-ended possibilities. The study concludes by drawing out some theological implications of the preceding findings as they relate to the ordination of women to the priesthood, same-sex unions and sacramental understandings of marriage, definitions of family, and pastoral care for intersex, transgender, and nonbinary parishioners.

Augustine of Hippo, indisputably one of the most important figures for the study of memory, is credited with establishing memory as the inner source of selfhood and locus of the search for God. Yet, those who study memory in Augustine have never before taken into account his preaching. His sermons are the sources of memory's greatest development for Augustine. In Augustine's preaching, especially on the Psalms, the interior gives way to communal exterior. Both the self and search for God are re-established in a shared Christological identity and the communal labors of remembering and forgetting. This book opens with Augustine's early works and Confessions as the beginning of memory and concludes with Augustine's Trinity and preaching on Psalm 50 as the end of memory. The heart of the book, the work of memory, sets forth how ongoing remembering and forgetting in Christ are for Augustine are foundational to the life of grace. To that end, Augustine and his congregants go leaping in memory together, keep festival with abiding traces, and become forgetful runners like St. Paul. Remembering and forgetting in Christ, the ongoing work of memory, prove for Augustine to be actions of reconciliation of the distended experiences of human life-of praising and groaning, labouring and resting, solitude and communion. Augustine on Memory presents this new communal and Christological paradigm not only for Augustinian studies, but also for theologians, philosophers, ethicists, and interdisciplinary scholars of memory.

In Augustine and Plotinus: the Human Mind as Image of the Divine Laela Zwollo provides an inside view of two of the most influential thinkers of late antiquity: the Christian Augustine and the Neo-Platonist Plotinus. By exploring the finer points and paradoxes of their doctrines of the image of God (the human soul/intellect), the illustrious church father’s complex interaction with his most important non-biblical source comes into focus. In order to fathom Augustine, we should first grasp the beauty in Plotinus’ philosophy and its attractiveness to Christians. This monograph will contribute to a better understanding of the formative years of Christianity as well as later ancient philosophy. It can serve as a handbook for becoming acquainted with the two thinkers, as well as for delving into the profundity of their thought.

Augustine's dominant image for the human life is peregrinatio, which signifies at once a journey to the homeland (a pilgrimage) and the condition of exile from the homeland. For Augustine, all human beings are, in the earthly life, exiles from their true homeland: heaven. Some, but not all, become pilgrims seeking a way back to the heavenly homeland, a return mediated by the incarnate Christ. Becoming a pilgrim begins with attraction to beauty. The return journey therefore involves formation, both moral and aesthetic, in loving rightly. This image has occasioned a lot of angst in ethical thought in the last century. Augustine's vision of Christian life as a pilgrimage, his critics allege, casts a pall of groaning and longing over this life in favor of happiness in the next. Augustine's eschatological orientation robs the world of beauty and ethics of urgency. In Pilgrimage as Moral and Aesthetic Formation in Augustine's Thought, Sarah Stewart-Kroeker responds to Augustine's critics by elaborating the Christological continuity between the earthly journey and the eschatological home. Through this cohesive account of pilgrimage as a journey toward the right ordering of the desire for beauty and love for God and neighbour, Stewart-Kroeker reveals the integrity of Augustine's vision of moral and aesthetic vision. From the human desire for beauty to the embodied practice of Christian sacraments, Stewart-Kroeker develops an account of the relationship between beauty and morality as the linchpin of an Augustinian moral theology.

Sanctification—the act or process of becoming holy—is one of the gifts of the gospel of Jesus Christ, but it's often misunderstood by the modern church. Sanctification offers a Christ-centered and clear account of the doctrine by viewing it within its wider biblical and historical context. Churches too often allow their definitions of holiness to be prompted by existential goals or the social mores of the Christian community. It's not surprising, then, that many view holiness as accidental or expendable, even as a legalistic posture opposed to the freedom of the gospel and separate from the gift of grace. Sanctification (part of the New Studies in Dogmatics series), defines holiness in theological terms by: Providing a framework by discussing the core Christian doctrines associated with it, such as the character of God, the nature of creation, and the covenantal shape of life with God. Considering the ways in which the gospel of Jesus not only prompts us to holy action but provides holiness as one of its blessings. Attending to the ways in which the gift of sanctification relates to human means, so that we can appreciate its connection to human nature, responsibility, and the pedagogy of exemplars and of law. -ABOUT THE SERIES- New Studies in Dogmatics seeks to retrieve the riches of Christian doctrine for the sake of contemporary theological renewal. Following in the tradition of G. C. Berkouwer's Studies in Dogmatics, this series provides thoughtful, concise, and readable treatments of major theological topics, expressing the biblical, creedal, and confessional shape of Christian doctrine for a contemporary evangelical audience. The editors and contributors share a common conviction that the way forward in constructive systematic theology lies in building upon the foundations laid in the church's historic understanding of the Word of God as professed in its creeds, councils, and confessions, and by its most trusted teachers.

Despite the pervasive early Christian repudiation of pagan theatrical art, especially prior to Constantine, this monograph demonstrates the increasing attention of late-ancient Christian authors to the genre of tragedy as a basis to explore the complexities of human finitude, suffering, and mortality in relation to the wisdom, justice, and providence of God. The book argues that various Christian writers, particularly in the post-Constantinian era, were keenly devoted to the mimesis, or imaginative re-presentation, of the tragic dimension of creaturely existence more than with simply mimicking the poetics of the classical Greek and Roman tragedians. It analyses a whole array of hermeneutical, literary, and rhetorical manifestations of "tragical mimesis" in early Christian writing, which, capitalizing on the elements of tragedy already perceptible in biblical revelation, aspired to deepen and edify Christian engagement with multiform evil and with the extreme vicissitudes of historical existence. Early Christian tragical mimetics included not only interpreting (and often amplifying) the Bible's own tragedies for contemporary audiences, but also developing models of the Christian self as a tragic self, revamping the Christian moral conscience as a tragical conscience, and cultivating a distinctively Christian tragical pathos. The study culminates in an extended consideration of the theological intelligence and accountability of "tragical vision" and tragical mimesis in early Christian literary culture, and the unique role of the theological virtue of hope in its repertoire of tragical emotions.