Revision of the author's thesis (Johns Hopkins University, 1999).

Textures of Images presents for the first time a fundamental analysis and synopsis of the printed relic-book genre. The author brings into focus the specific mediality and aesthetics of this kind of printed books between the Late Middle Ages and the Early Modern Period.

John Dillenberger has written the first comprehensive account of the relation between the visual arts and theological currents in Europe during the first half of the sixteenth century. With an astute knowledge of the theology of the period and a keen interest in the lives and work of prominent artists, Dillenberger makes incisive connections that illuminate the cultural movements of the time. Images and Relics considers both popular and professional art within distinct religious contexts. It examines the works of Matthias Grunewald, Albrecht Durer, Lucas Cranach the Elder, Michelangelo, Hans Holbein the Younger, Hans Baldung Grien, and Albrecht Altdorfer, and demonstrates how these artists expressed and transformed the reigning theological ideas of their day. The book also addresses the range of iconoclastic movements from the 1520s to the 1570s, particularly in northern Europe. Finally, Dillenberger reflects on the ambiguity of the history of this period and its continuing impact on modern-day life.

The collection of essays gathered in this volume investigates the interaction between art and relics as a distinct historical relevance for devotional art of Early Modernity and the Renaissance. Recent studies in the material culture of artifacts from these periods have drawn increasing attention to a sense of material tangibility derived from relics. Putting that conclusion into perspective, this edited collection focuses on the aesthetic meaning generated by a specific material culture of sanctity - one in which artists based their practice upon the nature, variety, and history of relics. Works of art that contained relics shared in the aura of the relics, defining themselves as non-substitutable signs, or signs that preserved the physical relationship to the immutable nature and origin of relics. As studied in this volume, funerary monuments, chapel decorations, altarpieces, liturgical objects, and sacred sites yielded an unordinary aesthetic meaning, one that captured and at the same time transmitted the histories linked to a relic. Each chapter emphasizes the specific history contained within works of art premised upon relics and thus forever embedded in the relics' status as sacred originals..

"A study of reliquaries as a form of representation in medieval art. Explores how reliquaries stage the importance and meaning of relics using a wide range of artistic means from material and ornament to metaphor and symbolism"--Provided by publisher.

Although objects associated with the Passion and suffering of Christ are among the most important and sacred relics venerated by the Catholic Church, this is the first study that considers how they were presented to the faithful. Cynthia Hahn adopts an accessible, informative, and holistic approach to the important history of Passion relics—first the True Cross, and then the collective group of Passion relics—examining their display in reliquaries, their presentation in church environments, their purposeful collection as centerpieces in royal and imperial collections, and finally their veneration in pictorial form as Arma Christi. Tracing the ways that Passion relics appear and disappear in response to Christian devotion and to historical phenomena, ranging from pilgrimage and the Crusades to the promotion of imperial power, this groundbreaking investigation presents a compelling picture of a very important aspect of late medieval and early modern devotion.

Scripture speaks of miracles wrought through relics: a dead man was raised when Elisha’s bones touched him, and the clothing of Jesus and His apostles healed the sick. In the early Church, Masses were celebrated over the bones of the martyrs, and phials of their blood have effected countless miracles. Direct successors of the Apostles themselves speak of venerating relics; Church Fathers encourage it; throughout the ages of Catholic legacy, relics of the saints are always present. The Church takes diligent care in preserving and documenting the authenticity of her relics. Best-selling author Joan Carroll Cruz takes full advantage of these resources. With painstaking research, she exposes the details behind hundreds of the Church’s most famous and beloved relics. She covers 38 second-class relicsof our Lord and Lady, such as the Holy Grail and Our Lady’s Veil, and relics of all sorts from 75 favorite saints, such as St. Mary Magdalene, St. Agnes, St. Charles Borromeo, St. Francis of Assisi, St. Maria Goretti, and many more! Relics is a unique collection of years of dedicated research about the lives of the saints and the mementos they left behind, to remind us of their presence and intercession for us.

The last known human searches the galaxy for companionship in a brilliant standalone novel from the legendary author of the Pip & Flinx series. “A provocative read.”—The Washington Post Once Homo sapiens reigned supreme, spreading from star system to star system in an empire that encountered no alien life and thus knew no enemy . . . save itself. As had happened many times before, the basest, most primal human instincts rose up, only this time armed with the advanced scientific knowledge to create a genetically engineered smart virus that quickly wiped out humanity to the last man. That man is Ruslan, the sole known surviving human being in the universe. Rescued from the charnel house of his home planet by the Myssari—an intelligent alien race—Ruslan spends his days as something of a cross between a research subject and a zoo attraction. Though the Myssari are determined to resurrect the human race, using Ruslan’s genetic material, all he wants for himself and his species is oblivion. But then the Myssari make Ruslan an extraordinary offer: In exchange for his cooperation, they will do everything in their considerable power to find the lost home world of his species—an all-but-mythical place called Earth—and, perhaps, another living human. Thus begins an epic journey of adventure, danger, heartbreak, and hope, as Ruslan sets out in search of a place that may no longer exist—drawn by the slimmest yet most enduring hope. Praise for Relic “Relic is a thrilling and thoughtful epic. With Alan Dean Foster’s trademark invention in both the psychology and physiology of his aliens, he also enriches the narrative with their complex cultures. The plot spans galaxies!”—Hugo and Nebula Award–winning author Greg Bear “The stunning plot of Foster’s stand-alone novel will intrigue readers for not only the ‘last man in the universe’ trope but also the well-developed alien species. A true first contact novel on many different levels.”—Library Journal “Foster’s sympathetic novel successfully surveys human frailty, the tendency not to learn from history, and an enduring capacity for adaptation and emotional attachment.”—Publishers Weekly “Foster’s high-concept novel is a gripping tale of serenity amid sorrow.”—World Magazine

Discover a new dark age—and the one girl wielding the light of truth—in a tale “with threads from The Hunger Games, The Giver, and other dystopian novels” (Booklist). For more than a hundred years, no maiden from Aerie has competed in the arduous Testing, but after Eva’s twin brother dies, she is determined to fulfill his dream of participating in the all-male competition, and enters despite her parents’ wishes. With the help of Lukas, her family’s servant from the Boundary lands, Eva learns the ways of the outcasts who live in the brutal and icy world beyond Aerie. She discovers the secrets of the blinding white landscape, the dogs who pull her sled, and the chasms that house the strange relics once worshipped by a godless humanity. This knowledge is exactly what she needs to survive—and win—the harsh trials of the Testing. Leaving the safety of Aerie behind gives Eva a chance to realize how strong she can be in the face of adversity—and how brave she’ll have to become in a society built on the shifting snows of lies . . . “Heather Terrell excavates a richly realized and adventurous world from the iced-over wreck of our own.” —William Alexander, National Book Award–winning author of Goblin Secrets “Part post-apocalyptic fiction and part high fantasy . . . Delicately weaving in elements of Inuit culture as well as elements you might find in Game of Thrones, Heather Terrell creates a world that is as intricate as it is icy . . . A page-turner.” —E. Kristen Anderson, editor of Dear Teen Me

From skeletons to strips of cloth to little pieces of dust, reliquaries can be found in many forms, and while sometimes they may seem grotesque on their surface, they are nonetheless invested with great spiritual and memorial value. In this book, Cynthia Hahn offers the first full survey in English of the societal value of reliquaries, showing how they commemorate religious and historical events and, more important, inspire awe, faith, and, for many, the miraculous. Hahn looks deeply into the Christian tradition, examining relics and reliquaries throughout history and around the world, going from the earliest years of the cult of saints through to the post-Reformation response. She looks at relic footprints, incorrupt bodies, the Crown of Thorns, the Shroud of Turin, and many other renowned relics, and she shows how the architectural creation of sacred space and the evocation of the biblical tradition of the temple is central to the reliquary’s numinous power. She also discusses relics from other traditions—especially from Buddhism and Islam—and she even looks at how reliquaries figure in contemporary art. Fascinatingly illustrated throughout, this book is a must-read for anyone interested in the enduring power of sacred objects.