A standalone darkly humorous thriller set in modern America's age of anxiety, by New York Times bestselling author Jason Pargin. Outside Los Angeles, a driver pulls up to find a young woman sitting on a large black box. She offers him $200,000 cash to transport her and that box across the country, to Washington, DC. But there are rules: He cannot look inside the box. He cannot ask questions. He cannot tell anyone. They must leave immediately. He must leave all trackable devices behind. As these eccentric misfits hit the road, rumors spread on social media that the box is part of a carefully orchestrated terror attack intended to plunge the USA into civil war. The truth promises to be even stranger, and may change how you see the world.

John Dies at the End's "smart take on fear manages to tap into readers' existential dread on one page, then have them laughing the next" (Publishers Weekly) and This Book is Full of Spiders was "unlike any other book of the genre" (Washington Post). Now, New York Times bestselling author Jason Pargin is back with What the Hell Did I Just Read, the third installment of this black-humored thriller series. It's the story "They" don't want you to read. Though, to be fair, "They" are probably right about this one. To quote the Bible, "Learning the truth can be like loosening a necktie, only to realize it was the only thing keeping your head attached." No, don't put the book back on the shelf -- it is now your duty to purchase it to prevent others from reading it. Yes, it works with e-books, too, I don't have time to explain how. While investigating a fairly straightforward case of a shape-shifting interdimensional child predator, Dave, John, and Amy realized there might actually be something weird going on. Together, they navigate a diabolically convoluted maze of illusions, lies, and their own incompetence in an attempt to uncover a terrible truth they -- like you -- would be better off not knowing. Your first impulse will be to think that a story this gruesome -- and, to be frank, stupid -- cannot possibly be true. That is precisely the reaction "They" are hoping for.

"You're in luck, Alfred," he declared. "That's the most interesting man in New York-one of the most interesting in the world. That's Sanford Quest." "Who's he?" "You haven't heard of Sanford Quest?" "Never in my life." The young man whose privilege it was to have been born and lived all his days in New York, drank half a glassful of wine and leaned back in his chair. Words, for a few moments, were an impossibility. "Sanford Quest," he pronounced at last, "is the greatest master in criminology the world has ever known. He is a magician, a scientist, the Pierpont Morgan of his profession." "Say, do you mean that he is a detective?" The New Yorker steadied himself with an effort. Such ignorance was hard to realise-harder still to deal with. "Yes," he said simply, "you could call him that-just in the same way you could call Napoleon a soldier or Lincoln a statesman..."

In The Worried Well, Gail Bell investigates Australia’s depression epidemic. Why, she wonders, do well over a million Australians now take antidepressant drugs? This is a fresh, frank and independent look at the depression culture and the move to medicalise sadness. Bell examines how the prescription culture operates, scrutinising the role of big drug companies and GPs and talking to those who take – and don’t take – the new antidepressants, from anxious students to lonely retirees. She finds that drug companies have invested billions in an effort to simplify a profoundly complex mental condition, and that along the way ordinary problems of living have been transformed into medical conditions. She also finds that we, the consumers, have been happy to get on board: the vocabulary of depression – “serotonin”, “bipolar”, “genetic predisposition” – rolls off our tongues as if each of us had studied it at medical school. In this freeranging and elegant essay, Bell takes the pulse of Australia’s “worried well” and looks at alternative cures for what ails us. ‘If the number of prescriptions truly reflects the numbers who are depressed, then we may need to re-design our tourist brochures. The sun-bronzed Aussie optimist with his no-worries attitude to calamity might be an outdated caricature.’ —Gail Bell, The Worried Well

It was early 1993 and id Software was at the top of the PC gaming industry. Wolfenstein 3D had established the First Person Shooter genre and sales of its sequel Spear of Destiny were skyrocketing. The technology and tools id had taken years to develop were no match for their many competitors. It would have been easy for id to coast on their success, but instead they made the audacious decision to throw away everything they had built and start from scratch. Game Engine Black Book: Doom is the story of how they did it. This is a book about history and engineering. Don’t expect much prose (the author’s English has improved since the first book but is still broken). Instead you will find inside extensive descriptions and drawings to better understand all the challenges id Software had to overcome. From the hardware -- the Intel 486 CPU, the Motorola 68040 CPU, and the NeXT workstations -- to the game engine’s revolutionary design, open up to learn how DOOM changed the gaming industry and became a legend among video games.

Allyn Vage was once a beautiful woman, but due to an accident - which may have been a murder attempt - she was now a hopeless cripple, burned and disfigured and without the senses of sight, hearing, smell, taste and touch. When they brought her to Jome Knard, that noted physician had no choice but to employ a certain apparently miraculous device, incomprehensible even to him, to keep her immobile body alive and to restore and regulate her sensory perception. This strange machine had been imported from a seemingly primitive people on the world of Akkilmar. They had allowed it to be exported, but there was something about it they couldn't - or wouldn't - explain. Little did either the doctor or his patient realize that between them they had now become the lever that could topple a world! (First publshed 1961)

LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.