J. Paul Getty had a passion for the exquisitely made furniture and decorative objects of eighteenth-century France, which he began collecting in the 1930s. Gillian Wilson, curator of decorative arts since 1971, has broadened and strengthened the collection, adding Boulle furniture, mounted oriental porcelain, tapestries, clocks, ceramics, and more. In the 1980s and 1990s the Museum continued to enlarge its decorative arts holdings, creating a European sculpture department in 1984 and adding glass, maiolica, goldsmiths’ work, pietre dure, and furniture from Italy and Northern Europe. This book is a revised and expanded edition of Decorative Arts: An Illustrated Summary Catalogue of the Collection of the J. Paul Getty Museum (1993). In addition to more than forty recent acquisitions—among these four wall sconces from Versailles that once belonged to Marie Antoinette and an elaborate upholstered bed from the collection of Karl Lagerfeld—it includes the results of years of research. Designed for scholars, students, and devotees of the decorative arts, this volume provides a comprehensive look at the Getty's fine collection.

"The publication of these texts in a single volume enables the reader to create useful historical comparisons as well as facilitating the careful examination of historical documents. Sources in Irish Art: A Reader will be an ideal text for Irish Studies and relevant Art History courses both at undergraduate and postgraduate levels."--BOOK JACKET.

The National Gallery of Ireland was founded in 1854 and has since acquired an extraordinary collection of masterpieces by artists such as Caravaggio, Lanfranco, Poussin, Rubens, Uccello, Velázquez, and Vermeer, as well as British artists such as Gainsborough and Reynolds and the leading lights of Irish art, from James Barry to Jack Yeats. The Gallery has expanded steadily, benefiting from the royalties to the works of George Bernard Shaw and from numerous generous donations by figures such as Lane, Milltown, Beit, Mahon, and Chester Beatty. The story of the Gallery, with all its tribulations and struggles, good and bad luck, good and bad judgement, all its personalities, is told for the first time. It displays the breadth and depth of the collection, but it also reveals much about the rebirth of a nation and changing attitudes to art over time.

The essays in this collection focus on United Irish propaganda and organisation before and during the 1798 rebellion.

After civil war, can the winners commemorate their victory, hailing their conquering heroes with the blood of their former comrades still fresh on their boots? Or should they cover themselves in shame and hope that the nation soon forgets? In this book, Anne Dolan explores the tensions between memory and forgetting in twentieth-century Ireland. By examining the memory of winning the Irish Civil War, she discusses the extent to which it has been used to serve party political ends, where private grief finds consolation when the dead have fallen from political favour, and how the dead are remembered when no one wanted to fight the war. The book addresses the Irish Civil War at its most public point: at the statues and crosses, and in the ritual and rhetoric of commemoration. It will be of central interest to all students and scholars of European history and politics.

The Witt Library of the Courtauld Institute of Art, London, is one of the world's greatest art history libraries. It contains some 1.7 million illustrations of the work of painters, draughtsmen, and engravers of the Western tradition, all of whom have been indexed by name, dates, and nationality. This new second edition of the Checklist of Painters is a transcription of the Witt index as it currently exists. The names of 66,000 artists, their dates, and their nationality (or school) are reproduced in alphabetical order. The Checklist of Painters is probably the most exhaustive work of its kind in existence; it now lists all painters (known by art historians) to have lived and worked from the year 1200 to 1994. It will be an important reference text in the art history collection of any public, academic, or professional library.