This work challenges the notion that anxiety and depression amount to a mental illness denoting that something is wrong with the individual sufferer. Instead, anxiety and depression are described as perfectly rational responses to difficulties in the sufferer's world, experienced subjectively by that person. An essential contrast is drawn between objective conceptions of normality (what reality ought to be as per commercial and other objectifying sources) and the reality of the individual's subjective experience of the world (abuse, unemployment, and so on). Chapters include tackling the myth of normality; examining shyness; and analysing the way in which assumptions behind the use of language can foster anxiety and depression. The book's primary purpose is to explain the meaning of anxiety as experienced by the sufferer. These insights also lead to a view, by way of secondary purpose, that the role of the therapist is not in 'curing' the individual, but rather to negotiate demystification and to provide insight into the effects of the problems in the sufferer's world, based on the sufferer and the therapist's shared subjective understanding.

Look around you. Notice your surroundings. What you see seems solid and real, a fixed objective reality existing "out there" separate from you. But it's not, Ralph Strauch argues in this provocative exploration of perception, reality, and the mechanisms that link them. What you perceive are images you create, part of a grand illusion that you participate in and support. The external world is a "rich reality" -- offering far wider possibilities than most of us realize. THE REALITY ILLUSION explores the mechanisms you use to to bring the particular world you experience into focus, and explores the benefits of more fully understanding the collective illusion we call reality.

The Illusion of Reality was conceived during my tenure as director of the newly established Division of Information Science and Technology at the National Science Foundation in 1979-1981 as a partial response to the need for a textbook for students, both in and out of government, that would pro vide a comprehensive view of information science as a fundamental constitu ent of other more established disciplines with a unity and coherence distinct from computer science, cognitive science, and library science although it is related to all of them. Driven by the advances of information technology, the perception of information science has progressed rapidly: today it seems well understood that information processing biological organisms and informa tion processing electronic machines have something basic in common that may subsume the theory of computation, as well as fundamental parts of physics. This book is primarily intended as a text for an advanced undergraduate or a graduate introduction to information science. The multidisciplinary nature of the subject has naturally led to the inclusion of a considerable amount of background material in various fields. The reader is likely to fmd the treat ment relatively oversimplified in fields with which he is familiar and, perhaps, somewhat heavier sailing in less familiar waters. The theme of common principles among seemingly unrelated applications provides the connective tissue for the diverse topics covered in the text and, I hope, justifies the variable level of presentation. Some of the material appears here for the first time.

Are all governments—east and west, Muslim and secular, authoritarian and constitutional, Republican and Democratic—fundamentally the same, all of them under the extraordinary, growing power of “technique” and bureaucracy? Is all politics, then, just an illusory affair of lies, deception, propaganda, partisan passions, and chaos on the surface of government and party? In his vast and penetrating writings, Bordeaux sociologist Jacques Ellul (1912–1994) points in those directions. Political Illusion and Reality is a collection of twenty-three essays on Ellul’s political thought. Veteran as well as younger Ellul scholars, political leaders, activists, and pastors, discuss aspects of Ellul’s thought as they relate to their own fields of study and political experience. Beginning with his 1936 essay “Fascism, Son of Liberalism,” translated and published here in English for the first time, Ellul and these authors will provoke readers to think some new thoughts about politics and government, and think more deeply about the main issues we face in our politically divided and troubled times.

Can we trust our senses to tell us the truth? Challenging leading scientific theories that claim that our senses report back objective reality, cognitive scientist Donald Hoffman argues that while we should take our perceptions seriously, we should not take them literally. From examining why fashion designers create clothes that give the illusion of a more “attractive” body shape to studying how companies use color to elicit specific emotions in consumers, and even dismantling the very notion that spacetime is objective reality, The Case Against Reality dares us to question everything we thought we knew about the world we see.

This book is a new slightly revised edition of spiritual dialogues with Shri Ranjit Maharaj, guru brother of Nisargadatta Maharaj. Originally, the talks in this book were available only from India in two separate volumes. Here the two previously released volumes of Illusion vs. Reality are now available inside one cover. All of the talks in this book were originally transcribed by Robert Wolff from recordings dating from 1996 to the year 2000. In this book the reader will find the clear and direct spiritual instruction given by Shri Ranjit Maharaj on Non-Dualitly, Self-Knowledge, and Final Reality. Ranjit Maharaj's message is refreshingly simple and easy for the western mind to comprehend. Like a modern day Zen Master, his words tear down the veil of Illusion and guide the devotee to Self-realization. This book can truly be a valuable aid to any serious spiritual aspirant for gaining the knowledge of one's True Self. Reading Maharaj's timeless words in this book and reflecting on them in the immediacy of the moment is truly the same as sitting at the feet of the Master. Maharaj always spoke in simple terms and gave very clear and penetrating instruction so that you can easily realize your True Nature. Contemplate on the immediacy of the teaching contained herein and awaken to your True Nature.

Applying research findings from studies in visual perception, neurophysiology, cognitive psychology, developmental psychology, and anthropology, Joseph D. Anderson defines the complex interaction of motion pictures with the human mind and organizes the relationship between film and cognitive science. Anderson's primary argument is that motion picture viewers mentally process the projected images and sounds of a movie according to the same perceptual rules used in response to visual and aural stimuli in the world outside the theater. To process everyday events in the world, the human mind is equipped with capacities developed through millions of years of evolution. In this context, Anderson builds a metatheory influenced by the writings of J. J. and Eleanor Gibson and employs it to explore motion picture comprehension as a subset of general human comprehension and perception, focusing his ecological approach to film on the analysis of cinema's true substance: illusion. Anderson investigates how viewers, with their mental capacities designed for survival, respond to particular aspects of filmic structure--continuity, diegesis, character development, and narrative--and examines the ways in which rules of visual and aural processing are recognized and exploited by filmmakers. He uses Orson Welles's Citizen Kane to disassemble and redefine the contemporary concept of character identification; he addresses continuity in a shot-by-shot analysis of images from Casablanca; and he uses a wide range of research studies, such as Harry F. Harlow's work with infant rhesus monkeys, to describe how motion pictures become a substitute or surrogate reality for an audience. By examining the human capacity for play and the inherent potential for illusion, Anderson considers the reasons viewers find movies so enthralling, so emotionally powerful, and so remarkably real.