During the fourteenth century in Western Europe, there was a growing interest in imitating the practices of a group of hermits known as the Desert Fathers and Mothers. Laypeople and religious alike learned about their rituals not only through readings from the Vitae patrum (Lives of the Desert Fathers) and sermons but also through the images that brought their stories to life. In this volume, Denva Gallant examines the Morgan Library’s richly illustrated manuscript of the Vitae patrum (MS M.626), whose extraordinary artworks witness the rise of the eremitic ideal and its impact on the visual culture of late medieval Italy. Drawing upon scholarship on the history of psychology, eastern monasticism, gender, and hagiography, Gallant deepens our understanding of the centrality of the Desert Fathers and Mothers to late medieval piety. She provides important insights into the role of images in making the practices of the desert saints both compelling and accessible to fourteenth-century city dwellers, who were just beginning to cultivate the habit of private devotion on a wide scale. By focusing on the most extensively illuminated manuscript of the Vitae patrum to emerge during the trecento, this book sheds new light on the ways in which images communicated and reinforced modes of piety. It will be of interest to art historians, religious historians, and students focusing on this period in Italian history.

Examines the most extensively illustrated codex of the Vitae patrum, The Lives of the Desert Fathers, to show how images made the practices of the desert saints compelling and accessible to fourteenth-century city dwellers who were just beginning to cultivate the habit of private devotion on a wide scale.

Interdisciplinary study of how the infancy narrative in the Gospel of Luke is Portrayed in Italian Renaissance paintings.

Challenges the divide between political and literary history, in an analysis of a major polemical text from mid-ninth century Europe.

Wisdom on the Move explores the complexity and flexibility of wisdom traditions in Late Antiquity and beyond. This book studies how sayings, maxims and expressions of spiritual insight travelled across linguistic and cultural borders, between different religions and milieus, and how this multicultural process reshaped these sayings and anecdotes. Wisdom on the Move takes the reader on a journey through late antique religious traditions, from manuscript fragments and folios via the monastic cradle of Egypt, across linguistic and cultural barriers, through Jewish and Biblical wisdom, monastic sayings, and Muslim interpretations. Particular attention is paid to the monastic Apophthegmata Patrum, arguably the most important genre of wisdom literature in the early Christian world.

This collection brings together twelve essays published between 1988 and 2014, two of which are here translated into English from (respectively) their original French or German. All the essays use gender as the main category of analysis, whether of late ancient or early medieval texts or of modern medievalist films. The historical studies of medieval Europe emphasize the use of manuscript-level evidence, that is, actual sources from the period in question; arguably, this approach provides a more accurate understanding of the period than does work done on the basis of printed and edited sources. Furthermore, many of the manuscript-based essays specifically exploit liturgical or liturgy-adjacent materials; this is an area of research and a type of manuscript that has rarely been approached through a gendered lens. Meanwhile, the cinematic medievalism essays focus on the processes of remediation and adaptation, searching specifically for points at which filmmaking teams diverged from their sources as evidence for the main goals of the films (while also attending to production contexts and to reception). The juxtaposition in a single collection of scholarship on medieval manuscripts and modern movies illustrates how period specialists can contribute to conversations in the field of (historical) film studies. The book will be of interest to historians of women, gender, Christian liturgy, medieval Europe, medievalism, and historical film. (CS 1110).

Volume 14 concludes the new edition of The Cambridge Ancient History.

W.R. Ward was one of the most influential historians of modern religion to be found at work in Britain during the twentieth century. Across fifty years his writings provoked a major reconsideration by historians of the significance of religion in society and its importance in the contexts of political, cultural and intellectual life. Ward was, above all, an international scholar who did much to repudiate any settled understanding that religious history existed in merely national categories. In particular, he showed how much British and American religion owed to the insights of Continental European thought and experience. This book presents many of Ward’s most important articles and gives a picture of the character, and extraordinary breadth, of his work. Embracing studies of John Wesley and the development of Methodism at large, the ambitions of Evangelicals in an age of international mission, the place of mysticism in evolution of Protestantism and the relations of churches and secular powers in the twentieth century, Andrew Chandler concludes that it was in such scholarship that Ward 'quietly recast the picture that we have of the past and drew our attention towards a far greater, more difficult and more interesting, landscape.'