In a companion volume to his award-winning adaptation of The Odyssey, the incomparable graphic novelist Gareth Hinds masterfully adapts Homer’s classic wartime epic. More than three thousand years ago, two armies faced each other in an epic battle that rewrote history and came to be known as the Trojan War. The Iliad, Homer's legendary account of this nine-year ordeal, is considered the greatest war story of all time and one of the most important works of Western literature. In this stunning graphic novel adaptation — a thoroughly researched and artfully rendered masterwork — renowned illustrator Gareth Hinds captures all the grim glory of Homer's epic. Dynamic illustrations take readers directly to the plains of Troy, into the battle itself, and lay bare the complex emotions of the men, women, and gods whose struggles fueled the war and determined its outcome. This companion volume to Hinds’s award-winning adaptation of The Odyssey features notes, maps, a cast of characters, and other tools to help readers understand all the action and drama of Homer's epic.

The Iliad sometimes referred to as the Song of Ilion or Song of Ilium) is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Usually considered to have been written down circa the 8th century BC, the Iliad is among the oldest extant works of Western literature, along with the Odyssey, another epic poem attributed to Homer which tells of Odysseus's experiences after the events of the Iliad. In the modern vulgate (the standard accepted version), the Iliad contains 15,693 lines, divided into 24 books; it is written in Homeric Greek, a literary amalgam of Ionic Greek and other dialects. It is usually grouped in the Epic Cycle. Set during the Trojan War, the ten-year siege of the city of Troy (Ilium) by a coalition of Mycenaean Greek states (Achaeans), it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles. Although the story covers only a few weeks in the final year of the war, the Iliad mentions or alludes to many of the Greek legends about the siege; the earlier events, such as the gathering of warriors for the siege, the cause of the war, and related concerns tend to appear near the beginning. Then the epic narrative takes up events prophesied for the future, such as Achilles' imminent death and the fall of Troy, although the narrative ends before these events take place. However, as these events are prefigured and alluded to more and more vividly, when it reaches an end the poem has told a more or less complete tale of the Trojan War.

Fresh from his triumphs in the Trojan War, Odysseus, King of Ithaca, wants nothing more than to return home to his family. Instead, he offends the sea god, Poseidon, who dooms him to years of shipwreck and wandering. Battling man-eating monsters, violent storms, and the supernatural seductions of sirens and sorceresses, Odysseus will need all his strength and cunning--and a little help from Mount Olympus--to make his way home and seize his kingdom from the schemers who seek to wed his queen and usurp his throne. Award-winning graphic artist Gareth Hinds masterfully reinterprets a story of heroism, adventure, and high action that has been told and retold for more than 2,500 years--though never quite like this. With bold imagery and an ear tuned to the music of Homer’s epic poem, Gareth Hinds reinterprets the ancient classic as it’s never been told before.

In this new edition of The Odyssey, Homer's classic tale has been vividly retold to delight modern readers. Dramatic illustrations bring to life Odysseus's encounters at sea, complete with furious gods, bewitching goddesses, terrifying monsters and a man-eating Cyclops.

Homer's epic poem The Iliad is retold in a dramatic story by acclaimed storyteller Rosemary Sutfcliff. Alan Lee's powerful images hauntingly recreate the age of heroes in this captivating introduction to the Greek classic.

Collects The Odyssey #1-8. Odysseus...son of Laertes, husband of Penelope, father of Telemachus, warrior-king of Ithaca. For ten years he struggled against men, monsters, and gods - kept alive only by his sacred desire that one day he might see again the homefires of his island kingdom. The terrors he faced were the stuff of legend. The towering, man-eating Cyclops...the languid Lotus Eaters and their taste that brought oblivion...Scylla and Charybdis, the twin terrors between whom no seaman could safely pass...Circe, the witch-goddess who turned men into mindless swine...the living-dead souls of Hades, shambling forth from the underworld in search of blood to drink...and Odysseus himself? He, too, was a myth...but he was also a man. And the hero of one of the great epic poems of Western civilization, whose story has remained exciting and modern for nearly three thousand years.

Examines the way in which Sophocles' play "Oedipus Tyrannus" and its hero, Oedipus, King of Thebes, were probably received in their own time and place, and relates this to twentieth-century receptions and interpretations, including those of Sigmund Freud.

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1903 Excerpt: ... the corse; 'Tis proper honour to the dead. Then take we out our horse, When with our friends' kind's woe our hearts have felt delight to do A virtuous soul right, and then sup." This said, all full of woe Circled the corse; Achilles led, and thrice, about him close, All bore their goodly-coated horse. Amongst all Thetis rose, And stirr'd up a delight in grief, till all their arms with tears, And all the sands, were wet; so much they loved that Lord of Fears. Then to the centre fell the prince; and, putting in the breast Of his slain friend his slaughtering hands, began to all the rest Words to their tears: "Rejoice," said he, "O my Patroclus, thou Courted by Dis now: now I pay to thy late overthrow All my revenges vow'd before. Hector lies slaughter'd here Dragg'd at my chariot, and our dogs shall all in pieces tear His hated limbs. Twelve Trojan youths, born of their noblest strains, I took alive; and, yet enraged, will empty all their veins Of vital spirits, sacrificed before thy heap of fire." This said, a work unworthy him he put upon his ire, And trampled Hector under foot at his friend's feet. The rest Disarm'd, took horse from chariot, and all to sleep address'd At his black vessel. Infinite were those that rested there. Himself yet sleeps not, now his spirits were wrought about the cheer Fit for so high a funeral. About the steel used then Oxen in heaps lay bellowing, preparing food for men; Bleating of sheep and goats fill'd air; numbers of white-tooth'd swine, Swimming in fat, lay singeing there: the person of the slain Was girt with slaughter. All this done, all the Greek kings convey'd Achilles to the king of men; his rage not yet allay'd For his Patroclus. Being arrived at Agamemnon's tent, Himself bade heralds put to ...

"In this first full-length treatment of the Iliad as a work of political thought, Hammer demonstrates how Homer's epic is also an ancient Greek discussion on political ethics. Hammer redefines political thought as the activity of addressing issues of collective identity and organization. Using this understanding of politics, he discusses how the characters in the Iliad, through their larger-than-life actions and interactions, embody community issues of authority, conflict, judgment, and the interrelationship between personal and collective identity. The characters' many quarrels, laments, reconciliations, and vows of loyalty and friendship all critically model the principles and controversies of underlying Greek political ethics of communal responsibility and relationship."--BOOK JACKET.