The appeal of Asian Theater in America today confirms that the theatre of the Far East is a remarkable and catalytic experience for a Western audience. Staging Japanese Theatre presents two complete plays in the theatrical forms of Noh and Kabuki. Each play appears in Japanese with English translations on facing pages and is pre-ceded by a brief history of the theatre form and the evolution of the production. The text contains an abundance of photographs, diagrams, and the stage directions from the IASTA performance.

An investigation of the myth, history, inscriptions, architecture, sculpture, painting, iconological program, festival, rituals and theater of the only known intact ancient dragon king temple in China

The Cambridge History of Japanese Literature provides, for the first time, a history of Japanese literature with comprehensive coverage of the premodern and modern eras in a single volume. The book is arranged topically in a series of short, accessible chapters for easy access and reference, giving insight into both canonical texts and many lesser known, popular genres, from centuries-old folk literature to the detective fiction of modern times. The various period introductions provide an overview of recurrent issues that span many decades, if not centuries. The book also places Japanese literature in a wider East Asian tradition of Sinitic writing and provides comprehensive coverage of women's literature as well as new popular literary forms, including manga (comic books). An extensive bibliography of works in English enables readers to continue to explore this rich tradition through translations and secondary reading.

Chronicles the life of American ballet choreographer Jerome Robbins, discussing his career and private life, his Russian Jewish heritage, and his impact on dance and theater.

An up-to-date cultural history of the Japanese theatre in all its forms including primitive rituals, court and popular dance-drama, puppet shows and westernized plays, is narrated here for the first time in English by a western authority in the field. The book underlines Zeami and Zenchiku's secret tradition of the nō, explaining Zen-inspired spiritual teachings for the actor's training on the way to enlightened performance. It also gives relevance to the transformation of an anti-establishment entertainment by prostitutes into spectacular kabuki stagecraft, and to the modernization process which created shingeki modern drama, and moved it into the context of world theatre. The final chapter summarizes the history of western discovery of the Japanese stage. The illustrations, the indexes, the glossary and the extensive bibliography — including all major literature in western languages until 1989 — also contribute to make this volume a must for all students of the Japanese theatre, and for anyone interested in a better understanding of Japanese culture as mirrored in its theatrical component.

Japan boasts one of the world's oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance and media experimentation. The first part addresses traditional genres, their historical trajectories and performance conventions. Part II covers the spectrum of new genres since Meiji (1868–), and Parts III to VI provide discussions of playwriting, architecture, Shakespeare, and interculturalism, situating Japanese elements within their global theatrical context. Beautifully illustrated with photographs and prints, this history features interviews with key modern directors, an overview of historical scholarship in English and Japanese, and a timeline. A further reading list covers a range of multimedia resources to encourage further explorations.

The origin of world civilization can be traced to the Sindhu and Sarasvati river valleys (located in present-day Pakistan) as early as 8,000 BC. Here, innovation and originality in every aspect of human endeavor, from mathematics and science to art and sports, flourished. Yet the importance of this civilization, known as the Vedic period, has been deliberately downplayed. Thoroughly researched and including an extensive bibliography, From Bharata to India rectifies this mistake in the perspective of world history and seeks to offer a comprehensive reference source. Author M. K. Agarwal shows how this early culture, where ideation by enlightened philosopher Brahmin kings, brought material and spiritual wealth that was to remain unchallenged until the colonial era. This Vedic-Hindu-Buddhist legacy subsequently influenced peoples and paradigms around the globe, ushering in an era of peace and plenty thousands of years before the Europeans. By using original sources in Sanskirt as well as regional literature, Agarwal compares corresponding situations in other civilizations within the context of their own literary traditions and records to prove that Bharata forms the basis of world civilization. This is in direct contrast to the Greek or Arab miracle hypothesis put forth by numerous scholars. The first of two volumes in this series, From Bharata to India offers a fascinating, in-depth glimpse into ancient Indias contribution to the modern world.

120 full-page plates of magnificent, elaborately carved, museum-quality masks worn by actors playing gods, warriors, beautiful women, feudal lords, and supernatural beings. Captions.