If you are looking for the 'Rosetta stone' that unlocks the Igbo language; you can look no further.This book describes how Igbo words were derived from verb (or word) combinations. This type of word design is used in the Pharmaceutical Industry. For example, the Dihydropyridine class of Calcium Channel Blockers (CCBs) contain the suffix "-dipine" and are distinguished by their prefixes (amlodipine, nifedipine, felodipine, nimodipine, etc). There is little or no information about the etymology of Igbo words and the author only performs 'verb' descriptions using his knowledge of ancient and current Igbo culture. For example, the word for leg 'ukwu' contains the verb 'kwu' which is stand-the leg is used in standing. The word for cup 'Iko' contains the verb 'ko' which is draw- the cup is used to draw water. Priest or UkoChukwu contains uko (planting) and Chukwu (God)- a Priest plants the 'seed' of God in people. Nwute ( prolonged agony), okwute (stone), Ite (Pot) and Ute (mat) contain the suffix "-te" which is 'prolongation'. Otu (one, 1), Otu (group), and Ntu (nail) contain the suffix 'tu' which is 'oneness'. .."fascinating book.."-Rudolf Okonkwo, Iroko Productions/Sahara Reporters. .."interesting book..."- Prof. francoise Ugochukwu, Igbo Specialist. .."good..must read for all Igbo families.."- Chief Oscar Mokeme, Founder of the Museum of African culture, Portland, Maine. .."Odogwu..it's ok..." Chief Anthony Okeke, Osike of the People, Obi-Igbo New York."

This book represents a partial recreation of the amazing world of an ancient Igbo civilization that was created by a clear-headed people.

Scholarly studies on the Igbo have been scant and fragmented. Politics and Identity Formation in Southeastern Nigeria: The Igbo in Perspective fills an obvious gap, exploring the social, cultural,economic, political, and aesthetic traditions that distinguish the Igbo of southeasternNigeria from their neighbors. In scope, content, and analysis this book is both multi- and cross-disciplinary, focusing on the experiences and forces that have shaped the Igbo society, identity formation, and sociocultural, political, and aesthetic representations. Themes such as the importance ofIgbo names in understanding the people’s social, linguistic, religious, gender, and cultural identities, as well as the intersection of language, politics, socialization, education, and aesthetic expression in the Igbo experience in Nigeria, are interrogated in a refreshing fashion with an appreciable level of originality.

Igbo Mediators of Yahweh Culture of Life is a travel in time to where it all began. The book shows that the Creator Yahweh was in full communication with his earliest created people, the Igbos, who lived his culture of life. God shares one language with the Igbos, through which he gave them the enlightenment of civilization for humanity. This civilization was documented in the Igbo pictographic writings called hieroglyphics, which have remained unknown until this first ever exposition by this book. It traces this history from the earliest (pictographic) writings dating back 400,000 years ago in the caves in present-day Gabon, the rock paintings in the Sahara desert dating back 45,000 B.C., and in the Chauvet caves in France dating back 35,000 B.C. The hieroglyphics in ancient Egypt are, for the first time, explained in their original Igbo language with English translations. The original Igbo text of the Holy Scriptures is unveiled in a manner that brings true contextual understanding of the teachings of the prophets and the gospels. Using ethno-linguistics, anthropology, and archaeology, the exact origins of ancient biblical Israel was uncovered with specific names and locations of all the Jewish towns and villages as they existed then and to the present day in Igbo land, Nigeria. The location of the palace of King David and King Solomons temple are revealed to exist in Owerri, Imo State. The exact place of the birth of Jesus Christthe place where he lived, worked, was crucified, and buriedare all uncovered in this book. The discovery of highly developed Igbo technologies in ancient Egypt that were looted by Napoleon in 1799 and now used for reverse engineering to obtain many of the present day technologies including electric battery, aircraft systems, Space Shuttle, submarines, helicopters and others are demonstrated. The origin of the Igbos of Europe, China, and the Americas are unveiled. The UFOs writings obtained at Roswell in hieroglyphics were explained and the author postulates a fascinating hypothesis that, there are Igbos in another nearby galaxy! The book illustrates the intensifying struggle from the beginning of time between Gods Culture of Life and the Culture of Death. The book traces the prolife struggle against the Culture of Death, which though very much apparent in our time, has never eclipsed the enlightenment of the civilization of the Culture of Life. This book has fundamentally rewritten the World History as we know it. The book claims that, the Igbos are the chosen people of God. The Igbos civilized the world as Pharaohs of ancient Egypt, the Kings of ancient Israel, the Greeks, the Phoenicians, Etruscans, Iberians, Carthaginians, Mayans, Olmecs, ancient Chinese, ancient Russians, Babylonians and Jewish authors of the Holy Bible. The spread of the Culture of Life provoked persecution and genocide against Igbos to this day. This is a Great Book of the Secrets of World Civilization. Read it!

“Nwoka’s debut feels like a dream, or a fable, or something in between . . . Recommended for fans of Nnedi Okorafor’s Remote Control or Nghi Vo’s The Empress of Salt and Fortune.” —Ashley Rayner, Booklist "[God of Mercy] owes a debt to Chinua Achebe’s Things Fall Apart, revising that novel's message for the recent past . . . A well-turned dramatization of spiritual and social culture clashes." —Kirkus Reviews Homegoing meets Black Leopard, Red Wolf, Okezie Nwọka’s debut novel is a powerful reimagining of a history erased. God of Mercy is set in Ichulu, an Igbo village where the people’s worship of their gods is absolute. Their adherence to tradition has allowed them to evade the influences of colonialism and globalization. But the village is reckoning with changes, including a war between gods signaled by Ijeoma, a girl who can fly. As tensions grow between Ichulu and its neighboring colonized villages, Ijeoma is forced into exile. Reckoning with her powers and exposed to the world beyond Ichulu, she is imprisoned by a Christian church under the accusation of being a witch. Suffering through isolation, she comes to understand the truth of merciful love. Reimagining the nature of tradition and cultural heritage and establishing a folklore of the uncolonized, God of Mercy is a novel about wrestling with gods, confronting demons, and understanding one's true purpose.

National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry

The author explains his poetic mission thus: 'it is the cultural tradition in my part of the world, that when abominations become unbearable, and the truth must be told with great courage, then the night masquerade appears...in order to set a senseless practice right; sometimes the night masquerade must confront the ruler and point out the nakedness of his utterances...this is the voice of the night masquerade, I am only the medium.' The ensuing collection of poems is divided into three sections: 'Night' - alluding to the night the mother of the spirits walked the length and breadth of the clan, weeping for her murdered son, in 'Things Fall Apart'; 'Night Vigil', and 'Night Passages'. This book was joint winner of the Association of Nigerian Authors' Poetry Prize in 1997.