Priestly ministry in the Church of England needs a radical rethink... George Herbert died in 1633. His legacy continues. His poems are read and sung, and his parish ministry remains the model for the Church of England's understanding of how and where and why its priests should minister. But there is a problem. The memory of Herbert celebrated by the Church is an inaccurate one, and, in its inaccuracy, is unfair on Herbert himself and his successors in the ordained ministry. This is a book of the long view. It sets out to assess realistically the context of Herbert's life and to explore the difficulties of parish life today. By examining the status and role of parish clergy since Herbert's time and today, it draws on the work of historians, social anthropologists, psychologists and theologians, and presents their ideas in a readable and passionate style. It argues that the future strength of parochial ministry will be found in a recovery of historic, renewed understandings of priestly ministry, and concludes by outlining more sustainable patterns of practice for the future. In a climate of uncertainty for the future of the church, it will be an encouragement for priest and people, and welcomed by both.

Fairacres Publication 194 The poems of George Herbert (1593–1633) have nurtured the faith of countless Anglican Christians, and others, since their posthumous publication in 1633. Described by the poet as ‘a picture of the many spiritual conflicts that have passed between God and my soul, before I could subject mine to the will of Jesus my Master’, Herbert’s poetry weaves together recognition of the glory and diversity of God’s creation and of the ingenuity of human beings in their attempts to map and control that creation, awareness of human frailty and sinfulness, and awed realisation of the infinite love of God. The themes of frailty and forgiveness underlying Herbert’s poetry also mark the season of Lent. In recognition of this, Tony Dickinson takes eight of the poems that tackle these great themes (relevant as much to the twenty-first century as to the seventeenth) and week by week through Lent, from Ash Wednesday to Easter Day, unpacks the language in which George Herbert explores them; language that often appears direct and simple, but whose simplicity frequently conceals a depth and density of meaning that few other writers can match.

Combining thematic analysis and stimulating close readings, The Collar is a wide-ranging study of the many ways--heroic or comic, shrewd or dastardly--Christian ministers have been represented in literature and film. Since all Christians are expected to be involved in ministry of some type, the assumptions of secular culture about ministers affect more than just clergy. Ranging across several nations (particularly the U. S., Britain, and Canada), denominations, and centuries, The Collar aims to encourage creative and faithful responses to the challenges of Christian leadership and to provoke awareness of the times when leadership expectations become too extreme. Using the framework of novels, plays, TV, and movies to make inquiries about pastoral passion, frustration, and fallibility, Sue Sorensen's well-informed, sprightly, and perceptive book will be helpful to pastors, parishioners, those interested in practical theology, and anyone who enjoys evocative literature and film.

English-literature scholars have long recognized George Herbert’s frequent allusions to the psalms in his early-seventeenth-century poetry, especially in his collection called The Temple. Biblical scholars have long attempted to categorize the Hebrew psalms according to one overarching principle or another. Most discussions of Herbert’s psalmic borrowings are restricted to explication of individual poems, often with reference to the poet’s own psychology, physical health, family, occupations, and sociocultural context. The current study adds another dimension to the dialogue by examining Herbert’s varying degrees of psalmic reference within categories established by biblical scholars. The resulting data make a case for considering Herbert’s sub-collection called “The Church” to be his psalter, offering a particularly intriguing comparison between one of Herbert’s less-commonly-discussed poems and Psalm 82, one of the biblical collection’s most dramatic works.

Explores the author's invitation to be "crazy enough to love like Jesus, to give like Jesus, to forgive like Jesus, to do justice, love mercy, walk humbly with God like Jesus. Crazy enough to dare to change the world from the nightmare it often is into something close to the dream that God dreams for it"--Amazon.com.

In Pursuing Pastoral Excellence, pastoral counselor and educator Paul Hopkins aims to help pastoral leaders make a lasting and positive difference in the lives of the people and communities they serve. The heart of this book is the stories of seven ordinary pastors whose leadership has become extraordinary. Their stories not only highlight important characteristics and practices that nurture fruitful pastoral leadership, but they invite readers to examine their own stories, to think about the value of longevity in ministry, and to enhance the enduring impact of their own pastoral leadership. Hopkins frames these stories with a discussion of the difficult vocational challenges pastors are facing in a rapidly changing church milieu and a survey of recent leadership studies. He concludes by exploring seven patterns of pastoral leadership that characterize leaders who have an enduring impact, as well as four key elements coming to be recognized as imperative for the cultivation of enduring pastoral fruitfulness.

This book analyses whether the scientific epistemology of Torrance's Theological Science project is robust enough to withstand the anarchic and distinctively post-modern challenge of Paul Feyerabend: 'The worst enemy of science'.

From the bestselling coauthor of Wittgenstein's Poker, a fascinating tour through the history of moral philosophy A runaway train is racing toward five men who are tied to the track. Unless the train is stopped, it will inevitably kill all five men. You are standing on a footbridge looking down on the unfolding disaster. However, a fat man, a stranger, is standing next to you: if you push him off the bridge, he will topple onto the line and, although he will die, his chunky body will stop the train, saving five lives. Would you kill the fat man? The question may seem bizarre. But it's one variation of a puzzle that has baffled moral philosophers for almost half a century and that more recently has come to preoccupy neuroscientists, psychologists, and other thinkers as well. In this book, David Edmonds, coauthor of the bestselling Wittgenstein's Poker, tells the riveting story of why and how philosophers have struggled with this ethical dilemma, sometimes called the trolley problem. In the process, he provides an entertaining and informative tour through the history of moral philosophy. Most people feel it's wrong to kill the fat man. But why? After all, in taking one life you could save five. As Edmonds shows, answering the question is far more complex—and important—than it first appears. In fact, how we answer it tells us a great deal about right and wrong.

Get out! Run! We must leave this place! They are going to destroy this whole place! Go, children, run first! Go now! These were the final shouts nine year-old Kim Phuc heard before her world dissolved into flames—before napalm bombs fell from the sky, burning away her clothing and searing deep into her skin. It’s a moment forever captured, an iconic image that has come to define the horror and violence of the Vietnam War. Kim was left for dead in a morgue; no one expected her to survive the attack. Napalm meant fire, and fire meant death. Against all odds, Kim lived—but her journey toward healing was only beginning. When the napalm bombs dropped, everything Kim knew and relied on exploded along with them: her home, her country’s freedom, her childhood innocence and happiness. The coming years would be marked by excruciating treatments for her burns and unrelenting physical pain throughout her body, which were constant reminders of that terrible day. Kim survived the pain of her body ablaze, but how could she possibly survive the pain of her devastated soul? Fire Road is the true story of how she found the answer in a God who suffered Himself; a Savior who truly understood and cared about the depths of her pain. Fire Road is a story of horror and hope, a harrowing tale of a life changed in an instant—and the power and resilience that can only be found in the power of God’s mercy and love.

NOW A MAJOR MOTION PICTURE—The #1 New York Times bestselling worldwide sensation with more than 18 million copies sold, hailed by The New York Times Book Review as “a painfully beautiful first novel that is at once a murder mystery, a coming-of-age narrative and a celebration of nature.” For years, rumors of the “Marsh Girl” have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life—until the unthinkable happens. Where the Crawdads Sing is at once an exquisite ode to the natural world, a heartbreaking coming-of-age story, and a surprising tale of possible murder. Owens reminds us that we are forever shaped by the children we once were, and that we are all subject to the beautiful and violent secrets that nature keeps.