Focusing on stardom during the 1920s, this title reveals strong connections & dissonances in matters of storytelling & performance that can be traced both backwards & forwards, from the silent era to the emergence of sound.

With its sharp focus on stardom during the 1920s, Idols of Modernity reveals strong connections and dissonances in matters of storytelling and performance that can be traced both backward and forward, across Europe, Asia, and the United States, from the silent era into the emergence of sound. Bringing together the best new work on cinema and stardom in the 1920s, this illustrated collection showcases the range of complex social, institutional, and aesthetic issues at work in American cinema of this time. Attentive to stardom as an ensemble of texts, contexts, and social phenomena stretching beyond the cinema, major scholars provide careful analysis of the careers of both well-known and now forgotten stars of the silent and early sound era—Douglas Fairbanks, Buster Keaton, the Talmadge sisters, Rudolph Valentino, Gloria Swanson, Clara Bow, Colleen Moore, Greta Garbo, Anna May Wong, Emil Jannings, Al Jolson, Ernest Morrison, Noble Johnson, Evelyn Preer, Lincoln Perry, and Marie Dressler.

This examination of Hinduism in the context of modernity will be of interest to all students of Hinduism, as well as to those interested in the sociology and history of religion. Shows Hinduism to be a highly dynamic world-view which challenges western notions of modernity. Considers a broad range of topics including women, the caste system, the self, divinities and gurus. Contains up-to-date discussions of modern Hindu culture and beliefs.

This is the most complete and compelling account of idols and celebrity in Japanese media culture to date. Engaging with the study of media, gender and celebrity, and sensitive to history and the contemporary scene, these interdisciplinary essays cover male and female idols, production and consumption, industrial structures and fan movements.

The Intellectual Origins of Modernity explores the long and winding road of modernity from Rousseau to Foucault and its roots, which are not to be found in a desire for enlightenment or in the idea of progress but in the Promethean passion of Western humankind. Modernity is the Promethean passion, the passion of humans to be their own master, to use their insight to make a world different from the one that they found, and to liberate themselves from their immemorial chains. This passion created the political ideologies of the nineteenth century and made its imprint on the totalitarian regimes that arose in their wake in the twentieth. Underlying the Promethean passion there was modernity—humankind's project of self-creation—and enlightenment, the existence of a constant tension between the actual and the desirable, between reality and the ideal. Beneath the weariness, the exhaustion and the skepticism of post-modernist criticism is a refusal to take Promethean horizons into account. This book attests the importance of reason, which remains a powerful critical weapon of humankind against the idols that have come out of modernity: totalitarianism, fundamentalism, the golem of technology, genetic engineering and a boundless will to power. Without it, the new Prometheus is liable to return the fire to the gods.

With its sharp focus on stardom during the 1920s, Idols of Modernity reveals strong connections and dissonances in matters of storytelling and performance that can be traced both backward and forward, across Europe, Asia, and the United States, from the silent era into the emergence of sound.

Idolatry, or its Hebrew equivalent Avodah Zarah ̧ is a fundamental feature of a Jewish view of other religions. All religions must pass the test of whether they are compliant with a Jewish view of religions as being free from the worship of another God. With the advance in interfaith relations, positions have been affirmed that clear most major contemporary religions from the charge of idolatry. What remains of “idolatry” once it no longer serves as a tool for evaluating other faiths? Does the category continue to have theological appeal? What are its internal uses? A cadre of Jewish scholars and thought leaders explore in this volume what the continuing relevance of “idolatry” is and how it might continue to inform our religious horizons, allowing us to distinguish between good and bad religion, both within Judaism and beyond.

In recent decades many fundamental Christian assumptions about the nature of God and the world have come under attack. No longer can one assume even in many church circles that historic Christian beliefs about the Trinity and providence are generally accepted or understood. Scientific knowledge and new technologies have also presented challenges for the church. How, for example, should Christians understand the ecological crisis? And how should the opening chapters of Genesis be understood in an age of genetic research and evolutionary science? This collection of essays attempts to chart a faithful path for postmodern Christians, exploring the foundational ideas and concepts of a Christian worldview and suggesting their implications for Christian living today.Contributors: Hans Boersma John Cooper Marva J. Dawn Michael W. Goheen Christopher D. Marshall Arnold E. Sikkema John G. Stackhouse, Jr. Rikki E. Watts John R. Wood

This carefully crafted ebook collection is formatted for your eReader with a functional and detailed table of contents. "The Antichrist" is an attack on the "slave morality" and apathy of Western Christianity. Nietzsche's basic claim is that Christianity (as he saw it in the West) is a poisoner of western culture and perversion of the words of and practice of Jesus. "The Twilight of the Idols" criticizes German culture of the day as unsophisticated and nihilistic, and shoots some disapproving arrows at key French, British, and Italian cultural figures who represent similar tendencies. In contrast to all these alleged representatives of cultural "decadence", Nietzsche applauds Caesar, Napoleon, Goethe, Thucydides and the Sophists as healthier and stronger types. "Ecce Homo: How One Becomes What One Is" is the last book written by Nietzsche before his final years of insanity that lasted until his death in 1900. According to Walter Kaufmann, Nietzsche's most prominent English translators, the book offers "Nietzsche's own interpretation of his development, his works, and his significance." "Selected Personal Letters" includes letters to his family and friends. Friedrich Nietzsche (1844–1900) was a German philosopher, poet, and Latin and Greek scholar whose work has exerted a profound influence on Western philosophy and modern intellectual history. Because of Nietzsche's evocative style and provocative ideas, his philosophy generates passionate reactions. His works remain controversial, due to varying interpretations and misinterpretations of his work. In the Western philosophy tradition, Nietzsche's writings have been described as the unique case of free revolutionary thought, that is, revolutionary in its structure and problems, although not tied to any revolutionary project.