The present volume represents a selection of papers presented at the International Symposium on Ideophones held in January 1999 in St. Augustin, Germany. They center around the following hypotheses: Ideophones are universal; and constitute a grammatical category in all languages of the world; ideophones and similar words have a special dramaturgic function that differs from all other word classes: they simulate an event, an emotion, a perception through language. In addition to this unique function, a good number of formal parallels can be observed. The languages dealt with here display strikingly similar patterns of derivational processes involving ideophones. An equally widespread common feature is the introduction of ideophones via a verbum dicendi or complementizer. Another observation concerns the sound-symbolic behavior of ideophones. Thus the word formation of ideophones differs from other words in their tendency for iconicity and sound-symbolism. Finally it is made clear that ideophones are part of spoken language — the language register, where gestures are used — rather than written language.

Ideophones have been recognized in modern linguistics at least since 1935, but they still lie far outside the concerns of mainstream (Western) linguistic debate, in part because they are most richly attested in relatively unstudied (often unwritten) languages. The evolution of language, on the other hand, has recently become a fashionable topic, but all speculations so far have been almost totally data-free. Without disputing the tenet that there are no primitive languages, this book argues that ideophones may be an atavistic throwback to an earlier stage of communication, where sounds and gestures were paired in what can justifiably be called a 'prelinguistic' fashion. The structure of ideophones may also provide answers to deeper questions, among them how communicative gestures may themselves have emerged from practical actions. Moreover, their current distribution and behaviour provide hints as to how they may have become conventional words in languages with conventional rules.

This volume explores new frontiers in the linguistic study of iconic lexemes known as ideophones, mimetics, and expressives. A large part of the literature on this long-neglected word class has been dedicated to the description of its sound symbolism, marked morphophonology, and grammatical status in individual languages. Drawing on data from Asian (especially Japanese), African, American, and European languages, the twelve chapters in this volume aim to establish common grounds for theoretical and crosslinguistic discussions of the phonology, morphology, syntax, semantics, pragmatics, acquisition, and variation of iconic lexemes. Not only researchers who are interested in linguistic iconicity but also theoretical linguists and typologists will benefit from the updated insights presented in each study.

The present volume represents a selection of papers presented at the International Symposium on Ideophones held in January 1999 in St. Augustin, Germany. They center around the following hypotheses: Ideophones are universal; and constitute a grammatical category in all languages of the world; ideophones and similar words have a special dramaturgic function that differs from all other word classes: they simulate an event, an emotion, a perception through language. In addition to this unique function, a good number of formal parallels can be observed. The languages dealt with here display strikingly similar patterns of derivational processes involving ideophones. An equally widespread common feature is the introduction of ideophones via a verbum dicendi or complementizer. Another observation concerns the sound-symbolic behavior of ideophones. Thus the word formation of ideophones differs from other words in their tendency for iconicity and sound-symbolism. Finally it is made clear that ideophones are part of spoken language — the language register, where gestures are used — rather than written language.

This book introduces beginning students and non-specialists to the diversity and richness of African languages. In addition to providing a solid background to the study of African languages, the book presents linguistic phenomena not found in European languages. A goal of this book is to stimulate interest in African languages and address the question: What makes African languages so fascinating? The orientation adopted throughout the book is a descriptive one, which seeks to characterize African languages in a relatively succinct and neutral manner, and to make the facts accessible to a wide variety of readers. The author's lengthy acquaintance with the continent and field experiences in western, eastern, and southern Africa allow for both a broad perspective and considerable depth in selected areas. The original examples are often the author's own but also come from other sources and languages not often referenced in the literature. This text also includes a set of sound files illustrating the phenomena under discussion, be they the clicks of Khoisan, talking drums, or the ideophones (words like English lickety-split) found almost everywhere, which will make this book a valuable resource for teacher and student alike.

This book argues that ideophones provide the 'missing link' in our knowledge of how communication has evolved to become the spoken language of today.

Wm. E. Welmers surveys a wide range of structural characteristics, both phonological and grammatical, of the languages of sub-Saharan Africa. Drawing on thirty years of experience in the analysis and teaching of African languages, and on work done on some seventy spoken languages, Welmers has organized the volume by linguistic topic. Thus there are extensive discussions of tonal systems in languages from all over sub-Saharan Africa, of noun classes and concord in the Bantu and other Niger-Kordofanian languages, and of the varieties of verbal constructions found in representative languages. African Language Structures emphasizes the organization of language data rather than the technicalities of theoretical linguistics. The material is presented in such a way that students working on the analysis of other languages can be guided in their procedures; Welmers suggests not only what types of structures may be expected, but also how they may be discovered and described. This work is unique in the depth of its linguistic insight over the entire spectrum of language structure and in the breadth of its language coverage. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

A study of the relationship between the sound of an utterance and its meaning.

The series builds an extensive collection of high quality descriptions of languages around the world. Each volume offers a comprehensive grammatical description of a single language together with fully analyzed sample texts and, if appropriate, a word list and other relevant information which is available on the language in question. There are no restrictions as to language family or area, and although special attention is paid to hitherto undescribed languages, new and valuable treatments of better known languages are also included. No theoretical model is imposed on the authors; the only criterion is a high standard of scientific quality. To discuss your book idea or submit a proposal, please contact Birgit Sievert.

Presents the papers delivered during the Plenary Sessions at the 27th Annual Conference on African Linguistics. Contents cover issues relating to phonology, syntax, historical linguistics, and language and society, as well as pedagogical issues that relate to the learning and teaching of African languages.