Three seminal philosophical texts by F. W. J. Schelling, arguably the most complex representations of German Idealism, are clearly presented here for the first time in English. Included are Schelling's "Treatise Explicatory of the Idealism in the Science of Knowledge" (1797), "System of Philosophy in General" (1804), and "Stuttgart Seminars" (1810). Of these texts, the "Treatise" constitutes the most comprehensive critical reading of Kant and Fichte by a contemporary thinker and, as a result, proved seminal to Samuel Taylor Coleridge's efforts at interconnecting English Romanticism and German speculative thought. Extending his early critique of subjectivity, Schelling's "System of Philosophy in General" and his "Stuttgart Seminars" launch a far more radical inquiry into the notion of identity, a term which for Schelling, increasingly reveals the contingent nature and inescapable limitations of theoretical practice. An extensive critical introduction relates Schelling's work both to his philosophical contemporaries (Kant, Fichte, and Hegel) as well as to the contemporary debates about Theory in the humanities. The book includes extensive annotations of each translated text, an excursus on Schelling and Coleridge, a comprehensive multi-lingual bibliography, and a glossary.

Three seminal philosophical texts by F. W. J. Schelling, arguably the most complex representations of German Idealism, are clearly presented here for the first time in English. Included are Schelling's "Treatise Explicatory of the Idealism in the Science of Knowledge" (1797), "System of Philosophy in General" (1804), and "Stuttgart Seminars" (1810). Of these texts, the "Treatise" constitutes the most comprehensive critical reading of Kant and Fichte by a contemporary thinker and, as a result, proved seminal to Samuel Taylor Coleridge's efforts at interconnecting English Romanticism and German speculative thought. Extending his early critique of subjectivity, Schelling's "System of Philosophy in General" and his "Stuttgart Seminars" launch a far more radical inquiry into the notion of identity, a term which for Schelling, increasingly reveals the contingent nature and inescapable limitations of theoretical practice. An extensive critical introduction relates Schelling's work both to his philosophical contemporaries (Kant, Fichte, and Hegel) as well as to the contemporary debates about Theory in the humanities. The book includes extensive annotations of each translated text, an excursus on Schelling and Coleridge, a comprehensive multi-lingual bibliography, and a glossary.

This comprehensive, general introduction to Schelling's philosophy shows that it was Schelling who set the agenda for German idealism and defined the term of its characteristic problems.

Idealism without Absolutes offers an ambitious and broad reconsideration of Idealism in relation to Romanticism and subsequent thought. Linking Idealist and Romantic philosophy to contemporary theory, the volume explores the multiplicity of different philosophical incarnations of Idealism and materialism, and shows how they mix with and invade each other in philosophy and culture. The contributors discuss a wide range of major figures in the long Romantic period, from Kant and Hegel to Nietzsche, as well as key figures defining the contemporary intellectual debate, including Freud, Heidegger, Adorno, Lyotard, Derrida, de Man, and Deleuze and Guattari. While preserving the significance of the historical period extending from Kant to the early nineteenth century, the volume gives the concept of Romantic culture a new historical and philosophical meaning that extends from its pre-Kantian past to our own culture and beyond.

Winfield (philosophy, U. of Georgia) charges that the self- determination assailed by the postmodern credo is a strawman, and that spurning the autonomy of reason and action is not possible without that very independence. He then unveils an alternative self-determination, to legitimate both knowledge and conduct. Also available in paper (unseen), $14.95. Annotation copyrighted by Book News, Inc., Portland, OR

"The rediscovery of idealism is an unmistakable feature of contemporary philosophy. Heavily criticized by the dominant philosophies of the twentieth century, it is being reconsiderd in the twenty-first as a rich and untapped resource for contemporary philosophical arguments and concepts. This volume provides a comprehensive portrait of the major arguments and philosophers in the idealist tradition. Idealism is philosophy on a grand scale, combining microscopic and macroscopic problems into systematic accounts of everything from the nature of the universe to the particulars of human feeling. In consequence, it offers perspectives on everything from the natural to the social sciences, from ecology to cultural criticism. Since idealism is sometimes considered anti-science, however, this books places particular emphasis on its naturalism. Written for a broad readership, the book provides the fullest possible introduction to this most philosophical of philosophical movements"--Publisher's description, p. [4] of cover.

The life and ideas of F.W.J. Schelling are often overlooked in favor of the more familiar Kant, Fichte, or Hegel. What these three lack, however, is Schelling's evolving view of philosophy. Where others saw the possibility for a single, unflinching system of thought, Schelling was unafraid to question the foundations of his own ideas. In this book, Bruce Matthews argues that the organic view of philosophy is the fundamental idea behind Schelling's thought. Focusing in particular on Schelling's early writings, especially on Plato and Kant, Matthews explores Schelling's idea that any philosophical system must be perspectival and formed by each individual student of philosophy, providing a unique new understanding to an important and often overlooked figure in the history of philosophy.

The reception history of the French Revolution in France and England is well documented among Anglophone scholars; however, the debate over the Revolution in Germany is much less well known. Fichte's Contribution played an important role in this debate. Presented here for the first time in English, Fichte's work provides a distinctive synthesis of Locke's "possessive individualism," Rousseau's general will, and Kant's moral philosophy. This eclectic blend results in an unusual rights theory that at times veers close to a form of anarchism. Written in 1792–93, just before Fichte moved to Jena to develop his philosophical system in a series of works—above all the Wissenschaftslehre of 1794—the Contribution provides invaluable insight into Fichte's early development. In addition, Fichte's work predates much of Kant's political philosophy, and can shed light on the rich dialogue in German political thought in the 1790s.

This is the first English translation of Schelling's novel, most likely written after the death of his first wife, Caroline, the former wife of August Wilhelm Schlegel. Although only a fragment, Clara remains unique. Part novella, part philosophical tome, its central theme is the connection between this world and the next. Schelling masterfully weaves together his knowledge of animal magnetism, literary techniques, and his doctrine of the potencies to make his philosophy accessible to all. Steinkamp addresses the main issues concerning the dating of the work—many commentators have deemed Clara to be a sketch for Schelling's The Ages of the World or an outline for the third, missing book of that work—and provides a short biography of Schelling with particular emphasis on events claimed to play a role in the conception of Clara, such as the deaths of both Caroline and her daughter, Auguste. She also shows how passages in Clara are strikingly similar to the content of Schelling's touching letters mourning Caroline, written to Pauline, the daughter of Caroline's best friend and the woman who would become his second wife. Clara, strongly influenced by the Romantic movement, is an early illustration of Schelling's attempt to unite his positive and negative philosophy.

Examines the notion of Darstellung [representation] in the critical discourse of German Idealism and Romanticism, paying particular attention to Kant, Fichte, Novalis, and Kleist.