Journalist. Suffragist. Antilynching crusader. In 1862, Ida B. Wells was born enslaved in Holly Springs, Mississippi. In 2020, she won a Pulitzer Prize. Ida B. Wells committed herself to the needs of those who did not have power. In the eyes of the FBI, this made her a “dangerous negro agitator.” In the annals of history, it makes her an icon. Ida B. the Queen tells the awe-inspiring story of an pioneering woman who was often overlooked and underestimated—a woman who refused to exit a train car meant for white passengers; a woman brought to light the horrors of lynching in America; a woman who cofounded the NAACP. Written by Wells’s great-granddaughter Michelle Duster, this “warm remembrance of a civil rights icon” (Kirkus Reviews) is a unique visual celebration of Wells’s life, and of the Black experience. A century after her death, Wells’s genius is being celebrated in popular culture by politicians, through song, public artwork, and landmarks. Like her contemporaries Frederick Douglass and Susan B. Anthony, Wells left an indelible mark on history—one that can still be felt today. As America confronts the unfinished business of systemic racism, Ida B. the Queen pays tribute to a transformational leader and reminds us of the power we all hold to smash the status quo.

Based on the real-life Gus and Ida of New York's Central Park Zoo, this is the story of a polar bear who grieves over the loss of his companion.

In an effort to redeem her reputation, Ida Elisabeth imprudently marries her teenage sweetheart, Frithjof. Early in their marriage, she realizes that her charming husband is too irresponsible to support the family and sews dresses to make ends meet. When Frithjof becomes involved with another woman, Ida Elisabeth divorces him. The single mother moves with her children to a small town. Still young and good looking, the admirably hardworking Ida Elisabeth attracts the attention of a successful lawyer, who possesses the manly virtues that her husband lacked. As she contemplates marrying again, Frithjof, now gravely sick, reenters her life. Unlike Undsets famous historical novels, which are set in medieval Norway, the story of Ida Elisabeth unfolds in the 1920s. As in Undsets other fiction, however, Ida Elisabeth poignantly illustrates how poor choices affect the course of a persons life and how the suffering endured because of grievous mistakes can become the means by which a love is purified. Even in her historical novels, the Nobel Prize-winning Undset tackled contemporary themes. With its setting in modern times, Ida Elisabeth examines the difficulties inherent in male-female relationships as they are experienced in contemporary society. Undsets descriptions of the Norwegian people and countryside coupled with her profound understanding of the human heart won her worldwide literary acclaim. Both are powerfully displayed in this compelling drama about fidelity and forgiveness.

Captivatingly fresh and intimate letters from Augustus John's first wife, Ida, reveal the untold story of married life with one of the great artists of the last century. Twelve days before her twenty-fourth birthday, on the foggy morning of Saturday 12 January 1901, Ida Nettleship married Augustus John in a private ceremony at St Pancras Registry Office. The union went against the wishes of Ida's parents, who aspired to an altogether more conventional match for their eldest daughter. But Ida was in love with Augustus, a man of exceptional magnetism also studying at the Slade, and who would become one of the most famous artists of his time. Ida's letters – to friends, to family and to Augustus – reveal a young woman of passion, intensity and wit. They tell of the scandal she brought on the Nettleship family and its consquences; of hurt and betrayal as the marriage evolved into a three-way affair when Augustus fell in love with another woman, Dorelia; of Ida's remarkable acceptance of Dorelia, their pregnancies and shared domesticity; of self-doubt, happiness and despair; and of finding the strength and courage to compromise and navigate her unorthodox marriage. Ida is a naturally gifted writer, and it is with a candour, intimacy and social intelligence extraordinary for a woman of her period that her correspondence opens up her world. Ida John died aged just thirty of puerperal fever following the birth of her fifth son, but in these vivid, funny and sometimes devastatingly sad letters she is startlingly alive on the page; a young woman ahead of her time – almost of our own time – living a complex and compelling drama here revealed for the first time by the woman at its very heart.

Wendy Ida guides women from hopelessness to getting the body they want with her 3-pronged approach in her 90-day Take Back Your Life Results Program that speaks to the needs of women whose lives have spun out of control due to the physical changes that occur during midlife and the many major life transitions that hinder weight loss and leave women feeling unattractive and powerless. Unlike other fitness books, she lays out no excuse zones, empowering mind games and sex and life adaptations. She shares her own life experiences, including stories, tips and tricks that enabled her to reinvent herself, drop four dress sizes and develop six-pack abs after age 40 - and hold onto them as a grandmother.

The NAACP co-founder, civil rights activist, educator, and journalist recounts her public and private life in this classic memoir. Born to enslaved parents, Ida B. Wells was a pioneer of investigative journalism, a crusader against lynching, and a tireless advocate for suffrage, both for women and for African Americans. She co-founded the NAACP, started the Alpha Suffrage Club in Chicago, and was a leader in the early civil rights movement, working alongside W. E. B. Du Bois, Madam C. J. Walker, Mary Church Terrell, Frederick Douglass, and Susan B. Anthony. This engaging memoir, originally published 1970, relates Wells’s private life as a mother as well as her public activities as a teacher, lecturer, and journalist in her fight for equality and justice. This updated edition includes a new foreword by Eve L. Ewing, new images, and a new afterword by Ida B. Wells’s great-granddaughter, Michelle Duster. “No student of black history should overlook Crusade for Justice.” —William M. Tuttle, Jr., Journal of American History

From one of Scandinavia's most innovative writers, a shimmering journey into the absurd phenomenality of family life - and the human microbiome Adorable is a haunting, transmundane portrait of a young family told in four parts, in Copenhagen and London. The love between B and Q is tender but worn. When their daughter Æ is born, the everyday lights up in a new way. In its second part, the dead are animated in B's brain. When B's father dies, the news is delivered to her by phone and an essayistic, collagist meditation on death and transmission ensues. And then, it's finally Friday. B and Q descend below the living room floor and wander through a cracked and skittish underworld. In Ida Marie Hede's porous world, which is our world too, grime, bacteria, and even death are intimately bound up with health and renewal. Fusing the commonplace and the profound, the material and the spiritual, the elegiac and the conceptual, Adorable powerfully insists that it is impossible to tell where death and life begin or end. Praise for Adorable Ida Marie Hede's Adorable is this incredible, tiny, undead person you can possess and make mouth subconscious astonishments. The transubstantiation of book to wet undead joy comes from Hede's use of words for feelings and experiences fantastically resistant to representation. In its vivid wrangle, Hede's language blooms into dazzling gratuity by anaphoric increments, as it laps hungrily at death and toddlers and shit and grief and slime and herself. The whole thing glistens and then spontaneously incorporates - Ed Atkins A teeming, fluid book wet with leaking bodies, influences, concerns, memories, moods. Hede's defamiliarising creation brims over with love and broaches our consciousness, making our own world hot and sticky. Viscerally apt reading for the fraught era we find ourselves in: obsessed with contagion and encroachment, yet besotted with connection and touch - Jen Calleja Adorable pulls us between wanting to live and having to die, between child found and parent lost, feeling from inside Hede's brain-womb all that hide and seek within the concaves of living rooms, telephone calls, and other skins. An urgent, brutally tactile novel that grows boundless in the mind, Adorable achieves life - Mara Coson The reality of bodily fluids is so incisive that what first seems shocking becomes part of the narrative arc, the language of a strange other world. Is the setting of the book B's belly or her brain? Only a fool would separate the two in Hede's prose - Full Stop Adorable is the story of B, Q and their daughter Æ -- one that transcends countries, genres, and is drawn with charm and poetry. Hede's analyses are profound and intellectual. She is unafraid to unpick the grotesqueness of humanity, coupling her descriptions with delicate observations on love and family.A fascinating and gripping read - Lunate Adorable is a lovely, creative take on both life and death - strikingly and effectively earthy, but also beautiful in its spun-out fantasies. It impresses particularly in its descriptions of young(est) childhood (and parenthood). The presentation is not straightforward, but there is a coherence to the whole, and certainly sufficient story, too, making for an engaging and stimulating work - Michael Orthofer, The Complete Review IDA MARIE HEDE (b. 1980) is the author of seven books and numerous plays. She holds an MA in Art History from the University of Copenhagen and Goldsmiths College and graduated from the School of Creative Writing in Copenhagen in 2008. Hede has taught at Gladiatorskolen, the Royal Danish Academy of Fine Arts, and is currently a c

Gertrude Stein wanted "Ida" to be known in two ways: as a novel about a woman in the age of celebrity culture and as a text with its own story to tell. With the publication of this workshop edition of "Ida," we have the novel exactly as it was published in 1941, and we also have the full record of its creation. Logan Esdale offers informative critical commentary and judiciously selected archival materials to illuminate Stein's experience of authorship from the novel's beginning in early summer 1937, through the various drafts and negotiations with her publisher, to the reviews that greeted the book's publication. Stein's careful and systematic preservation of all "Ida"-related materials for her archive at the Yale University Library was a conscious decision, and an invitation for us to study the complexity of her creative process.