Offers entries on 24 of the significant archetypes of horror and the supernatural, from the classical epics of Homer to the novels of Stephen King.

Offers entries on 24 of the significant archetypes of horror and the supernatural, from the classical epics of Homer to the novels of Stephen King.

Offers entries on 24 of the significant archetypes of horror and the supernatural, from the classical epics of Homer to the novels of Stephen King.

For the first time ever, in a single volume, a comprehensive guide to horror and the supernatural in all the arts ... More than 50 essays and 600 entries covering authors, composers, visual artists, directors, actors, and movies that are connected in some way to horror tales or the supernatural. Also defines terms used with the supernatural.

This book analyzes 145 horror films grouped in 24 franchises. These franchises feature an antagonist, or villain, who has been present in all or most films. These antagonists are so iconic that they have, in all cases, generated multiple sequels. All movies included in this book are rated and ranked.

This two-volume set offers comprehensive coverage of horror literature that spans its deep history, dominant themes, significant works, and major authors, such as Stephen King, Edgar Allan Poe, and Anne Rice, as well as lesser-known horror writers. Many of today's horror story fans—who appreciate horror through movies, television, video games, graphic novels, and other forms—probably don't realize that horror literature is not only one of the most popular types of literature but one of the oldest. People have always been mesmerized by stories that speak to their deepest fears. Horror Literature through History shows 21st-century horror fans the literary sources of their favorite entertainment and the rich intrinsic value of horror literature in its own right. Through profiles of major authors, critical analyses of important works, and overview essays focused on horror during particular periods as well as on related issues such as religion, apocalypticism, social criticism, and gender, readers will discover the fascinating early roots and evolution of horror writings as well as the reciprocal influence of horror literature and horror cinema. This unique two-volume reference set provides wide coverage that is current and compelling to modern readers—who are of course also eager consumers of entertainment. In the first section, overview essays on horror during different historical periods situate works of horror literature within the social, cultural, historical, and intellectual currents of their respective eras, creating a seamless narrative of the genre's evolution from ancient times to the present. The second section demonstrates how otherwise unrelated works of horror have influenced each other, how horror subgenres have evolved, and how a broad range of topics within horror—such as ghosts, vampires, religion, and gender roles—have been handled across time. The set also provides alphabetically arranged reference entries on authors, works, and specialized topics that enable readers to zero in on information and concepts presented in the other sections.

This book analyzes 199 horror films grouped in 26 franchises. These franchises feature antagonists, or villains, who have been present in all or most films. These characters are so iconic that they have, in all cases, generated multiple sequels. All movies included in this book are rated and reviewed. In this edition, we explore horror movie icons from the following franchises: Psycho, Texas Chainsaw Massacre, Halloween, Phantasm, Friday the 13th, Nightmare on Elm Street, Hannibal, Hellraiser, Child’s Play, Pumpkinhead, Candyman, Leprechaun, Scream, Wishmaster, Saw, Hatchet, Jeepers Creepers, Jaws, Alien, Predator, Night of the Demons, It, Annabelle, Sleepaway Camp, Godzilla, and Puppet Master.

Recent works of young adult fantastic fiction such as Stephenie Meyer's Twilight Saga have been criticized for glamorizing feminine subordination. But YA horror fiction with female protagonists who have paranormal abilities suggests a resistance to restrictive gender roles. The "monstrous Other" is a double with a difference, a metaphor of the Western adolescent girl pressured to embody an untenable doll-like feminine ideal. This book examines what each of three types of female monstrous Others in young adult fiction--the haunted girl, the female werewolf and the witch--has to tell us about feminine subordination in a supposedly post-feminist world, where girls continue to be pressured to silence their voices and stifle their desires.

Albert Fish held the genuine belief that the murders he committed were upon instruction from God. The original Dracula's relative Countess Elisabeth was rumoured to use blood of her victims to preserve her youth and beauty. Jeffrey Dahmer began a macabre project of building an occult altar with his victims' body parts, believing this granted him supernatural powers to subdue and control his prey. Peter Stumpp, who started practising the "wicked arts from twelve years of age", was convinced he was a werewolf. The crimes committed by these people usually involved sexual deviance, cannibalism and violence toward children. In the sixteenth-century Europe, the problem became so significant that 'Werewolf Witch Trials' were conducted - many have no idea that it was possible to be tried and convicted for the crime of being a Werewolf, but Lycanthropy was a serious and major social concern in the 1500s. Supernatural Serial Killers discuss the individual cases of supernatural serial killers, including their background, crimes, trials and defences.

From vampires and demons to ghosts and zombies, interest in monsters in literature, film, and popular culture has never been stronger. This concise Encyclopedia provides scholars and students with a comprehensive and authoritative A-Z of monsters throughout the ages. It is the first major reference book on monsters for the scholarly market. Over 200 entries written by experts in the field are accompanied by an overview introduction by the editor. Generic entries such as 'ghost' and 'vampire' are cross-listed with important specific manifestations of that monster. In addition to monsters appearing in English-language literature and film, the Encyclopedia also includes significant monsters in Spanish, French, Italian, German, Russian, Indian, Chinese, Japanese, African and Middle Eastern traditions. Alphabetically organized, the entries each feature suggestions for further reading. The Ashgate Encyclopedia of Literary and Cinematic Monsters is an invaluable resource for all students and scholars and an essential addition to library reference shelves.