Back in print after ten years, this searching work uses the imagery of icons as the basis for an exploration of the true mystical source of the Christian faith. Richard Temple points out that icons themselves are essentially mystical at heart, for they are the key to an underground stream of knowledge aimed at the civilization of the whole person -- body, soul, and spirit -- that developed from Platonic thought, the school of Alexandria, and the Orphic mysteries. As the author discusses the meaning of the icons depicted in this volume, the richness and profundity of a lost tradition is gradually and hauntingly revealed.

Uses the imagery of icons as a basis for exploring the true mystical source of the Christian faith.

This is a short, accessible analysis of Christianity that focuses on its social and cultural diversity as well as its historical dimensions.

An illustrated treasure trove of icons throughout history.

Reveals evidence of visionary plants in Christianity and the life of Jesus found in medieval art and biblical scripture--hidden in plain sight for centuries • Follows the authors’ anthropological adventure discovering sacred mushroom images in European and Middle Eastern churches, including Roslyn Chapel and Chartres • Provides color photos showing how R. Gordon Wasson’s psychedelic theory of religion clearly extends to Christianity and reveals why Wasson suppressed this information due to his secret relationship with the Vatican • Examines the Bible and the Gnostic Gospels to show that visionary plants were the catalyst for Jesus’s awakening to his divinity and immortality Throughout medieval Christianity, religious works of art emerged to illustrate the teachings of the Bible for the largely illiterate population. What, then, is the significance of the psychoactive mushrooms hiding in plain sight in the artwork and icons of many European and Middle-Eastern churches? Does Christianity have a psychedelic history? Providing stunning visual evidence from their anthropological journey throughout Europe and the Middle East, including visits to Roslyn Chapel and Chartres Cathedral, authors Julie and Jerry Brown document the role of visionary plants in Christianity. They retrace the pioneering research of R. Gordon Wasson, the famous “sacred mushroom seeker,” on psychedelics in ancient Greece and India, and among the present-day reindeer herders of Siberia and the Mazatecs of Mexico. Challenging Wasson’s legacy, the authors reveal his secret relationship with the Vatican that led to Wasson’s refusal to pursue his hallucinogen theory into the hallowed halls of Christianity. Examining the Bible and the Gnostic Gospels, the authors provide scriptural support to show that sacred mushrooms were the inspiration for Jesus’ revelation of the Kingdom of Heaven and that he was initiated into these mystical practices in Egypt during the Missing Years. They contend that the Trees of Knowledge and of Immortality in Eden were sacred mushrooms. Uncovering the role played by visionary plants in the origins of Judeo-Christianity, the authors invite us to rethink what we know about the life of Jesus and to consider a controversial theory that challenges us to explore these sacred pathways to the divine.

An eye-opening introduction to the complex world of esoteric Christianity—perfect for the general reader This guide to mystical and esoteric Christianity speaks from a nonsectarian point of view, unearthing insights from the whole of the Christian tradition, orthodox and heretical, famous and obscure. The esoteric tradition has traditionally searched for meanings that would yield a deeper inner knowledge of the divine. While traditional Christianity draws a timeline from Adam's Fall to the Day of Judgment, the esoteric often sees time as folding in on itself, bringing every point to the here and now. While the Church fought bitterly over dogma, the esoteric borrowed freely from other traditions—Kabbalah, astrology, and alchemy—in their search for metaphors of inner truth. Rather than basing his book around exponents of esoteric doctrine, scholar Richard Smoley concentrates on the questions that are of interest to every searching Christian. How can one attain direct spiritual experience? What does "the Fall" really tell us about coming to terms with the world we live in? Can we find salvation in everyday life? How can we ascend, spiritually, through the various levels of existence? What was Christ's true message to humankind? From the Gospel of Thomas to A Course in Miracles, from the Jesus Prayer to alchemy and Tarot, from Origen to Dante to Jung, Richard Smoley sheds the light of an alternative Christianity on these issues and more.

Moving Beyond Theoria Towards Theosis focuses on the telos of man as understood in Plato’s theoria, envisioned in the allegory of the cave, and early Christian reinterpretation of theoria as theosis. In his famed allegory of the cave, Plato maintains that real life exists beyond our base perceptions of reality and is found in the realm of ideas. Theoria is eternal rest in this realm and is understood as the telos of mankind. Plato’s theoria underwent change as it was reinterpreted under middle-Platonic and neo-Platonic thought. These systems incorporated a more mature idea of the divine than Plato, but still minimized the material world. This book explores how early Christianity inherited Plato’s cosmology and terminology. Theoria was also reinterpreted within the Christian context. Eventually the term was abandoned for theosis. Theosis is beyond theoria, as it includes contemplation of the forms as well as union with the source of the forms and the affirmation of the material realm. In this volume, Justin A. Davis shows how the Orthodox use of icons can be key to understanding theosis. The icon is a material object that connects to a higher reality, and ultimately toward union with the divine. Plato’s cosmology is collapsed and transfigured in union with the uncreated energy of God. Icons are the depiction of spiritual ascesis and the new telos of man, theosis.

This handbook is an in depth introduction to the theory and practice of Byzantine icon painting in egg tempera. The aim is to help all students aspire to create icons that are both sound theologically while being aesthetically beautiful. This volume focuses on the Face of Christ, especially in the Mandolin icon, and covers all the basics of icon painting. Subsequent volumes are planned which will look at the figure and the Kyykotissa icon, the design of festal icons, backgrounds and buildings . This handbook uses dozens of precisely chosen, clear illustrations, gives precise recipes for colours and mixtures, provides step by step instructions to follow, and links directly to video demonstrations which show some of the most difficult processes close up. It puts the practical aspects of icon painting in a clear historical and theological framework, introducing the application of the timeless principles on which the aesthetics of icon painting are built. As art for the Church's Liturgy, icon painting calls for the highest aesthetic standards and this book aims to help make that achievable for the average committed student. Icon painting is presented here as a vocation, rather than a hobby or an interesting artistic technique though this handbook will be of interest to anyone drawn to the world of the Byzantine liturgy and its icons. By encouraging students to do more than simply copy good examples from the past but to understand how the medieval Christian artist understood what he or she was doing and how they put that into practice, this handbook brings the world of the Byzantine artist back to life. Icon painting is opened up as a living art form for today's Church. The author, who has theology degrees from Oxford University and Heythrop College in London, has many years of icon teaching experience, founding the Bethlehem Icon School in 2010 at the Emmanuel Greek Catholic Monastery in Bethlehem, where he continues to teach from time to time. This handbook began as handouts for his students on the Prince's School of Traditional Arts icon painting course, while that was being run at the Bethlehem Icon Centre in Palestine, and has finally emerged as a companion to the online Academy Course in Icon Painting and for members of the Arbor Vitae Icon Academy which the author established during the Covid pandemic.

This book is principally about what is commonly referred to as Gnosticism and its influence on Jung's analytical psychology. It is intended for anyone who are interested in Jungian studies and /or Gnosticism, both the scholar and the general enthusiast and transpersonal psychology community.