This work connects productions of plays by Ibsen and Chekhov with adaptations made by contemporary Irish playwrights, demonstrating the significance of international influence for the national canon.

This book examines the development of literary constructions of Irish-American identity from the mid-nineteenth century arrival of the Famine generation through the Great Depression. It goes beyond an analysis of negative Irish stereotypes and shows how Irish characters became the site of intense cultural debate regarding American identity, with some writers imagining Irishness to be the antithesis of Americanness, but others suggesting Irishness to be a path to Americanization. This study emphasizes the importance of considering how a sense of Irishness was imagined by both Irish-American writers conscious of the process of self-definition as well as non-Irish writers responsive to shifting cultural concerns regarding ethnic others. It analyzes specific iconic Irish-American characters including Mark Twain’s Huck Finn and Margaret Mitchell’s Scarlet O’Hara, as well as lesser-known Irish monsters who lurked in the American imagination such as T.S. Eliot’s Sweeney and Frank Norris’ McTeague. As Dowd argues, in contemporary American society, Irishness has been largely absorbed into a homogenous white culture, and as a result, it has become a largely invisible ethnicity to many modern literary critics. Too often, they simply do not see Irishness or do not think it relevant, and as a result, many Irish-American characters have been de-ethnicized in the critical literature of the past century. This volume reestablishes the importance of Irish ethnicity to many characters that have come to be misread as generically white and shows how Irishness is integral to their stories.

On Easter Sunday, 23 April 1916, the seven members of the Irish Republican Brotherhood’s military council met to proclaim an Irish Republic with themselves as the provisional government. After a week of fighting with the British army on the streets of Dublin, the Seven were arrested, court-martialled and executed. Cutting through the layers of veneration that have seen them regarded unquestioningly as heroes and martyrs by many, Ruth Dudley Edwards provides shrewd yet sensitive portraits of Ireland’s founding fathers. She explores how an incongruous group, which included a communist, visionary Catholic poets and a tobacconist, joined together to initiate an armed rebellion that changed the course of Irish history. Brilliant, thought-provoking and captivatingly told, The Seven challenges us to see past the myths and consider the true character and legacy of the Easter Rising.

Shakespeare has been a source of creative engagement and contest for Irish writers. The present volume addresses the treatment of Shakespeare in the work of Yeats, Joyce, Bowen, Wilde, Shaw, Beckett and McGuinness and also that of Irish language writers.

The play focuses on the lives of three sisters, Olga, Masha, and Irina, young women of the Russian gentry who try to fill their days in order to construct a life that feels meaningful while surrounded by an array of military men, servants, husbands, suitors, and lovers, all of whom constitute a distractions from the passage of time and from the sisters' desire to return to their beloved Moscow.