Iberian Crime Fiction is the first volume in English to provide an extensive overview of crime fiction in Spain and Portugal. While the origins of peninsular crime fiction are traced in Nancy Vosburg's introductory chapter to the volume, the essays focus on specific topics that provide readers with a sense of the development of the genre in the second half of the 20th-century and current trends in the 21st-century. Patty Hart, whose The Spanish Sleuth introduced English-speaking readers to early crime fiction in Spain, provides a summary account of the development of the crime novel from the 1950s through the 1980s, highlighting the major authors and works that set the stage for the boom that followed the establishment of the novela negra tradition in the 1970s. This tradition, spearheaded by Manuel Vazquez Montalban, is the subject of a separate essay by Maria Balibrea that analyzes the socio-political conditions that gave rise to the novela negra. NancyVosburg studies the emergence of a feminine/feminist crime novel in the 1980s and 1990s and the subversion of masculine codes associated with crime fiction, while Stewart King analyzes crime fiction from the Catalan, Basque, and Galician autonomous regions of Spain, focusing on the political realities that resulted in a different use of the genre as a vehicle of regional nationalism. David Knutson traces contemporary trends in Spanish crime fiction, beginning in the 1990s and up to the present. Paul Castro's essay documents the emergence of crime fiction in Portugal and the major works/authors through to the present.

Focuses on women's crime writing from Spain and offers an approach to Spanish crime fiction, combining literary criticism with sociological and criminological theory. This multidisciplinary study analyses how female authors use crime and detective genres to analyse the role and position of their countrywomen.

The present volume is the first study in the English language to focus specifically on Italian crime fiction, weaving together a historical perspective and a thematic approach, with a particular focus on the representation of space, especially city space, gender, and the tradition of impegno, the social and political engagement which characterised the Italian cultural and literary scene in the postwar period. The 8 chapters in this volume explore the distinctive features of the Italian tradition from the 1930s to the present, by focusing on a wide range of detective and crime novels by selected Italian writers, some of whom have an established international reputation, such as C. E. Gadda, L. Sciascia and U. Eco, whilst others may be relatively unknown, such as the new generation of crime writers of the Bologna school and Italian women crime writers. Each chapter examines a specific period, movement or group of writers, as well as engaging with broader debates over the contribution crime fiction makes more generally to contemporary Italian and European culture. The editor and contributors of this volume argue strongly in favour of reinstating crime fiction within the canon of Italian modern literature by presenting this once marginalised literary genre as a body of works which, when viewed without the artificial distinction between high and popular literature, shows a remarkable insight into Italy’s postwar history, tracking its societal and political troubles and changes as well as often also engaging with metaphorical and philosophical notions of right or wrong, evil, redemption, and the search of the self.

Crime fiction written by women in Spain and Latin America since the late 1980s has been successful in shifting attention to crimes often overlooked by their male counterparts, such as rape and sexual battery, domestic violence, child pornography, pederasty, and incest. In the twenty-first century, social, economic, and political issues, including institutional corruption, class inequality, criminalized oppression of immigrant women, crass capitalist market forces, and mediatized political and religious bodies, have at their core a gendered dimension. The conventions of the original noir, or novela negra, genre have evolved, such that some women authors challenge the noir formulas by foregrounding gender concerns while others imagine new models of crime fiction that depart drastically from the old paradigms. This volume, highlighting such evolution in the crime fiction genre, will be of interest to students, teachers, and scholars of crime fiction in Latin America and Spain, to those interested in crime fiction by women, and to readers familiar with the sub-genres of crime fiction, which include noir, the thriller, the police procedural, and the “cozy” novel.

Named one of the best crime novels of 2019 by The New York Times Book Review. The shocking death of a young woman leads Detective Dave Robicheaux into the dark corners of Hollywood, the mafia, and the backwoods of Louisiana in this New York Times bestselling mystery from “modern master” (Publishers Weekly) James Lee Burke. Detective Dave Robicheaux’s world isn’t filled with too many happy stories, but Desmond Cormier’s rags-to-riches tale is certainly one of them. Robicheaux first met Cormier on the streets of New Orleans, when the young, undersized boy had foolish dreams of becoming a Hollywood director. Twenty-five years later, when Robicheaux knocks on Cormier’s door, it isn’t to congratulate him on his Golden Globe and Academy Award nominations. Robicheaux has discovered the body of a young woman who’s been crucified, wearing only a small chain on her ankle. She disappeared near Cormier’s Cyrpemort Point estate, and Robicheaux, along with young deputy, Sean McClain, is looking for answers. Neither Cormier nor his enigmatic actor friend Antoine Butterworth are saying much, but Robicheaux knows better. As always, Clete Purcel and Davie’s daughter, Alafair, have Robicheaux’s back. Clete witnesses the escape of Texas inmate, Hugo Tillinger, who may hold the key to Robicheaux’s case. As they wade further into the investigation, they end up in the crosshairs of the mob, the deranged Chester Wimple, and the dark ghosts Robicheaux has been running from for years. Ultimately, it’s up to Robicheaux to stop them all, but he’ll have to summon a light he’s never seen or felt to save himself, and those he loves. Stephen King hailed New York Times bestselling author James Lee Burke “as good as he ever was.” With The New Iberia Blues, Burke proves that he “just keeps getting better” (Booklist, starred review), and is “one of a small handful of elite suspense writers whose work transcends the genre, making the leap into capital-L Literature” (BookPage).

Accessible yet comprehensive, this first systematic account of crime fiction across the globe offers a deep and thoroughly nuanced understanding of the genre's transnational history. Offering a lucid account of the major theoretical issues and comparative perspectives that constitute world crime fiction, this book introduces readers to the international crime fiction publishing industry, the translation and circulation of crime fiction, international crime fiction collections, the role of women in world crime fiction, and regional forms of crime fiction. It also illuminates the past and present of crime fiction in various supranational regions across the world, including East and South Asia, the Arab World, Sub-Saharan Africa, Europe and Scandinavia, as well as three spheres defined by a shared language, namely the Francophone, Lusophone, and Hispanic worlds. Thoroughly-researched and broad in scope, this book is as valuable for general readers as for undergraduate and postgraduate students of popular fiction and world literature.

The first systematic account of crime fiction as a global genre, offering unprecedented coverage of distinct traditions across the world.

When confronting twentieth-century political oppression and violence, writers and artists in Portugal and South America have often emphasized the complex relationship between freedom and tyranny. In Seeing Politics Otherwise, Patricia Vieira uses an interdisciplinary approach to explore the interrelation of politics and representations of vision and blindness in Latin American and Iberian literature, film, and art. Vieira's discussion focuses on three literary works: Graciliano Ramos's Memoirs of Prison, Ariel Dorfman's Death and the Maiden, and José Saramago's Blindness, with supplemental analyses of sculpture and film by Ana Maria Pacheco, Bruno Barreto, and Marco Bechis. These artists use metaphors of blindness to denounce the totalizing gaze of dictatorial regimes. Rather than equating blindness with deprivation, Vieira argues that shadows, blindfolds, and blindness are necessary elements for re-imagining the political world and re-acquiring a political voice. Seeing Politics Otherwise offers a compelling analysis of vision and its forcible deprivation in the context of art and political protest.

James Lee Burke’s most beloved character, Dave Robicheaux, returns in this New York Times bestselling mystery set in the towns and backwoods of Louisiana: an “enthralling yet grim novel that…will captivate, start to finish” (Publishers Weekly). Dave Robicheaux is a haunted man. From the acts he committed in Vietnam, to his battles with alcoholism, to the sudden loss of his beloved wife, Molly, his thoughts drift from one irreconcilable memory to the next. Images of ghosts pepper his reality. Robicheaux’s only beacon remains serving as a detective in New Iberia, Louisiana. It’s in that capacity that Robicheaux crosses paths with powerful mob boss, Tony Nemo. Tony has a Civil War sword he’d like to give to Levon Broussard, a popular local author whose books have been adapted into major Hollywood films. Then there’s Jimmy Nightengale, the young poster boy of New Orleans wealth and glamour. Jimmy’s fond of Levon’s work, and even fonder of his beautiful, enigmatic wife, Rowena. Tony thinks Jimmy can be a US Senator someday, and has the resources and clout to make it happen. There’s something off about the relationship among these three men, and after a vicious assault, it’s up to Robicheaux to uncover the truth “in the barn-burner of a climax” (Booklist, starred review). Complicating matters is the sudden death of the New Iberian local responsible for Molly’s death; namely that Robicheaux’s colleague thinks Robicheaux had something to do with it. As Robicheaux works to clear his name and make sense of the murder, a harrowing study of America emerges: this nation’s abiding conflict between a sense of past grandeur and a legacy of shame, its easy seduction by demagogues and wealth, and its predilection for violence and revenge. “It has been almost five years since James Lee Burke’s last Dave Robicheaux novel, and it was absolutely worth the wait” (Associated Press).

Crime Thriller set in Spain In this first book of the Andalusian Mystery Series, four teenagers are brutally interfered with by the headmaster of their Marbella college. They can’t tell anyone, because the abuser threatens to reveal their own dark family secrets. When the grounds are sold, the head steals the proceeds and disappears. They pledge to track him down and deliver justice. Their justice. For thirty years, their target eludes them but then one of the now adult four inadvertently nearly catches him. Knowing he is still alive reinvigorates their thirst for retribution, at any price. When pretty youngsters start vanishing, the wily veteran Detective Inspector, Leon Prado, initially assumes that the booming sex-tourism industry on the Costa del Sol needs more tasty morsels for their private clubs. The truth was far worse than a nightmare.