Hollywood, the 1970s. Jason Williams, a former college athlete from very conservative Orange County, hopes to become a film actor in a town where everyone's looking for a break. He jumps at the chance for the lead in a science fiction parody, an X-rated (later R) spoof of Flash Gordon. Sure, he has to get naked on camera--but so do lots of cute girls. He has no idea the production will be the start of an odyssey that will take him through the highs and lows of Tinseltown, and make him the most known unknown in movies--Flesh Gordon!.

Hollywood, the 1970s. Jason Williams, a former college athlete from very conservative Orange County, hopes to become a film actor in a town where everyone's looking for a break. He jumps at the chance for the lead in a science fiction parody, an X-rated (later R) spoof of Flash Gordon. Sure, he has to get naked on camera--but so do lots of cute girls. He has no idea the production will be the start of an odyssey that will take him through the highs and lows of Tinseltown, and make him the most known unknown in movies--Flesh Gordon!.

The corrupt forces of Earth invade Mongo, with its mysterious leader, The General, on the hunt for Flash Gordon and his friends. Meanwhile, Flash, Dale Arden, and Dr. Zarkov find themselves battling to save Mongo once again, teaming with their allies from 'The Mercy Wars', including Ming the Merciless!

The Holy One in Our Midst: An Essay on the Flesh of Christ aims to defend the doctrine of the extra Calvinisticum—the doctrine that maintains the Son of God was not restricted to the flesh of Christ during the incarnation—by arguing that it is logically coherent, biblically warranted, catholically orthodox, and theologically useful. It shows that none of the standard objections are devastating to the extra, that the doctrine is rooted in the claims of Christian Scripture and not merely a remnant of perfect being philosophical theology, and that the doctrine plays an important role in contemporary theological discussion. In this way, James R. Gordon revives an important Catholic doctrine that has fallen out of favor in contemporary theology. Secondarily, this project aims to integrate biblical, philosophical, and systematic theology by showing that the tools and methods of each distinct discipline can contribute to the goals and aims of the others.

This text attempts to shape definitions of the American science fiction film, studying the connection between the films and social preconceptions. It covers many classic films and discusses their import, seeking to rescue the genre from the neglect of film theorists. The book should appeal to both film buff and fans of science fiction.

Famous in the 1920s as a singer of Negro spirituals, Taylor Gordon was born into the only black family living in White Sulphur Springs, Montana. His rough-and-ready upbringing in that mining boom town is warmly remembered in Born to Be. Gordon describes with panache his early years in the Old West, where he was not aware of racial prejudice. As a boy he carried messages from civic leaders to the town madam, served drinks to the “sports,” and scurried up plenty of excitement. The book shows him leaving Montana for the East, experiencing the arrows of bigotry, chauffeuring for circus impresario John Ringling, and forging a singing career that won him a place in the Harlem Renaissance and an appointment with British royalty. Gordon finally returned to White Sulphur Springs—after an extraordinary career riddled with misfortune. But he was still flourishing at the age of thirty-six, when the autobiographical Born to Be ends.

From the star of Broadway's The Book of Mormon and HBO's Girls, the heartfelt and hilarious coming-of-age memoir of a Midwestern boy surviving bad auditions, bad relationships, and some really bad highlights as he chases his dreams in New York City With a new afterword • “Candid, funny, crisp . . . honest and tender about lessons of the heart.”—Vogue When Andrew Rannells left Nebraska for New York City in 1997, he, like many young hopefuls, saw the city as a chance to break free. To start over. To transform the fiercely ambitious but sexually confused teenager he saw in the mirror into the Broadway leading man of his dreams. In Too Much Is Not Enough, Rannells takes us on the journey of a twentysomething hungry to experience everything New York has to offer: new friends, wild nights, great art, standing ovations. At the heart of his hunger lies a powerful drive to reconcile the boy he was when he left Omaha with the man he desperately wants to be. As Rannells fumbles his way towards the Great White Way, he also shares the drama of failed auditions and behind-the-curtain romances, the heartbreak of losing his father at the height of his struggle, and the exhilaration of making his Broadway debut in Hairspray at the age of twenty-six. Along the way, he learns that you never really leave your past—or your family—behind; that the most painful, and perversely motivating, jobs are the ones you almost get; and that sometimes the most memorable nights with friends are marked not by the trendy club you danced at but by the recap over diner food afterward. Honest and hilarious, Too Much Is Not Enough is an unforgettable look at love, loss, and the powerful forces that determine who we become.

DIVDIVThree masterful tales of women in the grips of complicated and dangerous loves/divDIV The Rest of Life is comprised of three spellbinding novellas about women in love. In Immaculate Man, an agnostic New York divorcée finds herself in thrall to an unexpected passion for a Catholic priest—who is also desired by a former superior—and who becomes unmoored by the affair. Living at Home is set in London, and depicts the strange union between an English woman—a thrice-divorced doctor who works with autistic children—and an Italian man—a free-roaming journalist addicted to high-risk assignments. The title novella centers on the memories of an elderly Italian woman, recalling her days as a girl in the bloom of first love, who embarked on a suicide pact with her boyfriend, but was the only one not to follow through. /divDIV/div/div

During the glory days of the French Renaissance, young John Calvin (1509-1564) experienced a profound conversion to the faith of the Reformation. For the rest of his days he lived out the implications of that transformation—as exile, inspired reformer, and ultimately the dominant figure of the Protestant Reformation. Calvin's vision of the Christian religion has inspired many volumes of analysis, but this engaging biography examines a remarkable life. Bruce Gordon presents Calvin as a human being, a man at once brilliant, arrogant, charismatic, unforgiving, generous, and shrewd. The book explores with particular insight Calvin's self-conscious view of himself as prophet and apostle for his age and his struggle to tame a sense of his own superiority, perceived by others as arrogance. Gordon looks at Calvin's character, his maturing vision of God and humanity, his personal tragedies and failures, his extensive relationships with others, and the context within which he wrote and taught. What emerges is a man who devoted himself to the Church, inspiring and transforming the lives of others, especially those who suffered persecution for their religious beliefs.

Muddy Waters invented electric blues and created the template for the rock and roll band and its wild lifestyle. Gordon excavates Muddy's mysterious past and early career, taking us from Mississippi fields to postwar Chicago street corners.