In 2005, Alexander Hauser discovers that a secret government group has been kidnapping people with extra sensory abilities. Could this be the reason for his sister's disappearance in 1995? Alexander enlists the help of a bizarre psychic to help find and rescue his sister.

The making of literary reputations is as much a reflection of a writer's surrounding culture and politics as it is of the intrinsic quality and importance of his work. The current stature of George Orwell, commonly recognized as the foremost political journalist and essayist of the century, provides a notable instance of a writer whose legacy has been claimed from a host of contending political interests. The exemplary clarity and force of his style, the rectitude of his political judgment along with his personal integrity have made him, as he famously noted of Dickens, a writer well worth stealing. Thus, the intellectual battles over Orwell's posthumous career point up ambiguities in Orwell's own work as they do in the motives of his would-be heirs. John Rodden's George Orwell: The Politics of Literary Reputation, breaks new ground in bringing Orwell's work into proper focus while providing much original insight into the phenomenon of literary fame.Rodden's intent is to clarify who Orwell was as a writer during his lifetime and who he became after his death. He explores the dichotomies between the novelist and the essayist, the socialist and the anti-communist and the contrast between his day-to-day activities as a journalist and his latter-day elevation to political prophet and secular saint. Rodden's approach is both contextual and textual, analyzing available reception materials on Orwell along with audiences and publications decisive for shaping his reputation. He then offers a detailed historical and biographical interpretation of the reception scene analyzing how and why did individuals and audiences cast Orwell in their own images and how these projected images served their own political needs and aspirations. Examined here are the views of Orwell as quixotic moralist, socialist renegade, anarchist, English patriot, neo-conservative, forerunner of cultural studies, and even media and commercial star. Rodden concludes with a consideration of the meaning of Or

Wedding bells are ringing for psychic Abigail Cooper. But her senses are tingling that her fiancé, Dutch, is in danger. And he’s not the only one.… ON HER WEDDING DAY, ABBY’S A TICKING TIME BOMB. It’s said to be good luck if it rains on your wedding day, but Abby sees something darker than storm clouds on the horizon. She’s just had a disturbing premonition of her fiancé’s murder. Her husband-to-be has been assigned to a case involving a series of bombings, and Abby’s spirit guides warn her of imminent danger. FBI agent Dutch Rivers is keeping his cool, but Abby can’t quell her anxiety. After another bombing at a local beauty salon, Abby vows to do everything in her power to keep Dutch safe and get him to the altar. But on the morning of the ceremony, she finds herself in a dire situation, with time running out….

What happens when media and politics become forms of entertainment? As our world begins to look more and more like Orwell's 1984, Neil's Postman's essential guide to the modern media is more relevant than ever. "It's unlikely that Trump has ever read Amusing Ourselves to Death, but his ascent would not have surprised Postman.” -CNN Originally published in 1985, Neil Postman’s groundbreaking polemic about the corrosive effects of television on our politics and public discourse has been hailed as a twenty-first-century book published in the twentieth century. Now, with television joined by more sophisticated electronic media—from the Internet to cell phones to DVDs—it has taken on even greater significance. Amusing Ourselves to Death is a prophetic look at what happens when politics, journalism, education, and even religion become subject to the demands of entertainment. It is also a blueprint for regaining control of our media, so that they can serve our highest goals. “A brilliant, powerful, and important book. This is an indictment that Postman has laid down and, so far as I can see, an irrefutable one.” –Jonathan Yardley, The Washington Post Book World

These volumes bring together, from all over the world, papers from specialists working in all the diverse forms of energy derived from the sun. Experts in all fields of research in solar and renewable energy have also contributed an added feature: the latest research and developments in related areas such as wind energy, biomass, photovoltaics and energy conversion. Emphasis is placed on the many solutions solar and renewable energy offers to the global energy problem, and the different ways of combining solar and renewable energy to solve these problems. The work should stimulate readers to consider the broader horizons of renewable energy, energy conservation and the impact of new technologies on society...from the small remote village to the modern metropolis.

Skinner founded his career in "asset protection" on fear. To touch anyone under his protection was to invite destruction. A savagely effective methodology, until Skinner's CIA handlers began to fear him as much as his enemies did and banished him to the hinterlands of the intelligence community. Now, an ornate and evolving cyber-terrorist attack is about to end that long exile. His asset is Jae, a roboticist with a gift for seeing the underlying systems violently shaping a new era of global guerrilla warfare. At the root of it all is a young boy, the innocent seed of a plot grown in the slums of Mumbai. Brought to flower, that plot will tip the balance of world power in a perilous new direction. A combination of Le Carre spycraft with Stephenson techno-philosophy from the novelist hailed by the Washington Post as "the voice of twenty-first century crime fiction," Skinner is Charlie Huston's masterpiece -- a new kind of thriller for a new kind of world.

In characteristically daring style, Anthony Burgess combines two responses to Orwell's 1984 in one book. The first is a sharp analysis: through dialogues, parodies and essays, Burgess sheds new light on what he called 'an apocalyptic codex of our worst fears', creating a critique that is literature in its own right.Part two is Burgess' own dystopic vision, written in 1978. He skewers both the present and the future, describing a state where industrial disputes and social unrest compete with overwhelming surveillance, security concerns and the dominance of technology to make life a thing to be suffered rather than lived.Together these two works form a unique guide to one of the twentieth century's most talented, imaginative and prescient writers. Several decades later, Burgess' most singular work still stands.