I Look To The Mourning Sky: A Book of Poems and Writing Prompts for the Grieving Heart is a collection of poems for anyone who has experienced the immensity of loss. Its poems are written through the first year of grief and they seek to acknowledge the pain and complexity of this journey, which can be so isolating and overwhelming. While grief is a lifelong experience, it is something that is constantly changing and evolving. Its landscape is unpredictable and unrelenting. I Look to the Mourning Sky is a collection that seeks to meet people in the storms of their sadness and remind them that they aren't alone. Also included are twelve writing prompts centered around grief and processing. Whether your grief is fresh or you can't imagine a time you weren't carrying it, these poems and prompts are written with the goal of giving you a safe space to feel the ups and downs of loss and to heal in your own way at your own pace. Whether you are an avid writer or can't remember the last time you ever put pen to paper, these prompts are designed for you: to write your story, to share your story, to make sense of the things you don't say aloud. The love you still have for who and what you've lost is so deeply important. The chapters of their love and the pages of memories are yours to keep. Your grief, their story, and how it's helped you write yours: it matters. It all matters. I hope this helps you on your journey.

A masterful poetic exploration of the impact of Matthew Shepard’s murder on the world. On the night of October 6, 1998, a gay twenty-one-year-old college student named Matthew Shepard was kidnapped from a Wyoming bar by two young men, savagely beaten, tied to a remote fence, and left to die. Gay Awareness Week was beginning at the University of Wyoming, and the keynote speaker was Lesléa Newman, discussing her book Heather Has Two Mommies. Shaken, the author addressed the large audience that gathered, but she remained haunted by Matthew’s murder. October Mourning, a novel in verse, is her deeply felt response to the events of that tragic day. Using her poetic imagination, the author creates fictitious monologues from various points of view, including the fence Matthew was tied to, the stars that watched over him, the deer that kept him company, and Matthew himself. More than a decade later, this stunning cycle of sixty-eight poems serves as an illumination for readers too young to remember, and as a powerful, enduring tribute to Matthew Shepard’s life. Back matter includes an epilogue, an afterword, explanations of poetic forms, and resources.

As gentle as a summer rain, Liz Newman writes with a mellifluous style, reminiscent of the classical poets. There is a gentle, soothing syntax in her words, a lovely treas-ure trove of poetic compositions. The author addresses the very elements of life, crafting a book into sections which form the cornerstones of human experiences; Life, Love, Loss, and Learning. Each section is skillfully comprised of words that touch the soul.¿Your body is failing you, but so am I, be-cause I don¿t know how to save you,¿ is a heart-wrenching stanza from the poem, `Mu-tiny on Immunity.¿ For the reader, the feeling of the helplessness and impending loss is permeable and real. Throughout this beautiful book, there are hidden jewels which cause you to revisit the poems again and again. The author suggests that the poems herein can also be read randomly. I especially enjoyed that this book can be appreciated, regardless of where one chooses to read; each piece stands on their own merit. A debut for this author, Liz Newman has created a beautiful collection, a joy for readers who love a classically written compilation. Well done! Brenda-Lee Ranta author, Allegories

Elizabeth Meyer’s “sweet, touching, and funny” (Booklist) memoir reads as if “Carrie Bradshaw worked in a funeral home a la Six Feet Under” (Publishers Weekly, starred review). Good Mourning offers a behind-the-scenes look at a legendary funeral chapel on New York City’s Upper East Side—mixing big money, society drama, and the universal experience of grieving—told from the unique perspective of a fashionista turned funeral planner. Elizabeth Meyer stumbled upon a career in the midst of planning her own father’s funeral, which she turned into an upbeat party with Rolling Stones music, thousands of dollars worth of her mother’s favorite flowers, and a personalized eulogy. Starting as a receptionist, Meyer quickly found she had a knack for helping people cope with their grief, as well as creating fitting send-offs for some of the city’s most high-powered residents. Meyer has seen it all: two women who found out their deceased husband (yes, singular) was living a double life, a famous corpse with a missing brain, and funerals that cost more than most weddings. By turns illuminating, emotional, and darkly humorous, Good Mourning is a lesson in how the human heart grieves and grows—whether you’re wearing this season’s couture or drug-store flip-flops.

Speaking In Tears is the journey of a heartbroken mother to find the poetry in grief and the beauty in sorrow as she mourns the death of her young daughter. Our tears speak for themselves and in a language we can all decipher--joy, sorrow, anger, love, and grief--no interpretation is needed for their presence and the many stories they tell us. Speaking In Tears is a collection of poetry about grief and hope; pain and sorrow; and loss in its many varied forms."Grief is by far the most profound display of love." -Grace Andren

TikTok poet Shelby Leigh presents a moving and inspirational collection of poetry about growing up and embracing all the beauty life has to offer. The perfect gift for fans of Rupi Kaur, Connor Franta, and Cleo Wade. Shelby Leigh breaks up her poignant and reflective poetry collection into two themes: the anchor and the sail. While the anchor explores issues of insecurity, heartbreak, and anxiety, the sail focuses on healing and hope after the storm. With an emphasis on self-empowerment, changing with the tides is an evocative and celebratory set of poems for anyone who dreams of following their heart and embracing their true self.

“Red Sky at Morning is a minor marvel: it is a novel of paradox, of identity, of an overwhelming YES to life that embraces with wonder what we are pleased to call the human condition. In short, a work of art.” — Harper Lee Hailed by the Washington Post Book World as “a sort of Catcher in the Rye out West,” Richard Bradford’s Red Sky at Morning is the classic coming-of-age story set during World War II about the enduring spirit of youth and the values in life that count. In the summer of 1944, Frank Arnold, a wealthy shipbuilder in Mobile, Alabama, receives his volunteer commission in the U.S. Navy and moves his wife, Ann, and seventeen-year-old son, Josh, to the family’s summer home in the village of Corazon Sagrado, high in the New Mexico mountains. A true daughter of the Confederacy, Ann finds it impossible to cope with the quality of life in the largely Hispanic village and, in the company of Jimbob Buel—an insufferable, South-proud, professional houseguest—takes to bridge and sherry. Josh, on the other hand, becomes an integral member of the Sagrado community, forging friendships with his new classmates, with the town’s disreputable resident artist, and with Amadeo and Excilda Montoya, the couple hired by his father to care for their house. Josh narrates the story of his fateful year in Sagrado and, with irresistibly deadpan, irreverent humor, describes the events and people who influence his progress to maturity. Unhindered by his mother's disdain for these "tacky, dusty little Westerners," Josh comes into his own and into a young man's finely formed understanding of duty, responsibility, and love.

"A deeply personal landscape of revelation and loss that guides the reader toward catharsis." -- M. "Breathtaking." -- R. "These are some of the most beautiful poems I have ever read. I find myself reading them aloud, and I pause after each line. They resonate as when water droplets drop into water, outwards then inwards. I am crying right now." -- T. A few months after my mother died, I changed my name to Elyria. It was a rite of passage suggested by a dear friend who had lost a parent some years earlier. I wish my mother could read these poems. I know some of them would have made her cry, and sometimes that would have been what she needed. But more than that, I want you to read these poems. I know some of them will make you cry, and sometimes that will be what you need. I want you to read them, remember how to heal, learn to live with the hurts and the losses you carry -- take a deep breath -- and go on living. We are all alone in our grief, sometimes. But other times, we can take comfort in sharing our sorrow with those who understand loss. We come away stronger for it. That is my hope for you. all my love, Elyria

What do you want from me, I asked. Everything you're not prepared to offer, grief said. And so, we sat quietly, listening to the noise of our rabbit hearts, and gave our stories to each other. What if you learned to love the very thing you're scared of? conversation with grief is part of a series of three collections of poetry and prose taking the reader into the realization that learning about the 'big moments' in life means having raw and vulnerable conversations with yourself, with others, with memories, music, words, loss, and healing. In "conversation with grief", Tetyana sees a scale of life where grief and loss exist everywhere: within joy and pain, within beauty and tragedy. And ultimately, the hardest and most rewarding thing we can do is to sit with grief, talk to it, live with it like a friend we can learn from and heal with. Tetyana's writing has been called "haunting", "bold and lyrical", "completely heartbreaking", and a beautiful study of connection, humanity, and how we can all learn from each other's stories."