National Council for the Social Studies-Children’s Book Council: 2018 Notable Social Studies Trade Books for Young People An eye-opening introduction to an important issue The UN Convention on the Rights of the Child states that every child in the world has the right to play. Unfortunately, that universal right is not always respected. I Like, I Don't Like presents this reality to readers by showing how children in varying circumstances can see the same object very differently. With stark illustrations that perfectly capture the tone of the book, I Like, I Don't Like will inspire meaningful discussions about privilege and poverty.

I like bees . . . but I don't like honey!I like my imaginary friend . . . but I don't like it when people say he's not real. A beautifully illustrated, funny and thought-provoking book for building confidence and encouraging children to express their feelings - about anything and everything. This book will help enable a much broader conversation about individuality, fear and hopes.All author royalties are being donated to the NSPCC.

What’s not to love about a cute, cuddly...creepy toy koala? This is the story of a boy and the stuffed animal he just can’t seem to shake. Adam does not like Koala. Koala is a little creepy. Adam tries explaining this to his parents. He tries putting Koala away—far away. He tries taking Koala on a long, long walk. Nothing works. Will Adam ever be rid of Koala? This darkly funny debut picture book from Sean Ferrell and Charles Santoso celebrates imagination and bravery while addressing a universal childhood dilemma: what to do about that one stuffed animal who just won’t stop staring at you.

How do you love and not like the same thing at the same time? This was the riddle that met Mississippi writer B. Brian Foster when he returned to his home state to learn about Black culture and found himself hearing about the blues. One moment, Black Mississippians would say they knew and appreciated the blues. The next, they would say they didn't like it. For five years, Foster listened and asked: "How?" "Why not?" "Will it ever change?" This is the story of the answers to his questions. In this illuminating work, Foster takes us where not many blues writers and scholars have gone: into the homes, memories, speculative visions, and lifeworlds of Black folks in contemporary Mississippi to hear what they have to say about the blues and all that has come about since their forebears first sang them. In so doing, Foster urges us to think differently about race, place, and community development and models a different way of hearing the sounds of Black life, a method that he calls listening for the backbeat.

Once upon a time there was a little girl called Mabel. A girl who didn't like books. She used them for all sorts of things, from juggling to sledging, but she never looked at the stories inside. Until the books decided they had had enough!

Mike the mouse isn't like other mice. He just won't eat cheese. Fortunately, Ashley, the little human girl who lives in the house, feeds him lots of tasty treats: like pizza and tacos. But, hold on, don't those have cheese in them? This delightful picture book explores how even the fussiest eaters can be tempted to try new flavors. And, if you're anything like Mike, you might find you develop quite a taste for international cuisine along the way! Written by Hannah Chandler when she was just 11 years old, I Don't Like Cheese is hopefully the first of several adventures featuring Mike; now 12, Hannah is already planning the sequel.

The family dog tries to cope with the arrival of a new pet. This is a humorous book taking a sideways look at the chaos caused by new arrivals! Colin the dog is not happy. A newcomer has arrived: Gloria the cat. Gloria eats from Colin's bowl, takes up residence in Colin's basket, and becomes the all-round centre of attention. But hey. What's this? A box has arrived. Jeffrey the rabbit has come to live with them. Colin and Gloria finally come to agree on something: We really don't like Jeffrey!

A writer's journey with the fan bases of Phish and Insane Clown Posse describes his unexpected discovery of how both groups have tapped the human need for community, a finding that coincided with his diagnosis of bipolar disorder.

“America’s funniest science writer” (Washington Post) explores the irresistibly strange universe of life without gravity in this New York Times bestseller. The best-selling author of Stiff and Bonk explores the irresistibly strange universe of space travel and life without gravity. From the Space Shuttle training toilet to a crash test of NASA’s new space capsule, Mary Roach takes us on the surreally entertaining trip into the science of life in space and space on Earth.

“Nothing short of riveting...an engrossing first-person account by one of our finest actors” (Huffington Post)—both a coming-of-age story and a meditation on creativity, devotion, and craft—Bryan Cranston, beloved and acclaimed star of one of history’s most successful TV shows, Breaking Bad. Bryan Cranston began his acting career at the age of seven, when his father, a struggling actor and sometime director, cast him in a commercial for United Way. By fifth grade he was starring in the school play, spending hours at the local movie theater, and re-enacting favorite scenes with his brother in their living room. Cranston seemed destined to be an actor. But then his father left. And his family fell apart. Troubled by his father’s missteps, Cranston abandoned his acting aspirations and resolved to pursue a steadier career in law enforcement. Then, on a two-year cross-country motorcycle journey, Cranston re-discovered his talent for acting and found his mission and his calling. In this “must-read memoir” (The Philadelphia Inquirer), Cranston traces the many roles he inhabited throughout his remarkable life, both on and off screen. For the first time he shares the story of his early years as an actor on the soap opera Loving, his recurring spots on Seinfeld, and his time as bumbling father Hal on Malcolm in the Middle, to his tour-de-force, Tony-winning performance as Lyndon Baines Johnson in Broadway’s All the Way, to his most iconic role of all: Breaking Bad’s Walter White. “An illuminating window into the actor’s psyche” (People), Cranston has much to say about creativity, devotion, and craft, as well as innate talent and its challenges and benefits and proper maintenance. “By turns gritty, funny, and sad” (Entertainment Weekly), ultimately A Life in Parts is a story about the joy, the necessity, and the transformative power of simple hard work.