A vivid, groundbreaking history of the legacies of slavery in an elite Northern town as told by its Black residents I Hear My People Singing shines a light on a small but historic Black neighborhood at the heart of one of the most elite and world-renowned Ivy-League towns—Princeton, New Jersey. The vivid first-person accounts of more than fifty Black residents detail aspects of their lives throughout the twentieth century. Their stories show that the roots of Princeton’s African American community are as deeply intertwined with the town and university as they are with the history of the United States, the legacies of slavery, and the nation’s current conversations on race. Drawn from an oral history collaboration with residents of the Witherspoon-Jackson neighborhood, Princeton undergraduates, and their professor, Kathryn Watterson, neighbors speak candidly about Jim Crow segregation, the consequences of school integration, World Wars I and II, and the struggles for equal opportunities and civil rights. Despite three centuries of legal and economic obstacles, African American residents have created a flourishing, ethical, and humane neighborhood in which to raise their children, care for the sick and elderly, worship, stand their ground, and celebrate life. Abundantly filled with photographs, I Hear My People Singing personalizes the injustices faced by generations of Black Princetonians—including the famed Paul Robeson—and highlights the community’s remarkable achievements. The introductions to each chapter provide historical context, as does the book’s foreword by noted scholar, theologian, and activist Cornel West. An intimate testament of the Black community’s resilience and ingenuity, I Hear My People Singing adds a never-before-compiled account of poignant Black experience to an American narrative that needs to be heard now more than ever.

"I Hear My People Singing shines light on a historic Black neighborhood in the heart of Princeton, New Jersey. Some 50 first-person accounts, drawn from an oral history collaboration of African American residents, Princeton undergraduates, and their professor, Kathryn Watterson, detail life in this northern Jim Crow town for the past three centuries. Their stories reveal how the community's roots are intertwined with the enslaved people who were key to building the town and a university whose first nine presidents were slave owners. Chapter introductions provide context, as does the foreword by scholar, theologian, and activist Cornel West. Alive with photographs, I Hear My People Singing offers a narrative of inspiring Black experience that contributes to and illuminates the history of the United States and the nation's conversations on race."--Back cover.

The first edition of American Popular Music introduces the history and influence of American music within the broader context of American culture. It reveals how the history of American music connects to contemporary popular music through specific examples showing how past styles and performers have influenced current musical styles. Presents a balanced, accurate, and comprehensive portrayal of American popular music within a narrative, conversational style while discussing various musical styles and performers in a larger social and historical context that provides a larger perspective on American cultural history. The book relates the development of each musical genre to its historical period and places individual performers and styles within their larger social or artistic context. It includes numerous excerpts from literary works that reveal the tremendous influence popular music has had on American culture. It also presents over 300 photos and illustrations, including album covers, posters, sheet music illustrations, and song lyrics. An important reference for any reader interested in the history of American popular music.

Acclaimed poet and MacArthur Foundation Fellow, Lucia Perillo, a former park ranger who loved to hike the Cascade Mountains alone and prided herself on daring solo skis down the wild slopes of Mount Rainier, was diagnosed with multiple sclerosis when she was in her thirties. I've Heard the Vultures Singing is a clear-eyed and brazenly outspoken examination of her life as a person with disabilities. In unwavering and witty prose, and without a trace of self-pity, she contemplates the bitter ironies of being unable to walk, what it’s like to experience eros as a sick person, how to lower one’s expectations for a wilderness experience, and how to deal with the vagaries of a disease that has no predictable trajectory. Masterfully written, the essays resonate with lovers of literature and nature, and with anyone who has dealt with disadvantages of the body or the hard-luck limitations of ordinary life.

Whitman's famous poem, accompanied by linoleum-cut illustrations, depicts people at work all over an earlier America.

'An open door to the joyous world of singing.' - Cerys Matthews Singing is one thing, but singing together is something else. Powerful and uplifting, group singing creates deep human connections and benefits our wellbeing. And it's fun. Vocal leader James Sills believes that group singing has the power to change lives. It is a joyful expression of our humanity that gives us purpose, encourages us to be fully present, and helps foster social bonds. In Do Sing, James invites us to reflect on our own singing journey. Was there a time when you stopped singing, or were told you couldn't sing? Do certain songs trigger happy memories? With exercises to help unlock your voice, improve breathing, release tension, and a few simple songs to get started, Do Sing will help you to overcome (often deep-rooted) inhibitions and reawaken a love of singing. Do Sing is a welcome remedy to the demands of modern life – and an invitation to experience the joy of group singing for yourself.

David Jovane though he knew what the future held for him when he set sail for a country far from his homeland. But the Gods of the descendants of the Mrandau people had a different path for him to travel. A gentle Goaharan High Priest and the Chief of the Goaharan peoples, Hercylan saved him, but the Witchdoctor,Kuro of the Manlu, is a sadistic cruel man who ruled his people and their Chief, Faneo, with fear. Kuro being filled with hate and greed, causes jealousy to arise and the results were those neither could have foreseen

Asteroids, wars, volcanoes, and earthquakes continue to plague the earth. In spite of the incessant warnings to repent, a vast majority of people choose to turn away from God's salvation and pursue their own destinies; but the Lord is not one to be mocked by unbelievers or withhold his justice from the world. Ultimately when God ushers in the millennium, he establishes a righteous global government and restores creation to its original design of peace and abundance. With Satan in bondage, humankind flourishes under God's bountiful care and provision without any demonic influence to upset the balance. Yet after a thousand years, humanity corrupts God's creation. How can people fall so far from grace when given upright leaders and a perfect environment? Read this story to discover the answer. Biblical prophets predicted the millennium's outcome thousands of years ago and now you can unravel their prophetic teachings through the characters in this book. Be strong. Be courageous. Push aside the writings of Nostradamus or Rasputin and read what John, Isaiah, and Ezekiel describe as God's final strategy for heaven and earth--and humankind's place in this future world.

"A ... memoir-in-essays that tackles the big questions of life, death, and existential fear with humor and hope"--

“The last novel where I rooted for every character, and the last to make me cry.” - Marlon James, Elle From the Pulitzer Prize–winning author of The Overstory and the Oprah's Book Club selection Bewilderment comes Richard Powers's magnificent, multifaceted novel about a supremely gifted—and divided—family, set against the backdrop of postwar America. On Easter day, 1939, at Marian Anderson’s epochal concert on the Washington Mall, David Strom, a German Jewish émigré scientist, meets Delia Daley, a young Black Philadelphian studying to be a singer. Their mutual love of music draws them together, and—against all odds and their better judgment—they marry. They vow to raise their children beyond time, beyond identity, steeped only in song. Jonah, Joseph, and Ruth grow up, however, during the civil rights era, coming of age in the violent 1960s, and living out adulthood in the racially retrenched late century. Jonah, the eldest, “whose voice could make heads of state repent,” follows a life in his parents’ beloved classical music. Ruth, the youngest, devotes herself to community activism and repudiates the white culture her brother represents. Joseph, the middle child and the narrator of this generation-bridging tale, struggles to find himself and remain connected to them both. Richard Powers's The Time of Our Singing is a story of self-invention, allegiance, race, cultural ownership, the compromised power of music, and the tangled loops of time that rewrite all belonging.