My name is Sebastian Lindstrom, and I'm the villain of this story. I've decided to lay myself bare. To tell the truth for once in my hollow life, no matter how dark it gets. And I can assure you, it will get so dark that you'll find yourself feeling around the blackened corners of my mind, seeking a door handle that isn't there. Don't mistake this for a confession. I neither seek forgiveness nor would I accept it. My sins are my own. They keep me company. Instead, this is the true tale of how I found her, how I stole her, and how I lost her. She was a damsel, one who already had her white knight. But every fairy tale has a villain, someone waiting in the wings to rip it all down. A scoundrel who will set the world on fire if that means he gets what he wants. That's me. I'm the bad guy.

“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."

The gripping first installment in New York Times bestselling author Tahereh Mafi’s Shatter Me series. One touch is all it takes. One touch, and Juliette Ferrars can leave a fully grown man gasping for air. One touch, and she can kill. No one knows why Juliette has such incredible power. It feels like a curse, a burden that one person alone could never bear. But The Reestablishment sees it as a gift, sees her as an opportunity. An opportunity for a deadly weapon. Juliette has never fought for herself before. But when she’s reunited with the one person who ever cared about her, she finds a strength she never knew she had. And don’t miss Defy Me, the shocking fifth book in the Shatter Me series!

Have you ever been made to feel like the bad guy? Dr. bird has too. In this brief memoir, they reveal secrets about their life that they have kept hidden for over thirty years regarding compulsory heterosexuality, repressed/unexplored queernesses, and the late in life realization that -- turns out -- they're #actuallyautistic! Retold from their 33-year-old Dr. bird’s eye view, these extensively brave disclosures add one whole lifetime of flesh onto the U.S. body politic. This timely manuscript illuminates, historicizes, and contextualizes the f***ing fact that autism is not “just a trend” taking off just on TikTok recently, but that there are massive neuroqueer self-realizations happening worldwide in the algorithmic envirusment age. Dr. bird’s writing puts the “cut-the-shit” into “slice-of-life,” providing deep and raw disclosures of lifelong confusion, gaslighting, and struggles with family ostracization, friendship loss, vulnerability, sexual violence, and substance abuse. After extensive sharing, it’s time to grieve. They usher in a eulogy for their lifetimes that once were, by diagnosing how foundational U.S. ideas did and continue to dehumanize, sicken, disable, and deaden us. Then, they preach to the global choir about the single most connected time in history. Dr. bird has a lot more puns and trauma than answers, but in the end, recommends some liberatory antibodies for moving forward, far less miserably.

How to live confidently for Jesus in today's world. The church used to be recognized as a force for good, but this is changing rapidly. Christians are now often seen as the bad guys, losing both respect and influence. In our post-Christian culture, how do we offer the gospel to those around us who view it as not only wrong but possibly dangerous? And how do we ensure that the secular worldview does not entice us away with its constant barrage, online and elsewhere, of messages about self-determinism? Author Stephen McAlpine offers an analysis of how our culture ended up this way and explains key points of tension between biblical Christianity and secular culture. He encourages Christians not to be ashamed of the gospel as it is more liberating, fulfilling and joyful than anything the world has to offer. He also offers strategies for coping in this world, with its opposing values, and for reaching out to others wisely with the truth.

“Fans of the crime caper will rejoice” that Linwood Barclay is back with the hilarious follow-up to his “riotously funny and irreverent”* debut, in which paranoid pop Zack Walker plotted to transplant his city-savvy wife and two teenage kids to the tranquillity of the burbs–where planned communities prevail and fathers rest easy. Well, not quite…and now the Walkers have moved home only to find themselves living in the precarious crosshairs of urban sprawl once again, and Zack can’t help but be worried–really worried–that just around the corner lurks the presence of some really bad guys. Zack is back, and much to his family’s relief, the work-at-home science-fiction writer has left the house to take a job as a features writer for the city paper. But now that Zack’s incessant plotting can no longer be hatched from the comforts of his own home, he must be ever more vigilant to outwit the evil at large, whether in the suburbs, the city, or his own imagination. Zack is ready…or so he thinks. While researching his first feature article, Zack stumbles upon a real-life crime scene, but what seems like an ordinary hit-and-run may actually be a homicide linked to a gang that’s been burglarizing Crandall’s high-end shops. Suddenly Zack finds himself at the center of a violent crime wave and destined for a confrontation with Barbie Bullock, an unsettling figure infamous in the crime syndicate for his ruthless business tactics and peculiar proclivity for collecting dolls. And all is not quiet on the home front either. Zack’s protective instincts launch into overdrive when he discovers that his daughter’s rejected suitor has been tracing her every step and may harbor a much more ominous motivation than winning a Saturday night date. Nor does his son’s strange behavior and recent friendship with a creepy computer recluse inspire joy in a father’s heart. As worlds begin to collide and boundaries between family and foe blur, Zack goes on the attack, and heaven help the bad guys when this resourceful father comes to make good on a deal gone bad.

She shot him just above the belt and left him for dead. Then they torched the house, with Parker in it, and took the money he had helped them steal. It all went down just the way they'd planned, except for one thing: Parker didn't die. In The Hunter, the first volume in the Parker series, our ruthless antihero roars into New York City, seeking revenge on the woman who betrayed him and on the man who took his money, stealing and scamming his way to redemption. The volume that kickstarted Parker's forty-plus-year career of larceny—and inspired the 1967 motion picture Point Blank, starring Lee Marvin—The Hunter is back, ready to thrill a new generation of noir fans.

Brian Donlevy (1901-1972) was an underrated film actor with surprising range and a little-heralded gift for comedy. Often typecast as a villain, he played the definitive bad guy in such films as Destry Rides Again, Union Pacific and Beau Geste (all in 1939). He showed his versatility in the title role of Preston Sturges' political satire The Great McGinty (1940) and impressed both New York critics and the Soviet government as the cooly authoritative Major Caton in Wake Island (1942). Donlevy was fondly remembered as globe-trotting U.S. Special Agent Steve Mitchell in the television series Dangerous Assignment (1952) and as Professor Quatermass in two acclaimed science fiction films. This first ever biography of Donlevy covers his colorful early life as a boy soldier, his years playing comedy roles on Broadway and his long career in Hollywood.

WINNER OF THE AMERICAN LIBRARY ASSOCIATION’S BEST HORROR NOVEL OF THE YEAR “As much F. Scott Fitzgerald as Dean Koontz” (#1 New York Times bestselling author Patricia Briggs), Christopher Buehlman excels in twisting the familiar into newfound dread in his “genre-bending” (California Literary Review) novels. Now the acclaimed author of Those Across the River delivers his most disquieting tale yet... The secret is, vampires are real and I am one. The secret is, I’m stealing from you what is most truly yours and I’m not sorry... New York City in 1978 is a dirty, dangerous place to live. And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks. The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy. Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were. And neither are the rest of us.

Just yesterday, Ben was a petty thief who got a little too invested in the lives of one of his marks. Today, he's got a new name, a new face, and a new body, and he's watching the Glaton City Guard fight a twenty-foot-tall ooze that crawled forth from the sewers. Tomorrow, he'll need to join a guild, save a girl, steal a crown, and most importantly, convince an innkeep about the gloriousness of chicken fingers.